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Mkfont
Mkfont is the tool that is used to import a font from TrueType / OpenType format and convert it into the libdragon native .font64
format. Mkfont is a sophisticated tool that performs many advanced optimizations automatically depending on the provided file. This page explains the various options and give some examples of the possible conversions.
If you want to learn how to draw text on the screen using a .font64
file crated by Mkfont, you can have a look at the documentation at the top of rdpq_text.h to get a feeling of the API. The documentation there contains also several examples.
In its most basic usage, just call mkfont
specifying the truetype font:
$ $N64_INST/bin/mkfont Roboto-Medium.ttf
This will generate a file called Roboto-Medium.font64
in the same directory, that can be directly used with rdpq. For instance:
const int ROBOTO = 1;
rdpq_text_register_font(ROBOTO, rdpq_font_load("rom:/Roboto-Medium.font64"));
[...]
rdpq_text_printf(NULL, ROBOTO, 100, 100, "Hello, world!");
You will normally want to run this as part of your Makefile (see fontdemo's Makefile for an example), but running mkfont
manually can be useful to test its features.
Tip
If you use libdragon docker, remember to use libdragon exec mkfont
to run mkfont, or any other tool.
These are the command line options supported by mkfont:
mkfont -- Convert TTF/OTF fonts into the font64 format for libdragon
Usage: ./mkfont [flags] <input files...>
Command-line flags:
-o/--output <dir> Specify output directory (default: .)
-v/--verbose Verbose output
--no-kerning Do not export kerning information
--ellipsis <cp>,<reps> Select glyph and repetitions to use for ellipsis (default: 2E,3)
-c/--compress <level> Compress output files (default: 1)
-d/--debug Dump also debug images
TTF/OTF specific flags:
-s/--size <pt> Point size of the font (default: whatever the font defaults to)
-r/--range <start-stop> Range of unicode codepoints to convert, as hex values (default: 20-7F)
Can be specified multiple times. Use "--range all" to extract all
glyphs in the font.
--monochrome Force monochrome output, with no aliasing (default: off)
--outline <width> Add outline to font, specifying its width in (fractional) pixels
It is possible to convert multiple ranges of codepoints, by specifying
--range more than one time.
This is probably the most common option that you will likely need to use. It specifies the font height in pixels at which the font should be exported. Notice that, contrary to most TrueType fonts, font64 fonts are composed with bitmaps so they cannot be resized at runtime (well they could, but they'd look horrible). The bigger the size, the bigger will be the font64 file and thus the number of different textures that the font will be split upon.
For instance, the ASCII subset of Roboto at size 13 can be exported into a single 86x64 font atlas:
$ $N64_INST/bin/mkfont -v --size 13 Roboto-Medium.ttf
Converting: Roboto-Medium.ttf -> ./Roboto-Medium.font64
asc: 13 dec: -4 scalable:1 fixed:0
processing codepoint range: 0020 - 007F
aliased glyphs detected (format: 4 bpp)
created atlas 0: 86 x 64 pixels (94 glyphs)
collecting kerning information
compressed: ./Roboto-Medium.font64 (4680 -> 3459, ratio 73.9%)
But if you try to raise the size to 16, it ends up being split into two atlases:
$ $N64_INST/bin/mkfont -v --size 16 Roboto-Medium.ttf
Converting: Roboto-Medium.ttf -> ./Roboto-Medium.font64
processing codepoint range: 0020 - 007F
aliased glyphs detected (format: 4 bpp)
created atlas 0: 126 x 64 pixels (83 glyphs)
created atlas 1: 14 x 60 pixels (11 glyphs)
collecting kerning information
compressed: ./Roboto-Medium.font64 (6592 -> 4699, ratio 71.3%)
First atlas:
Second atlas:
Multiple atlases are handled just as well at runtime by minimizing texture loads and switches, but they are still more resource intensive to handle.
By default, mkfont
only exports glyphs in the ASCII range. Nonetheless, rdpq_text and mkfont are fully Unicode aware: all printing functions accept UTF-8 strings, and mkfont is able to generate fonts with glyphs coming from the full Unicode range.
To export more glyphs, you must explicitly use --range
, possibly multiple times, to specify range of glyphs that you want to be exported. Please refer to an Unicode range table to quickly find interesting ranges of codepoints.
For instance, if you want to also export Katakana glyphs to be able to write Japanese text, use:
$ $N64_INST/bin/mkfont -v --size 13 --range 20-7F --range 30A0—30FF arial-unicode-ms.ttf
Converting: arial-unicode-ms.ttf -> ./arial-unicode-ms.font64
processing codepoint range: 0020 - 007F
aliased glyphs detected (format: 4 bpp)
created atlas 0: 192 x 28 pixels (94 glyphs)
processing codepoint range: 30A0 - 30FF
created atlas 0: 128 x 64 pixels (69 glyphs)
created atlas 1: 80 x 28 pixels (25 glyphs)
compressed: ./arial-unicode-ms.font64 (11560 -> 7214, ratio 62.4%)
In the above example, mkfont generates one atlas for the ASCII range, and two of them for the Katakana range. mkfont will always generate disjoint atlases for different ranges. This is because normally characters from different ranges are less likely to be used in the same text (eg: how many times the same text will mix Japanese and Greek glyphs?), with the obvious exceptions of ASCII characters.
By default, mkfont exports kerning information from the TTF font, if provided. Kerning allows font designers to specify spacing adjustments between specific couple of glyphs. The screenshots show a typical kerning adjustment, where some spacing is remove between the letters T
and a
, as the a
glyph is small enough.
Left image is without kerning adjustments, right image is with kerning adjustment.
Kerning does increase .font64
file size and brings some very tiny runtime overhead. For instance, the Pacifico font used in these screenshots is 10568 bytes (with default libdragon compression), and its size can be reduced to 9821 bytes by disabling kerning.
Normally, it is suggested to leave kerning on, unless the performance must be kept to the bare minimum (though in that case, it might be better to choose a font that doesn't require kerning rather than ignoring the kerning that the designer thought it was needed).
This option allows to configure the glyph to use as ellipsis when drawing in the WRAP_ELLIPSES
word wrap mode. rdpq_text allows to specify several word wrap modes:
typedef enum {
WRAP_NONE = 0, ///< Truncate the text (if any)
WRAP_ELLIPSES = 1, ///< Truncate the text adding ellipsis (if any)
WRAP_CHAR = 2, ///< Wrap at character boundaries
WRAP_WORD = 3, ///< Wrap at word boundaries
} rdpq_textwrap_t;
which can be specified as text parameters:
typedef struct rdpq_textparms_s {
int16_t width; ///< Maximum horizontal width of the paragraph, in pixels (0 if unbounded)
int16_t height; ///< Maximum vertical height of the paragraph, in pixels (0 if unbounded)
[...]
rdpq_textwrap_t wrap; ///< Wrap mode
When WRAP_ELLIPSES
is specified, the text is truncated to the specified width, and the ellipsis character is inserted to show elision:
By default, three ASCII full stops (U+2E .
) are inserted as ellipses, but --ellipses
allows to configure this. It is possible in fact to specify a custom codepoit