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db.json
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{
"bandMembers": [
{
"id": 1,
"name": "James LaBrie",
"instrument": "Vocals",
"bio": "In 1990, LaBrie learned that Dream Theater was looking for a new singer, so he submitted a tape and was quickly flown to New York for a full audition. The trial went well, and he was chosen ahead of 200 other hopefuls to fill the full-time vocalist position in the band.\n\nLaBrie has since had a significant impact on the vocal melodies on each Dream Theater album, but until recently has had little input on the instrumentation of Dream Theater's music - 2011's A Dramatic Turn of Events features LaBrie in the music credits on three songs. To date he has written or co-written lyrics for at least one song on eight of the twelve albums Dream Theater has released with him in the band, Images and Words, Black Clouds & Silver Linings, Dream Theater and The Astonishing containing none of them.\n\nAsked by Prog-Sphere.com what is his favourite Dream Theater song to play live, James said \"The favourite song for me is Scarred, I love performing that live. And... well, Octavarium, that whole freakin’ thing.\"",
"imageUrl": "https://dreamtheater.net/wp-content/uploads/2018/12/dt-2019-jlb.jpg"
},
{
"id": 2,
"name": "John Petrucci",
"instrument": "Guitar",
"bio": "John Petrucci is best known as the guitarist, producer, lyricist and founding member of the two-time Grammy nominated progressive metal band Dream Theater as well as the guitarist and founding member of the acclaimed Liquid Tension Experiment.\n\nAs a solo artist, John is a longstanding veteran of Joe Satriani’s G3 tours, along with Steve Vai, Eric Johnson, Paul Gilbert, Steve Morse and Steve Lukather.\n\nBorn John Peter Petrucci on July 12, 1967, he grew up in Kings Park, New York, a small suburban town on Long Island where he began playing guitar at age 12. His early influences included Steve Morse, Al DiMeola, Steve Howe, Allan Holdsworth, Stevie Ray Vaughan, Randy Rhoads, Joe Satriani, Steve Vai, Alex Lifeson, Yngwie Malmsteen, Rush, Yes, Iron Maiden, The Dregs and Metallica.\n\nAfter graduating from high school, he attended the prestigious Berklee College of Music in Boston along with schoolmate/bassist John Myung where they fatefully met drummer Mike Portnoy and quickly formed the nucleus of what was to become Dream Theater.",
"imageUrl": "https://dreamtheater.net/wp-content/uploads/2018/12/dt-2019-jp.jpg"
},
{
"id": 3,
"name": "Jordan Rudess",
"instrument": "Keyboard",
"bio": "Jordan Rudess has been the full-time keyboardist in Dream Theater since the recording of 1999's Metropolis Pt. 2: Scenes from a Memory.\n\nHe has recorded eight other studio albums with the group: 2002's Six Degrees of Inner Turbulence, 2003's Train of Thought, 2005's Octavarium, 2007's Systematic Chaos, 2009's Black Clouds & Silver Linings, 2011's A Dramatic Turn of Events, 2013's Dream Theater, and 2016's The Astonishing.\n\nIn addition, he has appeared on the live albums Live Scenes From New York, Live at Budokan, Score, Chaos in Motion, Live at Luna Park and Breaking the Fourth Wall.\n\nRudess says his influences as a keyboardist are Keith Emerson, Tony Banks, Rick Wakeman and Patrick Moraz. His favorite musical artists and groups include Gentle Giant, Yes, Genesis, Pink Floyd, Emerson, Lake & Palmer, King Crimson, Jimi Hendrix, Autechre, and Aphex Twin.\n\nOn July 28, 2011, in a poll conducted by MusicRadar, Rudess was voted the best keyboardist of all time.",
"imageUrl": "https://dreamtheater.net/wp-content/uploads/2018/12/dt-2019-jr.jpg"
},
{
"id": 4,
"name": "John Myung",
"instrument": "Bass",
"bio": "Born in Chicago, Illinois, to Korean parents, Myung grew up in Kings Park, Long Island, New York.\n\nHe played the violin from the age of five until he was asked to play electric bass in a local band when he was fifteen, which he accepted.\n\nAfter graduating from high school he and his high school friend John Petrucci enrolled at the Berklee College of Music, where they met future bandmate Mike Portnoy.\n\nThough Dream Theater is his primary focus musically, he has appeared in a number of other projects through his career. His first was the progressive rock supergroup Platypus, with Rod Morgenstein, Ty Tabor and ex-Dream Theater bandmate Derek Sherinian. After Platypus disbanded in 2000, Myung, Tabor, and Morgenstein recorded four albums as the Jelly Jam.\n\nMyung's favorite bands include the Beatles, Black Sabbath, the Who, Iron Maiden, Rush, Yes, Jethro Tull and Genesis. He cites bassists Geezer Butler, John Entwistle, Chris Squire, Steve Harris, Geddy Lee and Jaco Pastorius as the main influences on his playing style.",
"imageUrl": "https://dreamtheater.net/wp-content/uploads/2018/12/dt-2019-jm.jpg"
},
{
"id": 5,
"name": "Mike Portnoy",
"instrument": "Drums",
"bio": "Mike Portnoy was born on April 20, 1967, in Long Beach, New York.\n\nHis father, Howard Portnoy (1940–2009), worked as a DJ at a local radio station, which helped Mike gain an early appreciation for music. He developed a preference for bands like Rush, Queen, Led Zeppelin, The Who, Iron Maiden, and The Beatles.\n\nAfter high school, where he played in a band called Inner Sanctum, he received a scholarship to attend the Berklee College of Music in Boston. There, he met John Petrucci and John Myung, and together they formed a band initially named 'Majesty' before becoming Dream Theater.\n\nPortnoy was a founding member and served as the drummer for Dream Theater for 25 years, known for his complex rhythms and energetic performances. He left the band in 2010 but reunited with them in October 2023, replacing drummer Mike Mangini.",
"imageUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/portnoy.jpg"
}
],
"albums": [
{
"id": 1,
"title": "When Dream and Day Unite",
"description": "When Dream and Day Unite is the debut studio album by Dream Theater, released on March 6, 1989 through Mechanic/MCA Records. The album is composed mainly of material that originally surfaced during the band's early years as Majesty, and is the only Dream Theater album to feature Charlie Dominici on vocals, as James LaBrie replaced Dominici as the lead vocalist on subsequent albums.",
"releaseYear": 1989,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/whendreamandday.jpg",
"tracks": [
{
"number": 1,
"title": "A Fortune in Lies",
"duration": "05:11"
},
{
"number": 2,
"title": "Status Seeker",
"duration": "04:16"
},
{
"number": 3,
"title": "Ytse Jam",
"duration": "05:41"
},
{
"number": 4,
"title": "The Killing Hand",
"duration": "08:39"
},
{
"number": 5,
"title": "Light Fuse and Get Away",
"duration": "07:22"
},
{
"number": 6,
"title": "Afterlife",
"duration": "05:26"
},
{
"number": 7,
"title": "The Ones Who Help to Set the Sun",
"duration": "08:03"
},
{
"number": 8,
"title": "Only a Matter of Time",
"duration": "06:35"
}
]
},
{
"id": 2,
"title": "Images and Words",
"description": "Images and Words is the second studio album by Dream Theater, released on July 7, 1992 through ATCO Records. It is the first Dream Theater release to feature James LaBrie on vocals. The album maintains its position as the band's most commercially successful studio album to date, and the song \"Pull Me Under\" has the distinction of being the only top-10 hit (radio or otherwise) the band has had to date.",
"releaseYear": 1992,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/09/imagesandwords-hq-1.jpg",
"tracks": [
{
"number": 1,
"title": "Pull Me Under",
"duration": "08:13"
},
{
"number": 2,
"title": "Another Day",
"duration": "04:23"
},
{
"number": 3,
"title": "Take the Time",
"duration": "08:20"
},
{
"number": 4,
"title": "Surrounded",
"duration": "05:30"
},
{
"number": 5,
"title": "Metropolis—Part I: The Miracle and the Sleeper",
"duration": "09:32"
},
{
"number": 6,
"title": "Under a Glass Moon",
"duration": "07:03"
},
{
"number": 7,
"title": "Wait for Sleep",
"duration": "02:31"
},
{
"number": 8,
"title": "Learning to Live",
"duration": "11:30"
}
]
},
{
"id": 3,
"title": "Awake",
"description": "Awake is the third studio album by Dream Theater, released on October 4, 1994 through East West Records. It was the last Dream Theater album to feature keyboardist Kevin Moore, who announced his decision to leave the band during the recording of the album. Much of the material for Awake was written in writing sessions between February and April 1994, during which Dream Theater were under pressure from their record label to produce an album as successful as Images and Words (1992) with a single similar to \"Pull Me Under\".",
"releaseYear": 1994,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/awake-800px.jpg",
"tracks": [
{
"number": 1,
"title": "6:00",
"duration": "05:31"
},
{
"number": 2,
"title": "Caught in a Web",
"duration": "05:28"
},
{
"number": 3,
"title": "Innocence Faded",
"duration": "05:42"
},
{
"number": 4,
"title": "A Mind Beside Itself: I. Erotomania",
"duration": "06:44"
},
{
"number": 5,
"title": "A Mind Beside Itself: II. Voices",
"duration": "09:53"
},
{
"number": 6,
"title": "A Mind Beside Itself: III. The Silent Man",
"duration": "03:47"
},
{
"number": 7,
"title": "The Mirror",
"duration": "06:45"
},
{
"number": 8,
"title": "Lie",
"duration": "06:33"
},
{
"number": 9,
"title": "Lifting Shadows Off a Dream",
"duration": "06:05"
},
{
"number": 10,
"title": "Scarred",
"duration": "10:59"
},
{
"number": 11,
"title": "Space-Dye Vest",
"duration": "07:29"
}
]
},
{
"id": 4,
"title": "A Change of Seasons",
"description": "A Change of Seasons is an EP by progressive metal band Dream Theater, first released on September 19, 1995, through East West Records. It comprises the 23-minute title track and a collection of live cover songs performed at a fan club concert at Ronnie Scott's Jazz Club in London, England.",
"releaseYear": 1995,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/changeofseasons.jpg",
"tracks": [
{
"number": 1,
"title": "A Change of Seasons",
"duration": "23:08"
},
{
"number": 2,
"title": "Funeral for a Friend / Love Lies Bleeding",
"duration": "10:49"
},
{
"number": 3,
"title": "Perfect Strangers",
"duration": "05:33"
},
{
"number": 4,
"title": "The Rover / Achilles Last Stand / The Song Remains the Same",
"duration": "07:28"
},
{
"number": 5,
"title": "The Big Medley: In the Flesh? / Carry On Wayward Son / Bohemian Rhapsody / Lovin', Touchin', Squeezin' / Cruise Control / Turn It on Again",
"duration": "10:33"
}
]
},
{
"id": 5,
"title": "Falling into Infinity",
"description": "Falling Into Infinity is the fourth studio album by Dream Theater, released on September 23, 1997 through EastWest Records. It is the band's first and only studio album to feature keyboardist Derek Sherinian following the departure of Kevin Moore in 1994.",
"releaseYear": 1997,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/falling.jpg",
"tracks": [
{
"number": 1,
"title": "New Millenium",
"duration": "08:20"
},
{
"number": 2,
"title": "You Not Me",
"duration": "04:58"
},
{
"number": 3,
"title": "Peruvian Skies",
"duration": "06:43"
},
{
"number": 4,
"title": "Hollow Years",
"duration": "05:53"
},
{
"number": 5,
"title": "Burning My Soul",
"duration": "05:29"
},
{
"number": 6,
"title": "Hell's Kitchen",
"duration": "04:16"
},
{
"number": 7,
"title": "Lines in the Sand",
"duration": "12:05"
},
{
"number": 8,
"title": "Take Away My Pain",
"duration": "06:03"
},
{
"number": 9,
"title": "Just Let Me Breathe",
"duration": "05:28"
},
{
"number": 10,
"title": "Anna Lee",
"duration": "05:51"
},
{
"number": 11,
"title": "Trial of Tears",
"duration": "13:03"
}
]
},
{
"id": 6,
"title": "Metropolis Pt. 2: Scenes from a Memory",
"description": "\"Metropolis Pt. 2: Scenes from a Memory\" is the sequel to \"Metropolis—Part I: \"The Miracle and the Sleeper\"\", a song previously featured on the band's 1992 album Images and Words. It was also the first album to feature Jordan Rudess on keyboards, and the last for which John Myung wrote lyrics until A Dramatic Turn of Events (2011).",
"releaseYear": 1999,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/metropolispart2.jpg",
"tracks": [
{
"number": 1,
"title": "Regression",
"duration": "02:06"
},
{
"number": 2,
"title": "Overture 1928",
"duration": "03:37"
},
{
"number": 3,
"title": "Strange Déjà Vu",
"duration": "05:12"
},
{
"number": 4,
"title": "Through My Words",
"duration": "01:02"
},
{
"number": 5,
"title": "Fatal Tragedy",
"duration": "06:49"
},
{
"number": 6,
"title": "Beyond This Life",
"duration": "11:22"
},
{
"number": 7,
"title": "Through Her Eyes",
"duration": "06:13"
},
{
"number": 8,
"title": "Home",
"duration": "12:53"
},
{
"number": 9,
"title": "The Dance of Eternity",
"duration": "06:13"
},
{
"number": 10,
"title": "One Last Time",
"duration": "03:46"
},
{
"number": 11,
"title": "The Spirit Carries On",
"duration": "06:38"
},
{
"number": 12,
"title": "Finally Free",
"duration": "11:59"
}
]
},
{
"id": 7,
"title": "Six Degrees of Inner Turbulence",
"description": "Six Degrees of Inner Turbulence is the sixth full-length studio album by Dream Theater, released as a double-disc album on January 29, 2002 through Elektra Records. The album explores different themes of lifetime struggle, such as alcoholism, loss of faith, self-isolation, sanctity of life and death. The title track, a 42-minute track occupying the second disc, separated into eight parts - explores the stories of six individuals suffering from various mental illnesses.",
"releaseYear": 2002,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/sixdegrees.jpg",
"tracks": [
{
"number": 1,
"title": "The Glass Prison",
"duration": "13:52"
},
{
"number": 2,
"title": "Blind Faith",
"duration": "10:21"
},
{
"number": 3,
"title": "Misunderstood",
"duration": "09:32"
},
{
"number": 4,
"title": "The Great Debate",
"duration": "13:43"
},
{
"number": 5,
"title": "Disappear",
"duration": "06:46"
},
{
"number": 6,
"title": "Overture",
"duration": "06:50"
},
{
"number": 7,
"title": "About to Crash",
"duration": "05:51"
},
{
"number": 8,
"title": "War Inside My Head",
"duration": "02:08"
},
{
"number": 9,
"title": "The Test That Stumped Them All",
"duration": "05:03"
},
{
"number": 10,
"title": "Goodnight Kiss",
"duration": "06:17"
},
{
"number": 11,
"title": "Solitary Shell",
"duration": "05:48"
},
{
"number": 12,
"title": "About to Crash (Reprise)",
"duration": "04:04"
},
{
"number": 13,
"title": "Losing Time/Grand Finale",
"duration": "06:01"
}
]
},
{
"id": 8,
"title": "Train of Thought",
"description": "Train of Thought is the seventh studio album by Dream Theater. Inspired by the audience response to Dream Theater's heavier songs while on tour, the band wanted Train of Thought to be a \"balls to the wall\" album with heavier, darker riffing, exposing them to a number of new metal fans. The album was written in three weeks and was engineered by Doug Oberkircher and mixed by Kevin Shirley.",
"releaseYear": 2003,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/trainofthought.jpg",
"tracks": [
{
"number": 1,
"title": "As I Am",
"duration": "07:47"
},
{
"number": 2,
"title": "This Dying Soul",
"duration": "11:28"
},
{
"number": 3,
"title": "Endless Sacrifice",
"duration": "11:24"
},
{
"number": 4,
"title": "Honor Thy Father",
"duration": "10:14"
},
{
"number": 5,
"title": "Vacant",
"duration": "02:58"
},
{
"number": 6,
"title": "Stream of Consciousness",
"duration": "11:16"
},
{
"number": 7,
"title": "In the Name of God",
"duration": "14:16"
}
]
},
{
"id": 9,
"title": "Octavarium",
"description": "Octavarium is the eighth studio album by Dream Theater, released on June 7, 2005. Recorded between September 2004 and February 2005, the album holds the distinction of being the last album ever recorded at The Hit Factory in New York City. With Octavarium, the band decided to create \"a classic Dream Theater album\", drawing upon their various stylistic influences while trying to make the music less complex. The album takes its creative concept from the musical octave.",
"releaseYear": 2005,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/octavarium.jpg",
"tracks": [
{
"number": 1,
"title": "The Root of All Evil",
"duration": "08:25"
},
{
"number": 2,
"title": "The Answer Lies Within",
"duration": "05:33"
},
{
"number": 3,
"title": "These Walls",
"duration": "07:36"
},
{
"number": 4,
"title": "I Walk Beside You",
"duration": "04:29"
},
{
"number": 5,
"title": "Panic Attack",
"duration": "08:13"
},
{
"number": 6,
"title": "Never Enough",
"duration": "06:46"
},
{
"number": 7,
"title": "Sacrificed Sons",
"duration": "10:42"
},
{
"number": 8,
"title": "Octavarium",
"duration": "24:00"
}
]
},
{
"id": 10,
"title": "Systematic Chaos",
"description": "Systematic Chaos is the ninth studio album by Dream Theater. Systematic Chaos was the band's first release through Roadrunner Records, which was sold to their previous label Atlantic Records, through which the band had released their previous studio album Octavarium (2005). The album was recorded from September 2006 to February 2007 at Avatar Studios in New York City, after the band's first break from summer touring in ten years.",
"releaseyear": 2007,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/systematicchaos-800px.jpg",
"tracks": [
{
"number": 1,
"title": "In the Presence of Enemies - Part I",
"duration": "9:00"
},
{
"number": 2,
"title": "Forsaken",
"duration": "5:35"
},
{
"number": 3,
"title": "Constant Motion",
"duration": "6:55"
},
{
"number": 4,
"title": "The Dark Eternal Night",
"duration": "8:51"
},
{
"number": 5,
"title": "Repentance",
"duration": "10:43"
},
{
"number": 6,
"title": "Prophets of War",
"duration": "6:01"
},
{
"number": 7,
"title": "The Ministry of Lost Souls",
"duration": "14:57"
},
{
"number": 8,
"title": "In the Presence of Enemies - Part II",
"duration": "16:38"
}
]
},
{
"id": 11,
"title": "Black Clouds & Silver Linings",
"description": "Black Clouds & Silver Linings is the tenth studio album by Dream Theater, released on June 23, 2009 through Roadrunner Records. It is the last album to feature drummer and founding member Mike Portnoy before his departure on September 8, 2010.",
"releaseYear": 2009,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/blackclouds.jpg",
"tracks": [
{
"number": 1,
"title": "A Nightmare to Remember",
"duration": "16:10"
},
{
"number": 2,
"title": "A Rite of Passage",
"duration": "8:36"
},
{
"number": 3,
"title": "Wither",
"duration": "5:25"
},
{
"number": 4,
"title": "The Shattered Fortress",
"duration": "12:49"
},
{
"number": 5,
"title": "The Best of Times",
"duration": "13:07"
},
{
"number": 6,
"title": "The Count of Tuscany",
"duration": "19:16"
},
{
"number": 7,
"title": "Stargazer",
"duration": "8:10"
},
{
"number": 8,
"title": "Tenement Funster/Flick of the Wrist/Lily of the Valley",
"duration": "8:17"
},
{
"number": 9,
"title": "Odyssey",
"duration": "7:59"
},
{
"number": 10,
"title": "Take Your Fingers from My Hair",
"duration": "8:18"
},
{
"number": 11,
"title": "Larks' Tongues in Aspic, Part Two",
"duration": "6:30"
},
{
"number": 12,
"title": "To Tame a Land",
"duration": "7:26"
}
]
},
{
"id": 12,
"title": "A Dramatic Turn of Events",
"description": "For A Dramatic Turn of Events, Dream Theater underwent a self-proclaimed musical change, reevaluating and restructuring themselves. The album has drawn stylistic comparisons to two of the band's past albums, Images and Words and Metropolis Pt. 2: Scenes from a Memory.",
"releaseYear": 2011,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/dramaticturnofevents-800px-squashed.jpg",
"tracks": [
{
"number": 1,
"title": "On the Backs of Angels",
"duration": "8:42"
},
{
"number": 2,
"title": "Build Me Up, Break Me Down",
"duration": "6:59"
},
{
"number": 3,
"title": "Lost Not Forgotten",
"duration": "10:11"
},
{
"number": 4,
"title": "This Is the Life",
"duration": "6:57"
},
{
"number": 5,
"title": "Bridges in the Sky",
"duration": "11:01"
},
{
"number": 6,
"title": "Outcry",
"duration": "11:24"
},
{
"number": 7,
"title": "Far from Heaven",
"duration": "3:56"
},
{
"number": 8,
"title": "Breaking All Illusions",
"duration": "12:25"
},
{
"number": 9,
"title": "Beneath the Surface",
"duration": "5:26"
}
]
},
{
"id": 13,
"title": "Dream Theater",
"description": "The band made Dream Theater a self-titled album to emphasize that they were moving forward in their career and to make it a reference point for fans. The album's songs are shorter on average than most Dream Theater songs, with the exception of the 20-minute closer \"Illumination Theory\".",
"releaseYear": 2013,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/DT12-cover.jpg",
"tracks": [
{
"number": 1,
"title": "False Awakening Suite",
"duration": "02:42"
},
{
"number": 2,
"title": "The Enemy Inside",
"duration": "06:17"
},
{
"number": 3,
"title": "The Looking Glass",
"duration": "04:53"
},
{
"number": 4,
"title": "Enigma Machine",
"duration": "06:01"
},
{
"number": 5,
"title": "The Bigger Picture",
"duration": "07:41"
},
{
"number": 6,
"title": "Behind the Veil",
"duration": "06:52"
},
{
"number": 7,
"title": "Surrender to Reason",
"duration": "06:34"
},
{
"number": 8,
"title": "Along for the Ride",
"duration": "04:45"
},
{
"number": 9,
"title": "Illumination Theory",
"duration": "22:17"
}
]
},
{
"id": 14,
"title": "The Astonishing",
"description": "The Astonishing is the thirteenth studio album by Dream Theater, released on January 29, 2016. The Astonishing is set in a dystopian future United States and follows the Ravenskill Rebel Militia in their efforts to defy the Great Northern Empire of the Americas using the magical power of music. It was inspired by contemporary fantasy and science fiction franchises such as Game of Thrones and Star Wars, as well as John Petrucci's observations on the ubiquity of technological automation in modern-day society.",
"releaseYear": 2016,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2017/07/astonishing.jpg",
"tracks": [
{
"number": 1,
"title": "Descent of the Nomacs",
"duration": "02:17"
},
{
"number": 2,
"title": "Dystopian Overture",
"duration": "04:50"
},
{
"number": 3,
"title": "The Gift of Music",
"duration": "04:00"
},
{
"number": 4,
"title": "The Answer",
"duration": "01:52"
},
{
"number": 5,
"title": "A Better Life",
"duration": "04:39"
},
{
"number": 6,
"title": "Lord Nafaryus",
"duration": "03:28"
},
{
"number": 7,
"title": "A Savior in the Square",
"duration": "04:13"
},
{
"number": 8,
"title": "When Your Time Has Come",
"duration": "04:19"
},
{
"number": 9,
"title": "Act of Faythe",
"duration": "05:00"
},
{
"number": 10,
"title": "Three Days",
"duration": "03:44"
},
{
"number": 11,
"title": "The Hovering Sojourn",
"duration": "00:27"
},
{
"number": 12,
"title": "Brother, Can You Hear Me?",
"duration": "05:11"
},
{
"number": 13,
"title": "A Life Left Behind",
"duration": "05:49"
},
{
"number": 14,
"title": "Ravenskill",
"duration": "06:01"
},
{
"number": 15,
"title": "Chosen",
"duration": "04:32"
},
{
"number": 16,
"title": "A Tempting Offer",
"duration": "04:19"
},
{
"number": 17,
"title": "Digital Discord",
"duration": "00:47"
},
{
"number": 18,
"title": "The X Aspect",
"duration": "04:13"
},
{
"number": 19,
"title": "A New Beginning",
"duration": "07:41"
},
{
"number": 20,
"title": "The Road to Revolution",
"duration": "03:35"
},
{
"number": 21,
"title": "2285 Entr'acte",
"duration": "02:20"
},
{
"number": 22,
"title": "Moment of Betrayal",
"duration": "06:11"
},
{
"number": 23,
"title": "Heaven's Cove",
"duration": "04:19"
},
{
"number": 24,
"title": "Begin Again",
"duration": "03:54"
},
{
"number": 25,
"title": "The Path That Divides",
"duration": "05:09"
},
{
"number": 26,
"title": "Machine Chatter",
"duration": "01:03"
},
{
"number": 27,
"title": "The Walking Shadow",
"duration": "02:58"
},
{
"number": 28,
"title": "My Last Farewell",
"duration": "03:44"
},
{
"number": 29,
"title": "Losing Faythe",
"duration": "04:13"
},
{
"number": 30,
"title": "Whispers on the Wind",
"duration": "01:37"
},
{
"number": 31,
"title": "Hymn of a Thousand Voices",
"duration": "03:38"
},
{
"number": 32,
"title": "Our New World",
"duration": "04:12"
},
{
"number": 33,
"title": "Power Down",
"duration": "01:25"
},
{
"number": 34,
"title": "Astonishing",
"duration": "05:51"
}
]
},
{
"id": 15,
"title": "Distance Over Time",
"description": "Distance Over Time showcases a newfound creativity for Dream Theater while maintaining the elements that have garnered them devoted fans around the globe. The album also marks the first for the band’s new label InsideOutMusic / Sony Music. The artwork was created by long-time cover collaborator Hugh Syme (Rush, Iron Maiden, Stone Sour). Distance Over Time was produced by John Petrucci, mixed by Ben Grosse and mastered by Tom Baker.",
"releaseYear": 2019,
"coverUrl": "https://dreamtheater.net/wp-content/uploads/2018/11/Distance.Over_.Time_.COVER_.3000x3000.jpg",
"tracks": [
{
"number": 1,
"title": "Untethered Angel",
"duration": "06:14"
},
{
"number": 2,
"title": "Paralyzed",
"duration": "04:17"
},
{
"number": 3,
"title": "Fall into the Light",
"duration": "07:04"
},
{
"number": 4,
"title": "Barstool Warrior",
"duration": "06:43"
},
{
"number": 5,
"title": "Room 137",
"duration": "04:23"
},
{
"number": 6,
"title": "S2N",
"duration": "06:21"
},
{
"number": 7,
"title": "At Wit's End",
"duration": "09:20"
},
{
"number": 8,
"title": "Out of Reach",
"duration": "04:04"
},
{
"number": 9,
"title": "Pale Blue Dot",
"duration": "08:25"
},
{
"number": 10,
"title": "Viper King",
"duration": "04:00"
}
]
},
{