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<!DOCTYPE html>
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<head>
<title>Philosophy of Technology & Media</title>
<link rel="stylesheet" type="text/css" href="styles.css">
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<body>
<h1>Philosophy of Technology & Media</h1>
<p>
Technology & media commonly represent both the subject-object relation (the difference between persons & things) & the history-nature relation (the difference between humanity & the non-human). By this almost self-evident relationality (production-consumption) they are better suited than many other topics for discussing the philosophical sense of the 'idea', which is a structure that makes interdependent what is subjective & objective. To counterbalance the typical one-sided objectivist concern for technology & media, we might consider the features of subjectivity that come into play with any actual existence of them, namely in their use by beings who are ... </p>
<ul>
<li >speaking</li>
<li>feeling</li>
<li>imagining</li>
<li>acting</li>
</ul>
<p>Explore these diagrams of those aspects for their relevance to technology & media.</p>
<figure>
<img src="diagram;Pasquinelli;EvolutionofMachinicIntelligencecopy.jpg">
<figcaption><a class="ununderlined" href="https://www.academia.edu/15275569/The_Evolution_of_Machinic_Intelligence_map_">The Evolution of Machinic Intelligence<br>Mattero Pasquinelli.</a>
</figcaption>
</figure>
<figure>
<img src="diagram;Ortony,Clore,Collins1988;globalstructureofemotiontypescopy.bmp">
<figcaption>
<a class="ununderlined" href="https://www.amazon.com/Cognitive-Structure-Emotions-Andrew-Ortony/dp/0521386640">Global Structure of the Emotions<br>Ortony, Clore, Collins 1988; The Cognitive Structure of Emotions.</a>
</figcaption>
</figure>
<figure>
<img src="diagram;op-al;Research2-(16)copy.jpg">
<figcaption>
<a class="ununderlined" href="http://www.op-al.com/">Artist Chapel<br>op.AL Architecture & Design</a>
</figcaption>
</figure>
<figure>
<img src="diagram;ComponentsofAction;Bhaskar2008;Dialectic,thePulseofFreedomcopy.png">
<figcaption>
<a class="ununderlined" href="https://www.amazon.com/Dialectic-Freedom-Classical-Critical-Routledge/dp/0415454913">The Components of Action<br>Bhaskar 2008; Dialectic, the Pulse of Freedom.</a>
</figcaption>
</figure>
<table>
<tr>
<th>theorist</th>
<th>period lived</th>
<th>subject (specialization)</th>
<th>object (investigation)</th>
<th>major work</th>
</tr>
<tr>
<td>Gilbert Simondon</td>
<td>1924-1989</td>
<td>philosopher</td>
<td>technology</td>
<td><a class="ununderlined" href="https://www.amazon.com/Mode-Existence-Technical-Objects-Univocal/dp/1937561038">1958. On the Mode of Existence of Technical Objects.</a></td>
</tr>
<tr>
<td>Regis Debray</td>
<td>1940-</td>
<td>journalist</td>
<td>media</td>
<td><a class="ununderlined" href="https://www.amazon.com/Media-Manifestos-Technological-Transmission-Cultural/dp/1859840876">1994. Media Manifestos: Technological Transmission of Cultural Forms.</a></td>
</tr>
<tr>
<td>Niklas Luhmann</td>
<td>1927-1998</td>
<td>sociologist</td>
<td>systems</td>
<td><a class="ununderlined" href="https://www.amazon.com/Art-Social-System-Meridian-Aesthetics/dp/0804739072">1995. Art as Social System.</a></td>
</tr>
<tr>
<td>Alfred North Whitehead</td>
<td>1861-1947</td>
<td>mathematician</td>
<td>process</td>
<td><a class="ununderlined" href="https://www.amazon.com/Process-Lectures-Delivered-University-Edinburgh/dp/0029345707">1929. Process & Reality.</a></td>
</tr>
<tr>
<td>Andre Leroi-Gourhan</td>
<td>1911-1986</td>
<td>archaeologist</td>
<td>artifactuality</td>
<td><a class="ununderlined" href="https://www.amazon.com/Gesture-Speech-October-Books-Leroi-Gourhan/dp/0262121735">1964. Gesture & Speech.</a></td>
</tr>
<tr>
<td>Bernard Stiegler</td>
<td>1952-</td>
<td>philosopher</td>
<td>mnemotechnics</td>
<td> <a class="ununderlined" href="https://www.amazon.com/Technics-Time-Cinematic-Question-Aesthetics/dp/080476168X">2001. Technics & Time 3.</a></td>
</tr>
<tr>
<td>Rene Thom</td>
<td>1923-2002</td>
<td>mathematician</td>
<td>morphogenesis</td>
<td><a class="ununderlined" href="https://www.amazon.com/Structural-Stability-Morphogenesis-Advanced-Classics/dp/0201406853">1972. Structural Stability & Morphogenesis.</a></td>
</tr>
<tr>
<td>Freidrich Kittler</td>
<td>1943-2011</td>
<td>literary scholar</td>
<td>prostheticity</td>
<td><a class="ununderlined" href="https://www.amazon.com/Gramophone-Film-Typewriter-Writing-Science/dp/0804732337">1986. Gramophone, Film, Typewriter.</a></td>
</tr>
<tr>
<td>Donella Meadows</td>
<td>1941-2001</td>
<td>environmental scientist</td>
<td>feedback</td>
<td><a class="ununderlined" href="https://www.amazon.com/Thinking-Systems-Donella-H-Meadows/dp/1603580557">2007. Thinking in Systems.</a></td>
</tr>
<tr>
<td>Lewis Mumford</td>
<td>1995-1990</td>
<td>historian</td>
<td>mechanization</td>
<td><a class="ununderlined" href="https://www.amazon.com/Technics-Civilization-Lewis-Mumford/dp/0226550273">1934. Technics & Civilization.</a></td>
</tr>
<tr>
<td>Roland Barthes</td>
<td>1915-1980</td>
<td>linguist</td>
<td>semiosis</td>
<td><a class="ununderlined" href="https://www.amazon.com/Elements-Semiology-Roland-Barthes/dp/0374521468">1964. Elements of Semiology.</a></td>
</tr>
<tr>
<td>Umberto Eco</td>
<td>1932-2016</td>
<td>literary critic</td>
<td>idiolects</td>
<td><a class="ununderlined" href="https://www.amazon.com/Semiotics-Philosophy-Language-Advances/dp/0253203988">1984. Semiotics & the Philosophy of Language.</a></td>
</tr>
<tr>
<td>Gregory Bateson</td>
<td>1904-1980</td>
<td>anthropologist</td>
<td>cybernetics</td>
<td><a class="ununderlined" href="https://www.amazon.com/Steps-Ecology-Mind-Anthropology-Epistemology/dp/0226039056">1972. Steps to an Ecology of Mind.</a></td>
</tr>
<tr>
<td>Andrew Feenburg</td>
<td>1943-</td>
<td>critical theorist</td>
<td>instrumentalization</td>
<td><a class="ununderlined" href="https://www.amazon.com/Questioning-Technology-Andrew-Feenberg/dp/0415197554">1999. Questioning Technology.</a></td>
</tr>
<tr>
<td>Richard Doyle</td>
<td>NA</td>
<td>artificial life scholar</td>
<td>wetware</td>
<td><a class="ununderlined" href="https://www.amazon.com/Wetwares-Experiments-Postvital-Living-Theory/dp/0816640092">2003. Wetwares: Experiments Postvital Living.</a></td>
</tr>
<tr>
<td>Lev Manovich</td>
<td>1960-</td>
<td>CS scholar</td>
<td>hybridity</td>
<td><a class="ununderlined" href="https://www.amazon.com/Software-Command-International-Critical-Aesthetics/dp/1623567459">2013. Software Takes Command.</a></td>
</tr>
<tr>
<td>Lawrence Lessig</td>
<td>1961-</td>
<td>software scholar</td>
<td>laws</td>
<td><a class="ununderlined" href="https://www.amazon.com/Code-Other-Laws-Cyberspace-Version/dp/0465039146">2006. Code 2.0.</a></td>
</tr>
</table>
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<p id="comparison">For website comparison, <a href="http://scholar.lib.vt.edu/ejournals/SPT/v4_n3html/LEIDLMAI.html">From the Philosophy of Technology to the Theory of Media</a> is good because of the relatively greater depth of discussion but bad because of the lack of variety of structure, or inclusion of media, images, videos, interactivity, etc. Despite having possible style & scripting files linked, it is an eyesore reading experience & navigation to further articles is restricted to the campus network.
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