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TNGS011.TXT
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ODDITIES
11.1 - AUGMENTED/WHOLETONE TUNINGS (Magic Dick thought of these too!!
ALSO - UK PAT# 2,009,999, JAPANESE PAT# 54092828, HONG KONG PAT# 30287, DUTCH PAT# 7904280, FRENCH PAT# 2423022, GERMANY PAT#2852824 by Capper Styles, 1979; and UK PAT# 2120442, JAPANESE PAT# 58146293, GERMAN PAT# 3310780 by Okumoto, 1983)
BLOW F A C# F A C# F A C# F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW G B D# G B D# G B D# G (Based on Spanish Draw Bending Tuning)
11.1a - VARIATION OF 11.1 (Courtesy of Steve Jennings - Easier to make
from standard major diatonic)
BLOW C E G# C E G# C E G# C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F# A# D F# A# A# D F# A#
11.2 - CHROMATIC WHOLETONE TUNING (US PAT# 2,511,302, by H.M.
Stevenson, 1950; UK PAT# 2,009,999, JAPANESE PAT# 54092828, HONG KONG PAT# 30287, DUTCH PAT# 7904280, FRENCH PAT# 2423022, GERMANY PAT# 2852824 by Capper Styles, 1979; FRENCH PAT# 1224525, BELGIAN PAT# 590787 by Lauble 1960)
BLOW C D E F# G# A# C D E F#
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C# D# F G A B C# D# F G
11.2a - FULL GLISSANDO CHROMATIC WHOLETONE TUNING (c/o Buzap)
BLOW C D E F# G# A# C D E F#
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D# F G A B C# D# F G A
11.2b - INVERTED CHROMATIC WHOLETONE TUNING (c/o Buzap)
BLOW C D E F# G# A# C D E F#
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW B C# D# F G A B C# D# F
11.2c - VARIATION OF 11.2b (c/o Buzap)
BLOW C# D# F G A B C# D# F G
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C D E F# G# A# C D E F#
11.3 - C# OVER C TUNING (US PAT# 2,276,501, by E.F. Manieri, 1941)
BLOW C D E F G A B C D E
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C# D# E# F# G# A# B# C# D# E#
11.4 - COMBINATION TUNING (Winslow T. Yerxa)
BLOW C F A C F A C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW E G C E G Bb B D F A
11.4a - MINOR VERSION OF 11.4
BLOW C F Ab C F Ab C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Eb G C Eb G Bb B D F Ab
11.4b - VARIATION OF 11.4 (See also 3.2)
BLOW C E G C E G B D G C (or B)
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F F# A C E A
11.5 - DO IT - DALE'S OPEN IRISH TUNING (Dale King) (Tremolo version
described in Chinese Pat# 2335230 to Liu, 1999)
(See also 1.1a, 8.2b, 11.6)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F A D F A B D F A
11.5a - VARIATION OF 11.5
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F# A D F# A B D F# A
11.5b - PG1 (Pete Golding)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F A D F A Bb D F A
11.5c - PG2 (Pete Golding - also devised by Rick Epping)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F Bb D F A Bb D F A
11.6 - OCTAVES TUNING (Mike Photis) (See also 1.1a, 8.2b, 11.5)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F A D F A D F A D
11.6a - VARIATION OF 11.6 (Tremolo version described in Chinese
Pat#2335230 to Liu, 1999)
BLOW C E A C E A C E A C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D G B D G B D
11.7 - "SO WHAT" TUNING (See also 6.etc; 7.etc)
BLOW C Eb Gb Bb Db F Ab C Eb Gb
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F A C E G B D F A
11.8 - BLOW BEND TUNING (C OVER Dm)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW A D F A D F A D F A
11.8a - VARIATION OF 11.8 (C OVER F)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW A C F A C F A C F A
11.8b - VARIATION OF 11.8 (C OVER Bb)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Bb D F Bb D F Bb D F Bb
11.9 - HYBRID OF 1.1 AND 5.8
BLOW C E G C E F A C E F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F# G B D F# G
11.9a - DORIAN VERSION OF 11.9
BLOW C E G C E F A C E F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D F G Bb D F G
11.9b - MIXOLYDIAN VERSION OF 11.9
BLOW C E G C E F A C E F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F G B D F G
11.9c - AEOLIAN VERSION OF 11.9
BLOW C Eb G C Eb F A C Eb F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D F G Bb D F G
11.9d - HARMONIC MINOR VERSION OF 11.9
BLOW C Eb G C Eb F A C Eb F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D F# G Bb D F# G
11.10 - FLAT TENTH TUNING
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F A Bb D F A
11.10a - RAISED NINTH TUNING
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F Bb B D F A
11.11 - I/V/II (c/o G)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D G B D D F# A
11.11a - I/V/ii (c/o G)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D G B D D F A
11.11b - i/v (c/o G)
BLOW C Eb G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D G Bb D G Bb D
11.11c - i/v/ii (c/o G)
BLOW C Eb G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D G Bb D D F A
11.11d - I/V/ii VARIATION (c/o G)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D D F A D F A
11.11e - i/v/ii VARIATION (c/o G)
BLOW C Eb G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D D F A D F A
11.12 - IRISH SEMI-SPIRAL - MIXOLYDIAN VERSION
BLOW C F A C E G B D F A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F A C E G B
11.12a - DORIAN VERSION OF 11.12
BLOW C F A C E G Bb D F A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D F A C E G Bb
11.12b - AEOLIAN VERSION OF 11.12
BLOW C F A C Eb G Bb D F A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D F A C Eb G Bb
11.13 - SAWMILL, OR MINOR PENTATONIC TUNING (Rick Epping?)
BLOW C D G C D G C D G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F A D F A D F A D
11.13a - INVERSION OF 11.13 (Familiar cross harp feel)
BLOW C F G C F G C F G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D G Bb D G Bb D
11.14 - MAJOR PENTATONIC TUNING (Asus/Bm)
BLOW B D F# B D F# B D F# B
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D E A D E A D E A D
11.14a - INVERSION OF 11.14
BLOW B E G B E G B E G B
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G A D G A D G A D
11.15 - BLUES SCALE TUNING (Eb/Csus)
BLOW C F G C F G C F G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Eb Gb Bb Eb Gb Bb Eb Gb Bb Eb
11.16 - DIATONIC VERSION OF 12.3d (C7/F7)
BLOW C E G Bb C E G Bb C E
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Eb F A C Eb F A C Eb F
11.17 - "CHROTONIC I" (Dale King)
BLOW C F G C Eb F# C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Eb F# Bb D F G Bb D F A
11.17a - "CHROTONIC II" (Dale King)
BLOW C F G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Eb G Bb D F Bb B D F A
11.18 - "CHROMATIC PENTATONIC" (Probably requires reed replacement
skills)
BLOW C D F G A C D F G A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F G A C D F G A C
11.19 - PENTATONIC SPIRAL (Probably requires reed replacement skills)
BLOW G B E A D G B E A D
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW A D G B E A D G B E
11.19a - VARIATION OF ABOVE (Probably requires reed replacement skills)
BLOW G C F A D G C F A D
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW A D G C F A D G C F
11.20 - ZED TUNING (From Zed - German Harp player)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D G A B D F A
11.21 - BLUES TUNING (Lee Oskar)
BLOW Bb E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW F G B D F A B D F A
11.21a - VARIATION OF 11.23 (Lee Oskar)
BLOW Bb E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW F G B D F A Bb D F A
11.21b - VARIATION OF 11.23 (Lee Oskar)
BLOW Bb E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW F G B D F# A Bb D F A
11.21c - VARIATION OF 11.23 (Lee Oskar)
BLOW Bb E A C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW F G B D F# A Bb D F A
11.22 - ED COOGAN TUNING I (CHROMATIC)
BLOW C E G C E G C# E G# C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW Eb G B Eb F# Bb B D F A
11.22a - ED COOGAN TUNING II (CHROMATIC)
BLOW C Eb Gb A C Eb Ab B D F
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F Ab B D F Gb A C Eb
11.23 - RONALD BREWIS TUNING (UK PAT# 2301697 - GIVEN AS 14 HOLE
TUNING IN PATENT DOC) (CHROMATIC)
BLOW A C E G G B D D F A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW B D D F A A C E G G
11.23a - HARMONIC MINOR VERSION OF 11.25 (CHROMATIC)
BLOW A C E G# B D D F A C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW B D D F A C E G# B D
11.24 - FOURKEY TUNING (Andy Newton) (CHROMATIC)
BLOW C D E G A C D E G A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C# Eb F# Ab B C# Eb F# Ab B
11.24a - VARIATION OF 11.24 (Roger Myerson) (CHROMATIC)
BLOW C Eb F G Bb C Eb F G Bb
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D E F# A B D E F# A C
11.24b - PENTABENDER TUNING (Roger Myerson) (CHROMATIC)
BLOW C D F G A C D F G A
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D E G A B D E G A B
11.25 - SAWMILL TUNING (Rick Epping)
BLOW C D G C D G C D G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D F A D F A D F A D
11.25a - VARIATION OF 11.25
BLOW C F G C F G F D F C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G Bb D G Bb D G Bb D
11.26 - BAGPIPE DRONE TUNING (James Conway)
BLOW C G G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C G Bb D F A Bb D F A
11.26a - MAJOR VERSION OF 11.26
BLOW C G G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C G Bb D F A Bb D F A
11.26b - NATURAL MINOR VERSION OF 11.26
BLOW C G G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C G Bb D F Ab Bb D F Ab
11.26c - DORIAN VERSION OF 11.26
BLOW C G G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C G Bb D F A Bb D F A
11.26d - HARMONIC MINOR VERSION OF 11.26
BLOW C G G C Eb G C Eb G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW C G B D F Ab B D F Ab
11.27 - FOLK HARMONICA TUNING (Kong Wenzhong, Chinese patent 202512869U)
BLOW C E G C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW B D G B D G B D G B
11.28 - EASY CHROMATIC TUNING (Konstantin Kolesnichenko - combination of standard major diatonic and diminished)
BLOW C E G C Eb F# A C Eb F#
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW D G B D F Ab B D F Ab
11.29 - FRANK LORRMANN TUNING I (German Patent 202007014926)
BLOW E G C C E G C E G C
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW F A B D F A B D F A
11.29a - FRANK LORRMANN TUNING II (German Patent 202007014926)
BLOW D G B D D G B D G B
HOLE 1 2 3 4 5 6 7 8 9 10
DRAW F# A C E F# A C E F# A