From 1cbc633f6b6fa3e113fd612bc428fcaf3cf8e45e Mon Sep 17 00:00:00 2001 From: Jacob Hart Date: Mon, 22 Apr 2024 11:57:48 +0200 Subject: [PATCH 1/6] Initial article --- .../(content)/explore/jackson/+page.svx | 63 ++++++++++++++++++ static/explore/jackson/desc.png | Bin 0 -> 659390 bytes static/explore/jackson/profile.png | Bin 0 -> 182504 bytes 3 files changed, 63 insertions(+) create mode 100644 src/routes/(content)/explore/jackson/+page.svx create mode 100644 static/explore/jackson/desc.png create mode 100644 static/explore/jackson/profile.png diff --git a/src/routes/(content)/explore/jackson/+page.svx b/src/routes/(content)/explore/jackson/+page.svx new file mode 100644 index 00000000..a2510ace --- /dev/null +++ b/src/routes/(content)/explore/jackson/+page.svx @@ -0,0 +1,63 @@ +--- +title: "FluCoMa Podcast #22: Yvette Janine Jackson" +artist: Yvette Janine Jackson +blurb: | + Episode 22 of the FluCoMa Podcast where Jacob Hart talks with composer Yvette Janine Jackson. +tags: + - destructive editing + - theater + - diffusion + - sound design + - radio + - opera + - soundscape +flair: podcast +featuredimage: /explore/jackson/desc.png +author: Jacob +year: 2024 +month: 6 +day: 6 +youtube: UYSa73RvJQE +--- + + + + + +## The Podcast + + + +## Overview + +In episode 22 of the FluCoMa Podcast, we talk with composer of electroacoustic, chamber and orchestral music Yvette Janine Jackson. Yvette makes music for concerts, theater, installation and film, notably in the form of radio operas and narrative soundscape composition. We shall learn about these two practices, as well as Yvettes approach to working with different types of corpora, and diffusion. Taking an overview of her career, we shall learn more about her influences - be it her time at the Electronic Music Center at Columbia and how it influences her work today, her time working the soundboard in theater, or her time working on tall ships! + +## Links + +Here are the links to some of the things that were discussed during the podcast: + +- [Carnegie Mellon Univserity](https://www.cmu.edu/cfa/music/people/Bios/abtan_freida.html). \ No newline at end of file diff --git a/static/explore/jackson/desc.png b/static/explore/jackson/desc.png new file mode 100644 index 0000000000000000000000000000000000000000..80832df4e343636012e66ee22d7463364afc2aec GIT binary patch literal 659390 zcmY(p2UrtPvoH)Ipwd*7UPMHs_ufPhq$@~=P$Rt)S|}n2BE3esfb?j=%jM zxf8+wo;&c+^@E`Y9v(02e=dBVd^xW>Rfcw-4Ll7r)FrK4oOms)T`YmTK2EOxk;0Sq zk-S5lfSwjFe4HGeJtTc(Uj7${S^cV{Ng`)Ei7F?o-!|A{>RY&9{)W~PrEPw&yusp z|G0JMAm4x9@Coqp^Zl>xJ5lNXP$jk8?SOZd|D#`4K>EKp|9`aqu_Mj*ALIX@!Th(U z|3$rXRrZlI-~UdV>?2yh5-}d$TRas-`OiN1JFU~Pjw%WB-h!;|&1$+JYOr5HGvSk` z0<2^YpWZuH+)(+(bbs@E<-NZ-Z{9xc&_B!!N(y@>a{vCPulFCsy>Rbiks$eErJ+CU z3F7hY7ZE(U9$ZFXmNwbzqxx3o55TN*bF;I9v$Ml)QeLyyJG;BPbDj?OC$^oPotKqo za3UXM43bl#c&0)g*51!c@#mR(`iC<~W)-)&U(3f@6D;@7;rsUX_TqcPh;DJg!A-nb z?C{XgN(%48F<##@Zoh!zD)m;_>$m>dW;q|H!ivBevA<&7WZbVozHSZJ*V?X>UWi z;k7!<=`Y)zYi;@pfmeVGXjrMd8!)2N`$PSAkv z?Spsb?mI2^Qlx>?q{d~*TBq?$e(XWg(^s-T)L_UBB8;Ej)8x;DmTB&Pe_Z!ML@&Gj z)8*QCmec{sUU}J3Bt$&@L-X}NcE_~XRX(6o=fKhGSPiNby(r3)D>SR;xpdh0W1wWU zM)0g|JvNnT-?_x)?CSE?5sX^**8f)cV9Bo)Jmj8Tw$HI00|)H)+vv5UQ4#Ch;_(HH zh?r~KXdOtb9SO~s*t4JGF{W>UmID{cb8oe^Qh)|wy2qWZ7khQONAznoCMrCYc931M z7(`0mm8(I1S=MEKBX5C6gd4x?MlYtjL9epn_2{OpJ;h3$C>^6G@tm8tuf(P-ZY6O~ zKX4U3mwmfax;K>WT>^duUdeZi+uplcR)^tF(~H5OQsmu%60)*;^Q~ZN%*INOg}2{D zeRG5V!tSot{cY>Q4JID3hr@|rsF-9YyO=)Iyy9~kO2c|R!z=^AME_l*2FBN{oFAH@ zRP103ZFv3OA@N!O4KI!Qv|@7WYn9?6+#_+!9d;d&K7JK-dNq(CReD<9ey>b!I zFeMmmh=Ck$L4ilO&??e3ycojf$`=GH-iz!N_-8>JYyS-1xJB!9snRtcml1^>f2N1l z)YU^2n9i0?8%T8m9dEi5PS_@gKQ5g7^46&U!>pShBkXS`YpfdRZJHCf3!G`A4cE!c z*hR~seFJkkS<(WL~~0Le@oT zGlbPc-D;Pt(TSfTmwsYmX^0t-z1!OePkwDJWV7pIPO_kkfW&@X@q0rQm|w@M&re*H zI!xSqq~MO-bsHU+^Nlxl;RK(GgyfZkM18~`77}^VtSG6P8rr;V*1r!^t`u{k?U9K-T{c0Z2py$bY zUE--s7Ste zo%p2!A6h2k9*P>myCYREp=p_7qnWIktD19bm>qde&6gcJaQ5Pw5CX4~?xuZO86rvDbdCa%A4yJlAW|K9FVK8syiS4??!wWVtpCnw` zg2#XmYfiOo>