From f8b85d98bce57ceb039b00297c0258c050afb094 Mon Sep 17 00:00:00 2001 From: Kateu Herbert Date: Sun, 15 Sep 2024 00:17:39 +0300 Subject: [PATCH 1/2] Adding Channel to documentation --- site/concurrency-primitives.md | 19 + testdata/tom_sawyer.txt | 5981 ++++++++++++++++++++++++++++++++ 2 files changed, 6000 insertions(+) create mode 100644 testdata/tom_sawyer.txt diff --git a/site/concurrency-primitives.md b/site/concurrency-primitives.md index 2193ff468a..87bfd3ea49 100644 --- a/site/concurrency-primitives.md +++ b/site/concurrency-primitives.md @@ -3,12 +3,31 @@ In the [`fs2.concurrent` package](https://github.com/functional-streams-for-scala/fs2/blob/series/1.0/core/shared/src/main/scala/fs2/concurrent/) you'll find a bunch of useful concurrency primitives built on the concurrency primitives defined in `cats-effect`. For example: - `Topic[F, A]` +- `Channel[F, A]` - `Signal[F, A]` In addition, `Stream` provides functions to interact with cats-effect's `Queue`. ## Simple Examples +### Channel +`Channel` implements a publish-subscribe pattern and is particularly useful where we have multiple `publishers` and a single `subscriber`. In the following example, we have two streams, `pub1` and `pub2` publishing the strings `"Hello"` and `"World"` every `1` and `2` seconds respectively. Additionally, we have `sub`, a subscriber that consumes and prints each element. The three streams are then run in parallel and interrupted after `6` seconds. + +```scala mdoc:silent +import cats.effect._ +import fs2.Stream +import scala.concurrent.duration._ +import cats.effect.unsafe.implicits.global +import fs2.concurrent.Channel + +Channel.unbounded[IO, String].flatMap{channel => + val pub1 = Stream.repeatEval(IO("Hello")).evalMap(channel.send).metered(1.second) + val pub2 = Stream.repeatEval(IO("World")).evalMap(channel.send).metered(2.seconds) + val sub = channel.stream.evalMap(IO.println) + Stream(pub1, pub2, sub).parJoinUnbounded.interruptAfter(6.seconds).compile.drain +}.unsafeRunSync() +``` + ### Topic (based on [Pera Villega](https://perevillega.com/)'s example [here](https://underscore.io/blog/posts/2018/03/20/fs2.html)) diff --git a/testdata/tom_sawyer.txt b/testdata/tom_sawyer.txt new file mode 100644 index 0000000000..84aa5c1474 --- /dev/null +++ b/testdata/tom_sawyer.txt @@ -0,0 +1,5981 @@ +The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 1. + +This ebook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this ebook or online +at www.gutenberg.org. If you are not located in the United States, +you will have to check the laws of the country where you are located +before using this eBook. + +Title: The Adventures of Tom Sawyer, Part 1. + +Author: Mark Twain + +Release date: June 29, 2004 [eBook #7193] + Most recently updated: December 30, 2020 + +Language: English + +Credits: Produced by David Widger + + +*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 1. *** + + + + +Produced by David Widger + + + + + THE ADVENTURES OF TOM SAWYER + BY + MARK TWAIN + (Samuel Langhorne Clemens) + + Part 1 + + + P R E F A C E + +MOST of the adventures recorded in this book really occurred; one or +two were experiences of my own, the rest those of boys who were +schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but +not from an individual--he is a combination of the characteristics of +three boys whom I knew, and therefore belongs to the composite order of +architecture. + +The odd superstitions touched upon were all prevalent among children +and slaves in the West at the period of this story--that is to say, +thirty or forty years ago. + +Although my book is intended mainly for the entertainment of boys and +girls, I hope it will not be shunned by men and women on that account, +for part of my plan has been to try to pleasantly remind adults of what +they once were themselves, and of how they felt and thought and talked, +and what queer enterprises they sometimes engaged in. + + THE AUTHOR. + +HARTFORD, 1876. + + + + T O M S A W Y E R + + + +CHAPTER I + +"TOM!" + +No answer. + +"TOM!" + +No answer. + +"What's gone with that boy, I wonder? You TOM!" + +No answer. + +The old lady pulled her spectacles down and looked over them about the +room; then she put them up and looked out under them. She seldom or +never looked THROUGH them for so small a thing as a boy; they were her +state pair, the pride of her heart, and were built for "style," not +service--she could have seen through a pair of stove-lids just as well. +She looked perplexed for a moment, and then said, not fiercely, but +still loud enough for the furniture to hear: + +"Well, I lay if I get hold of you I'll--" + +She did not finish, for by this time she was bending down and punching +under the bed with the broom, and so she needed breath to punctuate the +punches with. She resurrected nothing but the cat. + +"I never did see the beat of that boy!" + +She went to the open door and stood in it and looked out among the +tomato vines and "jimpson" weeds that constituted the garden. No Tom. +So she lifted up her voice at an angle calculated for distance and +shouted: + +"Y-o-u-u TOM!" + +There was a slight noise behind her and she turned just in time to +seize a small boy by the slack of his roundabout and arrest his flight. + +"There! I might 'a' thought of that closet. What you been doing in +there?" + +"Nothing." + +"Nothing! Look at your hands. And look at your mouth. What IS that +truck?" + +"I don't know, aunt." + +"Well, I know. It's jam--that's what it is. Forty times I've said if +you didn't let that jam alone I'd skin you. Hand me that switch." + +The switch hovered in the air--the peril was desperate-- + +"My! Look behind you, aunt!" + +The old lady whirled round, and snatched her skirts out of danger. The +lad fled on the instant, scrambled up the high board-fence, and +disappeared over it. + +His aunt Polly stood surprised a moment, and then broke into a gentle +laugh. + +"Hang the boy, can't I never learn anything? Ain't he played me tricks +enough like that for me to be looking out for him by this time? But old +fools is the biggest fools there is. Can't learn an old dog new tricks, +as the saying is. But my goodness, he never plays them alike, two days, +and how is a body to know what's coming? He 'pears to know just how +long he can torment me before I get my dander up, and he knows if he +can make out to put me off for a minute or make me laugh, it's all down +again and I can't hit him a lick. I ain't doing my duty by that boy, +and that's the Lord's truth, goodness knows. Spare the rod and spile +the child, as the Good Book says. I'm a laying up sin and suffering for +us both, I know. He's full of the Old Scratch, but laws-a-me! he's my +own dead sister's boy, poor thing, and I ain't got the heart to lash +him, somehow. Every time I let him off, my conscience does hurt me so, +and every time I hit him my old heart most breaks. Well-a-well, man +that is born of woman is of few days and full of trouble, as the +Scripture says, and I reckon it's so. He'll play hookey this evening, * +and [* Southwestern for "afternoon"] I'll just be obleeged to make him +work, to-morrow, to punish him. It's mighty hard to make him work +Saturdays, when all the boys is having holiday, but he hates work more +than he hates anything else, and I've GOT to do some of my duty by him, +or I'll be the ruination of the child." + +Tom did play hookey, and he had a very good time. He got back home +barely in season to help Jim, the small colored boy, saw next-day's +wood and split the kindlings before supper--at least he was there in +time to tell his adventures to Jim while Jim did three-fourths of the +work. Tom's younger brother (or rather half-brother) Sid was already +through with his part of the work (picking up chips), for he was a +quiet boy, and had no adventurous, troublesome ways. + +While Tom was eating his supper, and stealing sugar as opportunity +offered, Aunt Polly asked him questions that were full of guile, and +very deep--for she wanted to trap him into damaging revealments. Like +many other simple-hearted souls, it was her pet vanity to believe she +was endowed with a talent for dark and mysterious diplomacy, and she +loved to contemplate her most transparent devices as marvels of low +cunning. Said she: + +"Tom, it was middling warm in school, warn't it?" + +"Yes'm." + +"Powerful warm, warn't it?" + +"Yes'm." + +"Didn't you want to go in a-swimming, Tom?" + +A bit of a scare shot through Tom--a touch of uncomfortable suspicion. +He searched Aunt Polly's face, but it told him nothing. So he said: + +"No'm--well, not very much." + +The old lady reached out her hand and felt Tom's shirt, and said: + +"But you ain't too warm now, though." And it flattered her to reflect +that she had discovered that the shirt was dry without anybody knowing +that that was what she had in her mind. But in spite of her, Tom knew +where the wind lay, now. So he forestalled what might be the next move: + +"Some of us pumped on our heads--mine's damp yet. See?" + +Aunt Polly was vexed to think she had overlooked that bit of +circumstantial evidence, and missed a trick. Then she had a new +inspiration: + +"Tom, you didn't have to undo your shirt collar where I sewed it, to +pump on your head, did you? Unbutton your jacket!" + +The trouble vanished out of Tom's face. He opened his jacket. His +shirt collar was securely sewed. + +"Bother! Well, go 'long with you. I'd made sure you'd played hookey +and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a +singed cat, as the saying is--better'n you look. THIS time." + +She was half sorry her sagacity had miscarried, and half glad that Tom +had stumbled into obedient conduct for once. + +But Sidney said: + +"Well, now, if I didn't think you sewed his collar with white thread, +but it's black." + +"Why, I did sew it with white! Tom!" + +But Tom did not wait for the rest. As he went out at the door he said: + +"Siddy, I'll lick you for that." + +In a safe place Tom examined two large needles which were thrust into +the lapels of his jacket, and had thread bound about them--one needle +carried white thread and the other black. He said: + +"She'd never noticed if it hadn't been for Sid. Confound it! sometimes +she sews it with white, and sometimes she sews it with black. I wish to +geeminy she'd stick to one or t'other--I can't keep the run of 'em. But +I bet you I'll lam Sid for that. I'll learn him!" + +He was not the Model Boy of the village. He knew the model boy very +well though--and loathed him. + +Within two minutes, or even less, he had forgotten all his troubles. +Not because his troubles were one whit less heavy and bitter to him +than a man's are to a man, but because a new and powerful interest bore +them down and drove them out of his mind for the time--just as men's +misfortunes are forgotten in the excitement of new enterprises. This +new interest was a valued novelty in whistling, which he had just +acquired from a negro, and he was suffering to practise it undisturbed. +It consisted in a peculiar bird-like turn, a sort of liquid warble, +produced by touching the tongue to the roof of the mouth at short +intervals in the midst of the music--the reader probably remembers how +to do it, if he has ever been a boy. Diligence and attention soon gave +him the knack of it, and he strode down the street with his mouth full +of harmony and his soul full of gratitude. He felt much as an +astronomer feels who has discovered a new planet--no doubt, as far as +strong, deep, unalloyed pleasure is concerned, the advantage was with +the boy, not the astronomer. + +The summer evenings were long. It was not dark, yet. Presently Tom +checked his whistle. A stranger was before him--a boy a shade larger +than himself. A new-comer of any age or either sex was an impressive +curiosity in the poor little shabby village of St. Petersburg. This boy +was well dressed, too--well dressed on a week-day. This was simply +astounding. His cap was a dainty thing, his close-buttoned blue cloth +roundabout was new and natty, and so were his pantaloons. He had shoes +on--and it was only Friday. He even wore a necktie, a bright bit of +ribbon. He had a citified air about him that ate into Tom's vitals. The +more Tom stared at the splendid marvel, the higher he turned up his +nose at his finery and the shabbier and shabbier his own outfit seemed +to him to grow. Neither boy spoke. If one moved, the other moved--but +only sidewise, in a circle; they kept face to face and eye to eye all +the time. Finally Tom said: + +"I can lick you!" + +"I'd like to see you try it." + +"Well, I can do it." + +"No you can't, either." + +"Yes I can." + +"No you can't." + +"I can." + +"You can't." + +"Can!" + +"Can't!" + +An uncomfortable pause. Then Tom said: + +"What's your name?" + +"'Tisn't any of your business, maybe." + +"Well I 'low I'll MAKE it my business." + +"Well why don't you?" + +"If you say much, I will." + +"Much--much--MUCH. There now." + +"Oh, you think you're mighty smart, DON'T you? I could lick you with +one hand tied behind me, if I wanted to." + +"Well why don't you DO it? You SAY you can do it." + +"Well I WILL, if you fool with me." + +"Oh yes--I've seen whole families in the same fix." + +"Smarty! You think you're SOME, now, DON'T you? Oh, what a hat!" + +"You can lump that hat if you don't like it. I dare you to knock it +off--and anybody that'll take a dare will suck eggs." + +"You're a liar!" + +"You're another." + +"You're a fighting liar and dasn't take it up." + +"Aw--take a walk!" + +"Say--if you give me much more of your sass I'll take and bounce a +rock off'n your head." + +"Oh, of COURSE you will." + +"Well I WILL." + +"Well why don't you DO it then? What do you keep SAYING you will for? +Why don't you DO it? It's because you're afraid." + +"I AIN'T afraid." + +"You are." + +"I ain't." + +"You are." + +Another pause, and more eying and sidling around each other. Presently +they were shoulder to shoulder. Tom said: + +"Get away from here!" + +"Go away yourself!" + +"I won't." + +"I won't either." + +So they stood, each with a foot placed at an angle as a brace, and +both shoving with might and main, and glowering at each other with +hate. But neither could get an advantage. After struggling till both +were hot and flushed, each relaxed his strain with watchful caution, +and Tom said: + +"You're a coward and a pup. I'll tell my big brother on you, and he +can thrash you with his little finger, and I'll make him do it, too." + +"What do I care for your big brother? I've got a brother that's bigger +than he is--and what's more, he can throw him over that fence, too." +[Both brothers were imaginary.] + +"That's a lie." + +"YOUR saying so don't make it so." + +Tom drew a line in the dust with his big toe, and said: + +"I dare you to step over that, and I'll lick you till you can't stand +up. Anybody that'll take a dare will steal sheep." + +The new boy stepped over promptly, and said: + +"Now you said you'd do it, now let's see you do it." + +"Don't you crowd me now; you better look out." + +"Well, you SAID you'd do it--why don't you do it?" + +"By jingo! for two cents I WILL do it." + +The new boy took two broad coppers out of his pocket and held them out +with derision. Tom struck them to the ground. In an instant both boys +were rolling and tumbling in the dirt, gripped together like cats; and +for the space of a minute they tugged and tore at each other's hair and +clothes, punched and scratched each other's nose, and covered +themselves with dust and glory. Presently the confusion took form, and +through the fog of battle Tom appeared, seated astride the new boy, and +pounding him with his fists. "Holler 'nuff!" said he. + +The boy only struggled to free himself. He was crying--mainly from rage. + +"Holler 'nuff!"--and the pounding went on. + +At last the stranger got out a smothered "'Nuff!" and Tom let him up +and said: + +"Now that'll learn you. Better look out who you're fooling with next +time." + +The new boy went off brushing the dust from his clothes, sobbing, +snuffling, and occasionally looking back and shaking his head and +threatening what he would do to Tom the "next time he caught him out." +To which Tom responded with jeers, and started off in high feather, and +as soon as his back was turned the new boy snatched up a stone, threw +it and hit him between the shoulders and then turned tail and ran like +an antelope. Tom chased the traitor home, and thus found out where he +lived. He then held a position at the gate for some time, daring the +enemy to come outside, but the enemy only made faces at him through the +window and declined. At last the enemy's mother appeared, and called +Tom a bad, vicious, vulgar child, and ordered him away. So he went +away; but he said he "'lowed" to "lay" for that boy. + +He got home pretty late that night, and when he climbed cautiously in +at the window, he uncovered an ambuscade, in the person of his aunt; +and when she saw the state his clothes were in her resolution to turn +his Saturday holiday into captivity at hard labor became adamantine in +its firmness. + + + +CHAPTER II + +SATURDAY morning was come, and all the summer world was bright and +fresh, and brimming with life. There was a song in every heart; and if +the heart was young the music issued at the lips. There was cheer in +every face and a spring in every step. The locust-trees were in bloom +and the fragrance of the blossoms filled the air. Cardiff Hill, beyond +the village and above it, was green with vegetation and it lay just far +enough away to seem a Delectable Land, dreamy, reposeful, and inviting. + +Tom appeared on the sidewalk with a bucket of whitewash and a +long-handled brush. He surveyed the fence, and all gladness left him and +a deep melancholy settled down upon his spirit. Thirty yards of board +fence nine feet high. Life to him seemed hollow, and existence but a +burden. Sighing, he dipped his brush and passed it along the topmost +plank; repeated the operation; did it again; compared the insignificant +whitewashed streak with the far-reaching continent of unwhitewashed +fence, and sat down on a tree-box discouraged. Jim came skipping out at +the gate with a tin pail, and singing Buffalo Gals. Bringing water from +the town pump had always been hateful work in Tom's eyes, before, but +now it did not strike him so. He remembered that there was company at +the pump. White, mulatto, and negro boys and girls were always there +waiting their turns, resting, trading playthings, quarrelling, +fighting, skylarking. And he remembered that although the pump was only +a hundred and fifty yards off, Jim never got back with a bucket of +water under an hour--and even then somebody generally had to go after +him. Tom said: + +"Say, Jim, I'll fetch the water if you'll whitewash some." + +Jim shook his head and said: + +"Can't, Mars Tom. Ole missis, she tole me I got to go an' git dis +water an' not stop foolin' roun' wid anybody. She say she spec' Mars +Tom gwine to ax me to whitewash, an' so she tole me go 'long an' 'tend +to my own business--she 'lowed SHE'D 'tend to de whitewashin'." + +"Oh, never you mind what she said, Jim. That's the way she always +talks. Gimme the bucket--I won't be gone only a a minute. SHE won't +ever know." + +"Oh, I dasn't, Mars Tom. Ole missis she'd take an' tar de head off'n +me. 'Deed she would." + +"SHE! She never licks anybody--whacks 'em over the head with her +thimble--and who cares for that, I'd like to know. She talks awful, but +talk don't hurt--anyways it don't if she don't cry. Jim, I'll give you +a marvel. I'll give you a white alley!" + +Jim began to waver. + +"White alley, Jim! And it's a bully taw." + +"My! Dat's a mighty gay marvel, I tell you! But Mars Tom I's powerful +'fraid ole missis--" + +"And besides, if you will I'll show you my sore toe." + +Jim was only human--this attraction was too much for him. He put down +his pail, took the white alley, and bent over the toe with absorbing +interest while the bandage was being unwound. In another moment he was +flying down the street with his pail and a tingling rear, Tom was +whitewashing with vigor, and Aunt Polly was retiring from the field +with a slipper in her hand and triumph in her eye. + +But Tom's energy did not last. He began to think of the fun he had +planned for this day, and his sorrows multiplied. Soon the free boys +would come tripping along on all sorts of delicious expeditions, and +they would make a world of fun of him for having to work--the very +thought of it burnt him like fire. He got out his worldly wealth and +examined it--bits of toys, marbles, and trash; enough to buy an +exchange of WORK, maybe, but not half enough to buy so much as half an +hour of pure freedom. So he returned his straitened means to his +pocket, and gave up the idea of trying to buy the boys. At this dark +and hopeless moment an inspiration burst upon him! Nothing less than a +great, magnificent inspiration. + +He took up his brush and went tranquilly to work. Ben Rogers hove in +sight presently--the very boy, of all boys, whose ridicule he had been +dreading. Ben's gait was the hop-skip-and-jump--proof enough that his +heart was light and his anticipations high. He was eating an apple, and +giving a long, melodious whoop, at intervals, followed by a deep-toned +ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As +he drew near, he slackened speed, took the middle of the street, leaned +far over to starboard and rounded to ponderously and with laborious +pomp and circumstance--for he was personating the Big Missouri, and +considered himself to be drawing nine feet of water. He was boat and +captain and engine-bells combined, so he had to imagine himself +standing on his own hurricane-deck giving the orders and executing them: + +"Stop her, sir! Ting-a-ling-ling!" The headway ran almost out, and he +drew up slowly toward the sidewalk. + +"Ship up to back! Ting-a-ling-ling!" His arms straightened and +stiffened down his sides. + +"Set her back on the stabboard! Ting-a-ling-ling! Chow! ch-chow-wow! +Chow!" His right hand, meantime, describing stately circles--for it was +representing a forty-foot wheel. + +"Let her go back on the labboard! Ting-a-lingling! Chow-ch-chow-chow!" +The left hand began to describe circles. + +"Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead +on the stabboard! Stop her! Let your outside turn over slow! +Ting-a-ling-ling! Chow-ow-ow! Get out that head-line! LIVELY now! +Come--out with your spring-line--what're you about there! Take a turn +round that stump with the bight of it! Stand by that stage, now--let her +go! Done with the engines, sir! Ting-a-ling-ling! SH'T! S'H'T! SH'T!" +(trying the gauge-cocks). + +Tom went on whitewashing--paid no attention to the steamboat. Ben +stared a moment and then said: "Hi-YI! YOU'RE up a stump, ain't you!" + +No answer. Tom surveyed his last touch with the eye of an artist, then +he gave his brush another gentle sweep and surveyed the result, as +before. Ben ranged up alongside of him. Tom's mouth watered for the +apple, but he stuck to his work. Ben said: + +"Hello, old chap, you got to work, hey?" + +Tom wheeled suddenly and said: + +"Why, it's you, Ben! I warn't noticing." + +"Say--I'm going in a-swimming, I am. Don't you wish you could? But of +course you'd druther WORK--wouldn't you? Course you would!" + +Tom contemplated the boy a bit, and said: + +"What do you call work?" + +"Why, ain't THAT work?" + +Tom resumed his whitewashing, and answered carelessly: + +"Well, maybe it is, and maybe it ain't. All I know, is, it suits Tom +Sawyer." + +"Oh come, now, you don't mean to let on that you LIKE it?" + +The brush continued to move. + +"Like it? Well, I don't see why I oughtn't to like it. Does a boy get +a chance to whitewash a fence every day?" + +That put the thing in a new light. Ben stopped nibbling his apple. Tom +swept his brush daintily back and forth--stepped back to note the +effect--added a touch here and there--criticised the effect again--Ben +watching every move and getting more and more interested, more and more +absorbed. Presently he said: + +"Say, Tom, let ME whitewash a little." + +Tom considered, was about to consent; but he altered his mind: + +"No--no--I reckon it wouldn't hardly do, Ben. You see, Aunt Polly's +awful particular about this fence--right here on the street, you know +--but if it was the back fence I wouldn't mind and SHE wouldn't. Yes, +she's awful particular about this fence; it's got to be done very +careful; I reckon there ain't one boy in a thousand, maybe two +thousand, that can do it the way it's got to be done." + +"No--is that so? Oh come, now--lemme just try. Only just a little--I'd +let YOU, if you was me, Tom." + +"Ben, I'd like to, honest injun; but Aunt Polly--well, Jim wanted to +do it, but she wouldn't let him; Sid wanted to do it, and she wouldn't +let Sid. Now don't you see how I'm fixed? If you was to tackle this +fence and anything was to happen to it--" + +"Oh, shucks, I'll be just as careful. Now lemme try. Say--I'll give +you the core of my apple." + +"Well, here--No, Ben, now don't. I'm afeard--" + +"I'll give you ALL of it!" + +Tom gave up the brush with reluctance in his face, but alacrity in his +heart. And while the late steamer Big Missouri worked and sweated in +the sun, the retired artist sat on a barrel in the shade close by, +dangled his legs, munched his apple, and planned the slaughter of more +innocents. There was no lack of material; boys happened along every +little while; they came to jeer, but remained to whitewash. By the time +Ben was fagged out, Tom had traded the next chance to Billy Fisher for +a kite, in good repair; and when he played out, Johnny Miller bought in +for a dead rat and a string to swing it with--and so on, and so on, +hour after hour. And when the middle of the afternoon came, from being +a poor poverty-stricken boy in the morning, Tom was literally rolling +in wealth. He had besides the things before mentioned, twelve marbles, +part of a jews-harp, a piece of blue bottle-glass to look through, a +spool cannon, a key that wouldn't unlock anything, a fragment of chalk, +a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six +fire-crackers, a kitten with only one eye, a brass doorknob, a +dog-collar--but no dog--the handle of a knife, four pieces of +orange-peel, and a dilapidated old window sash. + +He had had a nice, good, idle time all the while--plenty of company +--and the fence had three coats of whitewash on it! If he hadn't run out +of whitewash he would have bankrupted every boy in the village. + +Tom said to himself that it was not such a hollow world, after all. He +had discovered a great law of human action, without knowing it--namely, +that in order to make a man or a boy covet a thing, it is only +necessary to make the thing difficult to attain. If he had been a great +and wise philosopher, like the writer of this book, he would now have +comprehended that Work consists of whatever a body is OBLIGED to do, +and that Play consists of whatever a body is not obliged to do. And +this would help him to understand why constructing artificial flowers +or performing on a tread-mill is work, while rolling ten-pins or +climbing Mont Blanc is only amusement. There are wealthy gentlemen in +England who drive four-horse passenger-coaches twenty or thirty miles +on a daily line, in the summer, because the privilege costs them +considerable money; but if they were offered wages for the service, +that would turn it into work and then they would resign. + +The boy mused awhile over the substantial change which had taken place +in his worldly circumstances, and then wended toward headquarters to +report. + + + +CHAPTER III + +TOM presented himself before Aunt Polly, who was sitting by an open +window in a pleasant rearward apartment, which was bedroom, +breakfast-room, dining-room, and library, combined. The balmy summer +air, the restful quiet, the odor of the flowers, and the drowsing murmur +of the bees had had their effect, and she was nodding over her knitting +--for she had no company but the cat, and it was asleep in her lap. Her +spectacles were propped up on her gray head for safety. She had thought +that of course Tom had deserted long ago, and she wondered at seeing him +place himself in her power again in this intrepid way. He said: "Mayn't +I go and play now, aunt?" + +"What, a'ready? How much have you done?" + +"It's all done, aunt." + +"Tom, don't lie to me--I can't bear it." + +"I ain't, aunt; it IS all done." + +Aunt Polly placed small trust in such evidence. She went out to see +for herself; and she would have been content to find twenty per cent. +of Tom's statement true. When she found the entire fence whitewashed, +and not only whitewashed but elaborately coated and recoated, and even +a streak added to the ground, her astonishment was almost unspeakable. +She said: + +"Well, I never! There's no getting round it, you can work when you're +a mind to, Tom." And then she diluted the compliment by adding, "But +it's powerful seldom you're a mind to, I'm bound to say. Well, go 'long +and play; but mind you get back some time in a week, or I'll tan you." + +She was so overcome by the splendor of his achievement that she took +him into the closet and selected a choice apple and delivered it to +him, along with an improving lecture upon the added value and flavor a +treat took to itself when it came without sin through virtuous effort. +And while she closed with a happy Scriptural flourish, he "hooked" a +doughnut. + +Then he skipped out, and saw Sid just starting up the outside stairway +that led to the back rooms on the second floor. Clods were handy and +the air was full of them in a twinkling. They raged around Sid like a +hail-storm; and before Aunt Polly could collect her surprised faculties +and sally to the rescue, six or seven clods had taken personal effect, +and Tom was over the fence and gone. There was a gate, but as a general +thing he was too crowded for time to make use of it. His soul was at +peace, now that he had settled with Sid for calling attention to his +black thread and getting him into trouble. + +Tom skirted the block, and came round into a muddy alley that led by +the back of his aunt's cow-stable. He presently got safely beyond the +reach of capture and punishment, and hastened toward the public square +of the village, where two "military" companies of boys had met for +conflict, according to previous appointment. Tom was General of one of +these armies, Joe Harper (a bosom friend) General of the other. These +two great commanders did not condescend to fight in person--that being +better suited to the still smaller fry--but sat together on an eminence +and conducted the field operations by orders delivered through +aides-de-camp. Tom's army won a great victory, after a long and +hard-fought battle. Then the dead were counted, prisoners exchanged, +the terms of the next disagreement agreed upon, and the day for the +necessary battle appointed; after which the armies fell into line and +marched away, and Tom turned homeward alone. + +As he was passing by the house where Jeff Thatcher lived, he saw a new +girl in the garden--a lovely little blue-eyed creature with yellow hair +plaited into two long-tails, white summer frock and embroidered +pantalettes. The fresh-crowned hero fell without firing a shot. A +certain Amy Lawrence vanished out of his heart and left not even a +memory of herself behind. He had thought he loved her to distraction; +he had regarded his passion as adoration; and behold it was only a poor +little evanescent partiality. He had been months winning her; she had +confessed hardly a week ago; he had been the happiest and the proudest +boy in the world only seven short days, and here in one instant of time +she had gone out of his heart like a casual stranger whose visit is +done. + +He worshipped this new angel with furtive eye, till he saw that she +had discovered him; then he pretended he did not know she was present, +and began to "show off" in all sorts of absurd boyish ways, in order to +win her admiration. He kept up this grotesque foolishness for some +time; but by-and-by, while he was in the midst of some dangerous +gymnastic performances, he glanced aside and saw that the little girl +was wending her way toward the house. Tom came up to the fence and +leaned on it, grieving, and hoping she would tarry yet awhile longer. +She halted a moment on the steps and then moved toward the door. Tom +heaved a great sigh as she put her foot on the threshold. But his face +lit up, right away, for she tossed a pansy over the fence a moment +before she disappeared. + +The boy ran around and stopped within a foot or two of the flower, and +then shaded his eyes with his hand and began to look down street as if +he had discovered something of interest going on in that direction. +Presently he picked up a straw and began trying to balance it on his +nose, with his head tilted far back; and as he moved from side to side, +in his efforts, he edged nearer and nearer toward the pansy; finally +his bare foot rested upon it, his pliant toes closed upon it, and he +hopped away with the treasure and disappeared round the corner. But +only for a minute--only while he could button the flower inside his +jacket, next his heart--or next his stomach, possibly, for he was not +much posted in anatomy, and not hypercritical, anyway. + +He returned, now, and hung about the fence till nightfall, "showing +off," as before; but the girl never exhibited herself again, though Tom +comforted himself a little with the hope that she had been near some +window, meantime, and been aware of his attentions. Finally he strode +home reluctantly, with his poor head full of visions. + +All through supper his spirits were so high that his aunt wondered +"what had got into the child." He took a good scolding about clodding +Sid, and did not seem to mind it in the least. He tried to steal sugar +under his aunt's very nose, and got his knuckles rapped for it. He said: + +"Aunt, you don't whack Sid when he takes it." + +"Well, Sid don't torment a body the way you do. You'd be always into +that sugar if I warn't watching you." + +Presently she stepped into the kitchen, and Sid, happy in his +immunity, reached for the sugar-bowl--a sort of glorying over Tom which +was wellnigh unbearable. But Sid's fingers slipped and the bowl dropped +and broke. Tom was in ecstasies. In such ecstasies that he even +controlled his tongue and was silent. He said to himself that he would +not speak a word, even when his aunt came in, but would sit perfectly +still till she asked who did the mischief; and then he would tell, and +there would be nothing so good in the world as to see that pet model +"catch it." He was so brimful of exultation that he could hardly hold +himself when the old lady came back and stood above the wreck +discharging lightnings of wrath from over her spectacles. He said to +himself, "Now it's coming!" And the next instant he was sprawling on +the floor! The potent palm was uplifted to strike again when Tom cried +out: + +"Hold on, now, what 'er you belting ME for?--Sid broke it!" + +Aunt Polly paused, perplexed, and Tom looked for healing pity. But +when she got her tongue again, she only said: + +"Umf! Well, you didn't get a lick amiss, I reckon. You been into some +other audacious mischief when I wasn't around, like enough." + +Then her conscience reproached her, and she yearned to say something +kind and loving; but she judged that this would be construed into a +confession that she had been in the wrong, and discipline forbade that. +So she kept silence, and went about her affairs with a troubled heart. +Tom sulked in a corner and exalted his woes. He knew that in her heart +his aunt was on her knees to him, and he was morosely gratified by the +consciousness of it. He would hang out no signals, he would take notice +of none. He knew that a yearning glance fell upon him, now and then, +through a film of tears, but he refused recognition of it. He pictured +himself lying sick unto death and his aunt bending over him beseeching +one little forgiving word, but he would turn his face to the wall, and +die with that word unsaid. Ah, how would she feel then? And he pictured +himself brought home from the river, dead, with his curls all wet, and +his sore heart at rest. How she would throw herself upon him, and how +her tears would fall like rain, and her lips pray God to give her back +her boy and she would never, never abuse him any more! But he would lie +there cold and white and make no sign--a poor little sufferer, whose +griefs were at an end. He so worked upon his feelings with the pathos +of these dreams, that he had to keep swallowing, he was so like to +choke; and his eyes swam in a blur of water, which overflowed when he +winked, and ran down and trickled from the end of his nose. And such a +luxury to him was this petting of his sorrows, that he could not bear +to have any worldly cheeriness or any grating delight intrude upon it; +it was too sacred for such contact; and so, presently, when his cousin +Mary danced in, all alive with the joy of seeing home again after an +age-long visit of one week to the country, he got up and moved in +clouds and darkness out at one door as she brought song and sunshine in +at the other. + +He wandered far from the accustomed haunts of boys, and sought +desolate places that were in harmony with his spirit. A log raft in the +river invited him, and he seated himself on its outer edge and +contemplated the dreary vastness of the stream, wishing, the while, +that he could only be drowned, all at once and unconsciously, without +undergoing the uncomfortable routine devised by nature. Then he thought +of his flower. He got it out, rumpled and wilted, and it mightily +increased his dismal felicity. He wondered if she would pity him if she +knew? Would she cry, and wish that she had a right to put her arms +around his neck and comfort him? Or would she turn coldly away like all +the hollow world? This picture brought such an agony of pleasurable +suffering that he worked it over and over again in his mind and set it +up in new and varied lights, till he wore it threadbare. At last he +rose up sighing and departed in the darkness. + +About half-past nine or ten o'clock he came along the deserted street +to where the Adored Unknown lived; he paused a moment; no sound fell +upon his listening ear; a candle was casting a dull glow upon the +curtain of a second-story window. Was the sacred presence there? He +climbed the fence, threaded his stealthy way through the plants, till +he stood under that window; he looked up at it long, and with emotion; +then he laid him down on the ground under it, disposing himself upon +his back, with his hands clasped upon his breast and holding his poor +wilted flower. And thus he would die--out in the cold world, with no +shelter over his homeless head, no friendly hand to wipe the +death-damps from his brow, no loving face to bend pityingly over him +when the great agony came. And thus SHE would see him when she looked +out upon the glad morning, and oh! would she drop one little tear upon +his poor, lifeless form, would she heave one little sigh to see a bright +young life so rudely blighted, so untimely cut down? + +The window went up, a maid-servant's discordant voice profaned the +holy calm, and a deluge of water drenched the prone martyr's remains! + +The strangling hero sprang up with a relieving snort. There was a whiz +as of a missile in the air, mingled with the murmur of a curse, a sound +as of shivering glass followed, and a small, vague form went over the +fence and shot away in the gloom. + +Not long after, as Tom, all undressed for bed, was surveying his +drenched garments by the light of a tallow dip, Sid woke up; but if he +had any dim idea of making any "references to allusions," he thought +better of it and held his peace, for there was danger in Tom's eye. + +Tom turned in without the added vexation of prayers, and Sid made +mental note of the omission. + + + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 1. *** + + + + +Updated editions will replace the previous one—the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away—you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. + + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE + +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project Gutenberg™ +electronic works + +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at www.gutenberg.org. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: + + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg™ + +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. + +Section 3. Information about the Project Gutenberg Literary Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. + +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit www.gutenberg.org/donate. + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate. + +Section 5. General Information About Project Gutenberg™ electronic works + +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. + +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our website which has the main PG search +facility: www.gutenberg.org. + +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 2. + +This ebook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this ebook or online +at www.gutenberg.org. If you are not located in the United States, +you will have to check the laws of the country where you are located +before using this eBook. + +Title: The Adventures of Tom Sawyer, Part 2. + +Author: Mark Twain + +Release date: June 29, 2004 [eBook #7194] + Most recently updated: December 30, 2020 + +Language: English + +Credits: Produced by David Widger + + +*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 2. *** + + + + +Produced by David Widger + + + + + THE ADVENTURES OF TOM SAWYER + BY + MARK TWAIN + (Samuel Langhorne Clemens) + + Part 2 + + + +CHAPTER IV + +THE sun rose upon a tranquil world, and beamed down upon the peaceful +village like a benediction. Breakfast over, Aunt Polly had family +worship: it began with a prayer built from the ground up of solid +courses of Scriptural quotations, welded together with a thin mortar of +originality; and from the summit of this she delivered a grim chapter +of the Mosaic Law, as from Sinai. + +Then Tom girded up his loins, so to speak, and went to work to "get +his verses." Sid had learned his lesson days before. Tom bent all his +energies to the memorizing of five verses, and he chose part of the +Sermon on the Mount, because he could find no verses that were shorter. +At the end of half an hour Tom had a vague general idea of his lesson, +but no more, for his mind was traversing the whole field of human +thought, and his hands were busy with distracting recreations. Mary +took his book to hear him recite, and he tried to find his way through +the fog: + +"Blessed are the--a--a--" + +"Poor"-- + +"Yes--poor; blessed are the poor--a--a--" + +"In spirit--" + +"In spirit; blessed are the poor in spirit, for they--they--" + +"THEIRS--" + +"For THEIRS. Blessed are the poor in spirit, for theirs is the kingdom +of heaven. Blessed are they that mourn, for they--they--" + +"Sh--" + +"For they--a--" + +"S, H, A--" + +"For they S, H--Oh, I don't know what it is!" + +"SHALL!" + +"Oh, SHALL! for they shall--for they shall--a--a--shall mourn--a--a-- +blessed are they that shall--they that--a--they that shall mourn, for +they shall--a--shall WHAT? Why don't you tell me, Mary?--what do you +want to be so mean for?" + +"Oh, Tom, you poor thick-headed thing, I'm not teasing you. I wouldn't +do that. You must go and learn it again. Don't you be discouraged, Tom, +you'll manage it--and if you do, I'll give you something ever so nice. +There, now, that's a good boy." + +"All right! What is it, Mary, tell me what it is." + +"Never you mind, Tom. You know if I say it's nice, it is nice." + +"You bet you that's so, Mary. All right, I'll tackle it again." + +And he did "tackle it again"--and under the double pressure of +curiosity and prospective gain he did it with such spirit that he +accomplished a shining success. Mary gave him a brand-new "Barlow" +knife worth twelve and a half cents; and the convulsion of delight that +swept his system shook him to his foundations. True, the knife would +not cut anything, but it was a "sure-enough" Barlow, and there was +inconceivable grandeur in that--though where the Western boys ever got +the idea that such a weapon could possibly be counterfeited to its +injury is an imposing mystery and will always remain so, perhaps. Tom +contrived to scarify the cupboard with it, and was arranging to begin +on the bureau, when he was called off to dress for Sunday-school. + +Mary gave him a tin basin of water and a piece of soap, and he went +outside the door and set the basin on a little bench there; then he +dipped the soap in the water and laid it down; turned up his sleeves; +poured out the water on the ground, gently, and then entered the +kitchen and began to wipe his face diligently on the towel behind the +door. But Mary removed the towel and said: + +"Now ain't you ashamed, Tom. You mustn't be so bad. Water won't hurt +you." + +Tom was a trifle disconcerted. The basin was refilled, and this time +he stood over it a little while, gathering resolution; took in a big +breath and began. When he entered the kitchen presently, with both eyes +shut and groping for the towel with his hands, an honorable testimony +of suds and water was dripping from his face. But when he emerged from +the towel, he was not yet satisfactory, for the clean territory stopped +short at his chin and his jaws, like a mask; below and beyond this line +there was a dark expanse of unirrigated soil that spread downward in +front and backward around his neck. Mary took him in hand, and when she +was done with him he was a man and a brother, without distinction of +color, and his saturated hair was neatly brushed, and its short curls +wrought into a dainty and symmetrical general effect. [He privately +smoothed out the curls, with labor and difficulty, and plastered his +hair close down to his head; for he held curls to be effeminate, and +his own filled his life with bitterness.] Then Mary got out a suit of +his clothing that had been used only on Sundays during two years--they +were simply called his "other clothes"--and so by that we know the +size of his wardrobe. The girl "put him to rights" after he had dressed +himself; she buttoned his neat roundabout up to his chin, turned his +vast shirt collar down over his shoulders, brushed him off and crowned +him with his speckled straw hat. He now looked exceedingly improved and +uncomfortable. He was fully as uncomfortable as he looked; for there +was a restraint about whole clothes and cleanliness that galled him. He +hoped that Mary would forget his shoes, but the hope was blighted; she +coated them thoroughly with tallow, as was the custom, and brought them +out. He lost his temper and said he was always being made to do +everything he didn't want to do. But Mary said, persuasively: + +"Please, Tom--that's a good boy." + +So he got into the shoes snarling. Mary was soon ready, and the three +children set out for Sunday-school--a place that Tom hated with his +whole heart; but Sid and Mary were fond of it. + +Sabbath-school hours were from nine to half-past ten; and then church +service. Two of the children always remained for the sermon +voluntarily, and the other always remained too--for stronger reasons. +The church's high-backed, uncushioned pews would seat about three +hundred persons; the edifice was but a small, plain affair, with a sort +of pine board tree-box on top of it for a steeple. At the door Tom +dropped back a step and accosted a Sunday-dressed comrade: + +"Say, Billy, got a yaller ticket?" + +"Yes." + +"What'll you take for her?" + +"What'll you give?" + +"Piece of lickrish and a fish-hook." + +"Less see 'em." + +Tom exhibited. They were satisfactory, and the property changed hands. +Then Tom traded a couple of white alleys for three red tickets, and +some small trifle or other for a couple of blue ones. He waylaid other +boys as they came, and went on buying tickets of various colors ten or +fifteen minutes longer. He entered the church, now, with a swarm of +clean and noisy boys and girls, proceeded to his seat and started a +quarrel with the first boy that came handy. The teacher, a grave, +elderly man, interfered; then turned his back a moment and Tom pulled a +boy's hair in the next bench, and was absorbed in his book when the boy +turned around; stuck a pin in another boy, presently, in order to hear +him say "Ouch!" and got a new reprimand from his teacher. Tom's whole +class were of a pattern--restless, noisy, and troublesome. When they +came to recite their lessons, not one of them knew his verses +perfectly, but had to be prompted all along. However, they worried +through, and each got his reward--in small blue tickets, each with a +passage of Scripture on it; each blue ticket was pay for two verses of +the recitation. Ten blue tickets equalled a red one, and could be +exchanged for it; ten red tickets equalled a yellow one; for ten yellow +tickets the superintendent gave a very plainly bound Bible (worth forty +cents in those easy times) to the pupil. How many of my readers would +have the industry and application to memorize two thousand verses, even +for a Dore Bible? And yet Mary had acquired two Bibles in this way--it +was the patient work of two years--and a boy of German parentage had +won four or five. He once recited three thousand verses without +stopping; but the strain upon his mental faculties was too great, and +he was little better than an idiot from that day forth--a grievous +misfortune for the school, for on great occasions, before company, the +superintendent (as Tom expressed it) had always made this boy come out +and "spread himself." Only the older pupils managed to keep their +tickets and stick to their tedious work long enough to get a Bible, and +so the delivery of one of these prizes was a rare and noteworthy +circumstance; the successful pupil was so great and conspicuous for +that day that on the spot every scholar's heart was fired with a fresh +ambition that often lasted a couple of weeks. It is possible that Tom's +mental stomach had never really hungered for one of those prizes, but +unquestionably his entire being had for many a day longed for the glory +and the eclat that came with it. + +In due course the superintendent stood up in front of the pulpit, with +a closed hymn-book in his hand and his forefinger inserted between its +leaves, and commanded attention. When a Sunday-school superintendent +makes his customary little speech, a hymn-book in the hand is as +necessary as is the inevitable sheet of music in the hand of a singer +who stands forward on the platform and sings a solo at a concert +--though why, is a mystery: for neither the hymn-book nor the sheet of +music is ever referred to by the sufferer. This superintendent was a +slim creature of thirty-five, with a sandy goatee and short sandy hair; +he wore a stiff standing-collar whose upper edge almost reached his +ears and whose sharp points curved forward abreast the corners of his +mouth--a fence that compelled a straight lookout ahead, and a turning +of the whole body when a side view was required; his chin was propped +on a spreading cravat which was as broad and as long as a bank-note, +and had fringed ends; his boot toes were turned sharply up, in the +fashion of the day, like sleigh-runners--an effect patiently and +laboriously produced by the young men by sitting with their toes +pressed against a wall for hours together. Mr. Walters was very earnest +of mien, and very sincere and honest at heart; and he held sacred +things and places in such reverence, and so separated them from worldly +matters, that unconsciously to himself his Sunday-school voice had +acquired a peculiar intonation which was wholly absent on week-days. He +began after this fashion: + +"Now, children, I want you all to sit up just as straight and pretty +as you can and give me all your attention for a minute or two. There +--that is it. That is the way good little boys and girls should do. I see +one little girl who is looking out of the window--I am afraid she +thinks I am out there somewhere--perhaps up in one of the trees making +a speech to the little birds. [Applausive titter.] I want to tell you +how good it makes me feel to see so many bright, clean little faces +assembled in a place like this, learning to do right and be good." And +so forth and so on. It is not necessary to set down the rest of the +oration. It was of a pattern which does not vary, and so it is familiar +to us all. + +The latter third of the speech was marred by the resumption of fights +and other recreations among certain of the bad boys, and by fidgetings +and whisperings that extended far and wide, washing even to the bases +of isolated and incorruptible rocks like Sid and Mary. But now every +sound ceased suddenly, with the subsidence of Mr. Walters' voice, and +the conclusion of the speech was received with a burst of silent +gratitude. + +A good part of the whispering had been occasioned by an event which +was more or less rare--the entrance of visitors: lawyer Thatcher, +accompanied by a very feeble and aged man; a fine, portly, middle-aged +gentleman with iron-gray hair; and a dignified lady who was doubtless +the latter's wife. The lady was leading a child. Tom had been restless +and full of chafings and repinings; conscience-smitten, too--he could +not meet Amy Lawrence's eye, he could not brook her loving gaze. But +when he saw this small new-comer his soul was all ablaze with bliss in +a moment. The next moment he was "showing off" with all his might +--cuffing boys, pulling hair, making faces--in a word, using every art +that seemed likely to fascinate a girl and win her applause. His +exaltation had but one alloy--the memory of his humiliation in this +angel's garden--and that record in sand was fast washing out, under +the waves of happiness that were sweeping over it now. + +The visitors were given the highest seat of honor, and as soon as Mr. +Walters' speech was finished, he introduced them to the school. The +middle-aged man turned out to be a prodigious personage--no less a one +than the county judge--altogether the most august creation these +children had ever looked upon--and they wondered what kind of material +he was made of--and they half wanted to hear him roar, and were half +afraid he might, too. He was from Constantinople, twelve miles away--so +he had travelled, and seen the world--these very eyes had looked upon +the county court-house--which was said to have a tin roof. The awe +which these reflections inspired was attested by the impressive silence +and the ranks of staring eyes. This was the great Judge Thatcher, +brother of their own lawyer. Jeff Thatcher immediately went forward, to +be familiar with the great man and be envied by the school. It would +have been music to his soul to hear the whisperings: + +"Look at him, Jim! He's a going up there. Say--look! he's a going to +shake hands with him--he IS shaking hands with him! By jings, don't you +wish you was Jeff?" + +Mr. Walters fell to "showing off," with all sorts of official +bustlings and activities, giving orders, delivering judgments, +discharging directions here, there, everywhere that he could find a +target. The librarian "showed off"--running hither and thither with his +arms full of books and making a deal of the splutter and fuss that +insect authority delights in. The young lady teachers "showed off" +--bending sweetly over pupils that were lately being boxed, lifting +pretty warning fingers at bad little boys and patting good ones +lovingly. The young gentlemen teachers "showed off" with small +scoldings and other little displays of authority and fine attention to +discipline--and most of the teachers, of both sexes, found business up +at the library, by the pulpit; and it was business that frequently had +to be done over again two or three times (with much seeming vexation). +The little girls "showed off" in various ways, and the little boys +"showed off" with such diligence that the air was thick with paper wads +and the murmur of scufflings. And above it all the great man sat and +beamed a majestic judicial smile upon all the house, and warmed himself +in the sun of his own grandeur--for he was "showing off," too. + +There was only one thing wanting to make Mr. Walters' ecstasy +complete, and that was a chance to deliver a Bible-prize and exhibit a +prodigy. Several pupils had a few yellow tickets, but none had enough +--he had been around among the star pupils inquiring. He would have given +worlds, now, to have that German lad back again with a sound mind. + +And now at this moment, when hope was dead, Tom Sawyer came forward +with nine yellow tickets, nine red tickets, and ten blue ones, and +demanded a Bible. This was a thunderbolt out of a clear sky. Walters +was not expecting an application from this source for the next ten +years. But there was no getting around it--here were the certified +checks, and they were good for their face. Tom was therefore elevated +to a place with the Judge and the other elect, and the great news was +announced from headquarters. It was the most stunning surprise of the +decade, and so profound was the sensation that it lifted the new hero +up to the judicial one's altitude, and the school had two marvels to +gaze upon in place of one. The boys were all eaten up with envy--but +those that suffered the bitterest pangs were those who perceived too +late that they themselves had contributed to this hated splendor by +trading tickets to Tom for the wealth he had amassed in selling +whitewashing privileges. These despised themselves, as being the dupes +of a wily fraud, a guileful snake in the grass. + +The prize was delivered to Tom with as much effusion as the +superintendent could pump up under the circumstances; but it lacked +somewhat of the true gush, for the poor fellow's instinct taught him +that there was a mystery here that could not well bear the light, +perhaps; it was simply preposterous that this boy had warehoused two +thousand sheaves of Scriptural wisdom on his premises--a dozen would +strain his capacity, without a doubt. + +Amy Lawrence was proud and glad, and she tried to make Tom see it in +her face--but he wouldn't look. She wondered; then she was just a grain +troubled; next a dim suspicion came and went--came again; she watched; +a furtive glance told her worlds--and then her heart broke, and she was +jealous, and angry, and the tears came and she hated everybody. Tom +most of all (she thought). + +Tom was introduced to the Judge; but his tongue was tied, his breath +would hardly come, his heart quaked--partly because of the awful +greatness of the man, but mainly because he was her parent. He would +have liked to fall down and worship him, if it were in the dark. The +Judge put his hand on Tom's head and called him a fine little man, and +asked him what his name was. The boy stammered, gasped, and got it out: + +"Tom." + +"Oh, no, not Tom--it is--" + +"Thomas." + +"Ah, that's it. I thought there was more to it, maybe. That's very +well. But you've another one I daresay, and you'll tell it to me, won't +you?" + +"Tell the gentleman your other name, Thomas," said Walters, "and say +sir. You mustn't forget your manners." + +"Thomas Sawyer--sir." + +"That's it! That's a good boy. Fine boy. Fine, manly little fellow. +Two thousand verses is a great many--very, very great many. And you +never can be sorry for the trouble you took to learn them; for +knowledge is worth more than anything there is in the world; it's what +makes great men and good men; you'll be a great man and a good man +yourself, some day, Thomas, and then you'll look back and say, It's all +owing to the precious Sunday-school privileges of my boyhood--it's all +owing to my dear teachers that taught me to learn--it's all owing to +the good superintendent, who encouraged me, and watched over me, and +gave me a beautiful Bible--a splendid elegant Bible--to keep and have +it all for my own, always--it's all owing to right bringing up! That is +what you will say, Thomas--and you wouldn't take any money for those +two thousand verses--no indeed you wouldn't. And now you wouldn't mind +telling me and this lady some of the things you've learned--no, I know +you wouldn't--for we are proud of little boys that learn. Now, no +doubt you know the names of all the twelve disciples. Won't you tell us +the names of the first two that were appointed?" + +Tom was tugging at a button-hole and looking sheepish. He blushed, +now, and his eyes fell. Mr. Walters' heart sank within him. He said to +himself, it is not possible that the boy can answer the simplest +question--why DID the Judge ask him? Yet he felt obliged to speak up +and say: + +"Answer the gentleman, Thomas--don't be afraid." + +Tom still hung fire. + +"Now I know you'll tell me," said the lady. "The names of the first +two disciples were--" + +"DAVID AND GOLIAH!" + +Let us draw the curtain of charity over the rest of the scene. + + + +CHAPTER V + +ABOUT half-past ten the cracked bell of the small church began to +ring, and presently the people began to gather for the morning sermon. +The Sunday-school children distributed themselves about the house and +occupied pews with their parents, so as to be under supervision. Aunt +Polly came, and Tom and Sid and Mary sat with her--Tom being placed +next the aisle, in order that he might be as far away from the open +window and the seductive outside summer scenes as possible. The crowd +filed up the aisles: the aged and needy postmaster, who had seen better +days; the mayor and his wife--for they had a mayor there, among other +unnecessaries; the justice of the peace; the widow Douglass, fair, +smart, and forty, a generous, good-hearted soul and well-to-do, her +hill mansion the only palace in the town, and the most hospitable and +much the most lavish in the matter of festivities that St. Petersburg +could boast; the bent and venerable Major and Mrs. Ward; lawyer +Riverson, the new notable from a distance; next the belle of the +village, followed by a troop of lawn-clad and ribbon-decked young +heart-breakers; then all the young clerks in town in a body--for they +had stood in the vestibule sucking their cane-heads, a circling wall of +oiled and simpering admirers, till the last girl had run their gantlet; +and last of all came the Model Boy, Willie Mufferson, taking as heedful +care of his mother as if she were cut glass. He always brought his +mother to church, and was the pride of all the matrons. The boys all +hated him, he was so good. And besides, he had been "thrown up to them" +so much. His white handkerchief was hanging out of his pocket behind, as +usual on Sundays--accidentally. Tom had no handkerchief, and he looked +upon boys who had as snobs. + +The congregation being fully assembled, now, the bell rang once more, +to warn laggards and stragglers, and then a solemn hush fell upon the +church which was only broken by the tittering and whispering of the +choir in the gallery. The choir always tittered and whispered all +through service. There was once a church choir that was not ill-bred, +but I have forgotten where it was, now. It was a great many years ago, +and I can scarcely remember anything about it, but I think it was in +some foreign country. + +The minister gave out the hymn, and read it through with a relish, in +a peculiar style which was much admired in that part of the country. +His voice began on a medium key and climbed steadily up till it reached +a certain point, where it bore with strong emphasis upon the topmost +word and then plunged down as if from a spring-board: + + Shall I be car-ri-ed toe the skies, on flow'ry BEDS of ease, + + Whilst others fight to win the prize, and sail thro' BLOODY seas? + +He was regarded as a wonderful reader. At church "sociables" he was +always called upon to read poetry; and when he was through, the ladies +would lift up their hands and let them fall helplessly in their laps, +and "wall" their eyes, and shake their heads, as much as to say, "Words +cannot express it; it is too beautiful, TOO beautiful for this mortal +earth." + +After the hymn had been sung, the Rev. Mr. Sprague turned himself into +a bulletin-board, and read off "notices" of meetings and societies and +things till it seemed that the list would stretch out to the crack of +doom--a queer custom which is still kept up in America, even in cities, +away here in this age of abundant newspapers. Often, the less there is +to justify a traditional custom, the harder it is to get rid of it. + +And now the minister prayed. A good, generous prayer it was, and went +into details: it pleaded for the church, and the little children of the +church; for the other churches of the village; for the village itself; +for the county; for the State; for the State officers; for the United +States; for the churches of the United States; for Congress; for the +President; for the officers of the Government; for poor sailors, tossed +by stormy seas; for the oppressed millions groaning under the heel of +European monarchies and Oriental despotisms; for such as have the light +and the good tidings, and yet have not eyes to see nor ears to hear +withal; for the heathen in the far islands of the sea; and closed with +a supplication that the words he was about to speak might find grace +and favor, and be as seed sown in fertile ground, yielding in time a +grateful harvest of good. Amen. + +There was a rustling of dresses, and the standing congregation sat +down. The boy whose history this book relates did not enjoy the prayer, +he only endured it--if he even did that much. He was restive all +through it; he kept tally of the details of the prayer, unconsciously +--for he was not listening, but he knew the ground of old, and the +clergyman's regular route over it--and when a little trifle of new +matter was interlarded, his ear detected it and his whole nature +resented it; he considered additions unfair, and scoundrelly. In the +midst of the prayer a fly had lit on the back of the pew in front of +him and tortured his spirit by calmly rubbing its hands together, +embracing its head with its arms, and polishing it so vigorously that +it seemed to almost part company with the body, and the slender thread +of a neck was exposed to view; scraping its wings with its hind legs +and smoothing them to its body as if they had been coat-tails; going +through its whole toilet as tranquilly as if it knew it was perfectly +safe. As indeed it was; for as sorely as Tom's hands itched to grab for +it they did not dare--he believed his soul would be instantly destroyed +if he did such a thing while the prayer was going on. But with the +closing sentence his hand began to curve and steal forward; and the +instant the "Amen" was out the fly was a prisoner of war. His aunt +detected the act and made him let it go. + +The minister gave out his text and droned along monotonously through +an argument that was so prosy that many a head by and by began to nod +--and yet it was an argument that dealt in limitless fire and brimstone +and thinned the predestined elect down to a company so small as to be +hardly worth the saving. Tom counted the pages of the sermon; after +church he always knew how many pages there had been, but he seldom knew +anything else about the discourse. However, this time he was really +interested for a little while. The minister made a grand and moving +picture of the assembling together of the world's hosts at the +millennium when the lion and the lamb should lie down together and a +little child should lead them. But the pathos, the lesson, the moral of +the great spectacle were lost upon the boy; he only thought of the +conspicuousness of the principal character before the on-looking +nations; his face lit with the thought, and he said to himself that he +wished he could be that child, if it was a tame lion. + +Now he lapsed into suffering again, as the dry argument was resumed. +Presently he bethought him of a treasure he had and got it out. It was +a large black beetle with formidable jaws--a "pinchbug," he called it. +It was in a percussion-cap box. The first thing the beetle did was to +take him by the finger. A natural fillip followed, the beetle went +floundering into the aisle and lit on its back, and the hurt finger +went into the boy's mouth. The beetle lay there working its helpless +legs, unable to turn over. Tom eyed it, and longed for it; but it was +safe out of his reach. Other people uninterested in the sermon found +relief in the beetle, and they eyed it too. Presently a vagrant poodle +dog came idling along, sad at heart, lazy with the summer softness and +the quiet, weary of captivity, sighing for change. He spied the beetle; +the drooping tail lifted and wagged. He surveyed the prize; walked +around it; smelt at it from a safe distance; walked around it again; +grew bolder, and took a closer smell; then lifted his lip and made a +gingerly snatch at it, just missing it; made another, and another; +began to enjoy the diversion; subsided to his stomach with the beetle +between his paws, and continued his experiments; grew weary at last, +and then indifferent and absent-minded. His head nodded, and little by +little his chin descended and touched the enemy, who seized it. There +was a sharp yelp, a flirt of the poodle's head, and the beetle fell a +couple of yards away, and lit on its back once more. The neighboring +spectators shook with a gentle inward joy, several faces went behind +fans and handkerchiefs, and Tom was entirely happy. The dog looked +foolish, and probably felt so; but there was resentment in his heart, +too, and a craving for revenge. So he went to the beetle and began a +wary attack on it again; jumping at it from every point of a circle, +lighting with his fore-paws within an inch of the creature, making even +closer snatches at it with his teeth, and jerking his head till his +ears flapped again. But he grew tired once more, after a while; tried +to amuse himself with a fly but found no relief; followed an ant +around, with his nose close to the floor, and quickly wearied of that; +yawned, sighed, forgot the beetle entirely, and sat down on it. Then +there was a wild yelp of agony and the poodle went sailing up the +aisle; the yelps continued, and so did the dog; he crossed the house in +front of the altar; he flew down the other aisle; he crossed before the +doors; he clamored up the home-stretch; his anguish grew with his +progress, till presently he was but a woolly comet moving in its orbit +with the gleam and the speed of light. At last the frantic sufferer +sheered from its course, and sprang into its master's lap; he flung it +out of the window, and the voice of distress quickly thinned away and +died in the distance. + +By this time the whole church was red-faced and suffocating with +suppressed laughter, and the sermon had come to a dead standstill. The +discourse was resumed presently, but it went lame and halting, all +possibility of impressiveness being at an end; for even the gravest +sentiments were constantly being received with a smothered burst of +unholy mirth, under cover of some remote pew-back, as if the poor +parson had said a rarely facetious thing. It was a genuine relief to +the whole congregation when the ordeal was over and the benediction +pronounced. + +Tom Sawyer went home quite cheerful, thinking to himself that there +was some satisfaction about divine service when there was a bit of +variety in it. He had but one marring thought; he was willing that the +dog should play with his pinchbug, but he did not think it was upright +in him to carry it off. + + + +CHAPTER VI + +MONDAY morning found Tom Sawyer miserable. Monday morning always found +him so--because it began another week's slow suffering in school. He +generally began that day with wishing he had had no intervening +holiday, it made the going into captivity and fetters again so much +more odious. + +Tom lay thinking. Presently it occurred to him that he wished he was +sick; then he could stay home from school. Here was a vague +possibility. He canvassed his system. No ailment was found, and he +investigated again. This time he thought he could detect colicky +symptoms, and he began to encourage them with considerable hope. But +they soon grew feeble, and presently died wholly away. He reflected +further. Suddenly he discovered something. One of his upper front teeth +was loose. This was lucky; he was about to begin to groan, as a +"starter," as he called it, when it occurred to him that if he came +into court with that argument, his aunt would pull it out, and that +would hurt. So he thought he would hold the tooth in reserve for the +present, and seek further. Nothing offered for some little time, and +then he remembered hearing the doctor tell about a certain thing that +laid up a patient for two or three weeks and threatened to make him +lose a finger. So the boy eagerly drew his sore toe from under the +sheet and held it up for inspection. But now he did not know the +necessary symptoms. However, it seemed well worth while to chance it, +so he fell to groaning with considerable spirit. + +But Sid slept on unconscious. + +Tom groaned louder, and fancied that he began to feel pain in the toe. + +No result from Sid. + +Tom was panting with his exertions by this time. He took a rest and +then swelled himself up and fetched a succession of admirable groans. + +Sid snored on. + +Tom was aggravated. He said, "Sid, Sid!" and shook him. This course +worked well, and Tom began to groan again. Sid yawned, stretched, then +brought himself up on his elbow with a snort, and began to stare at +Tom. Tom went on groaning. Sid said: + +"Tom! Say, Tom!" [No response.] "Here, Tom! TOM! What is the matter, +Tom?" And he shook him and looked in his face anxiously. + +Tom moaned out: + +"Oh, don't, Sid. Don't joggle me." + +"Why, what's the matter, Tom? I must call auntie." + +"No--never mind. It'll be over by and by, maybe. Don't call anybody." + +"But I must! DON'T groan so, Tom, it's awful. How long you been this +way?" + +"Hours. Ouch! Oh, don't stir so, Sid, you'll kill me." + +"Tom, why didn't you wake me sooner? Oh, Tom, DON'T! It makes my +flesh crawl to hear you. Tom, what is the matter?" + +"I forgive you everything, Sid. [Groan.] Everything you've ever done +to me. When I'm gone--" + +"Oh, Tom, you ain't dying, are you? Don't, Tom--oh, don't. Maybe--" + +"I forgive everybody, Sid. [Groan.] Tell 'em so, Sid. And Sid, you +give my window-sash and my cat with one eye to that new girl that's +come to town, and tell her--" + +But Sid had snatched his clothes and gone. Tom was suffering in +reality, now, so handsomely was his imagination working, and so his +groans had gathered quite a genuine tone. + +Sid flew down-stairs and said: + +"Oh, Aunt Polly, come! Tom's dying!" + +"Dying!" + +"Yes'm. Don't wait--come quick!" + +"Rubbage! I don't believe it!" + +But she fled up-stairs, nevertheless, with Sid and Mary at her heels. +And her face grew white, too, and her lip trembled. When she reached +the bedside she gasped out: + +"You, Tom! Tom, what's the matter with you?" + +"Oh, auntie, I'm--" + +"What's the matter with you--what is the matter with you, child?" + +"Oh, auntie, my sore toe's mortified!" + +The old lady sank down into a chair and laughed a little, then cried a +little, then did both together. This restored her and she said: + +"Tom, what a turn you did give me. Now you shut up that nonsense and +climb out of this." + +The groans ceased and the pain vanished from the toe. The boy felt a +little foolish, and he said: + +"Aunt Polly, it SEEMED mortified, and it hurt so I never minded my +tooth at all." + +"Your tooth, indeed! What's the matter with your tooth?" + +"One of them's loose, and it aches perfectly awful." + +"There, there, now, don't begin that groaning again. Open your mouth. +Well--your tooth IS loose, but you're not going to die about that. +Mary, get me a silk thread, and a chunk of fire out of the kitchen." + +Tom said: + +"Oh, please, auntie, don't pull it out. It don't hurt any more. I wish +I may never stir if it does. Please don't, auntie. I don't want to stay +home from school." + +"Oh, you don't, don't you? So all this row was because you thought +you'd get to stay home from school and go a-fishing? Tom, Tom, I love +you so, and you seem to try every way you can to break my old heart +with your outrageousness." By this time the dental instruments were +ready. The old lady made one end of the silk thread fast to Tom's tooth +with a loop and tied the other to the bedpost. Then she seized the +chunk of fire and suddenly thrust it almost into the boy's face. The +tooth hung dangling by the bedpost, now. + +But all trials bring their compensations. As Tom wended to school +after breakfast, he was the envy of every boy he met because the gap in +his upper row of teeth enabled him to expectorate in a new and +admirable way. He gathered quite a following of lads interested in the +exhibition; and one that had cut his finger and had been a centre of +fascination and homage up to this time, now found himself suddenly +without an adherent, and shorn of his glory. His heart was heavy, and +he said with a disdain which he did not feel that it wasn't anything to +spit like Tom Sawyer; but another boy said, "Sour grapes!" and he +wandered away a dismantled hero. + +Shortly Tom came upon the juvenile pariah of the village, Huckleberry +Finn, son of the town drunkard. Huckleberry was cordially hated and +dreaded by all the mothers of the town, because he was idle and lawless +and vulgar and bad--and because all their children admired him so, and +delighted in his forbidden society, and wished they dared to be like +him. Tom was like the rest of the respectable boys, in that he envied +Huckleberry his gaudy outcast condition, and was under strict orders +not to play with him. So he played with him every time he got a chance. +Huckleberry was always dressed in the cast-off clothes of full-grown +men, and they were in perennial bloom and fluttering with rags. His hat +was a vast ruin with a wide crescent lopped out of its brim; his coat, +when he wore one, hung nearly to his heels and had the rearward buttons +far down the back; but one suspender supported his trousers; the seat +of the trousers bagged low and contained nothing, the fringed legs +dragged in the dirt when not rolled up. + +Huckleberry came and went, at his own free will. He slept on doorsteps +in fine weather and in empty hogsheads in wet; he did not have to go to +school or to church, or call any being master or obey anybody; he could +go fishing or swimming when and where he chose, and stay as long as it +suited him; nobody forbade him to fight; he could sit up as late as he +pleased; he was always the first boy that went barefoot in the spring +and the last to resume leather in the fall; he never had to wash, nor +put on clean clothes; he could swear wonderfully. In a word, everything +that goes to make life precious that boy had. So thought every +harassed, hampered, respectable boy in St. Petersburg. + +Tom hailed the romantic outcast: + +"Hello, Huckleberry!" + +"Hello yourself, and see how you like it." + +"What's that you got?" + +"Dead cat." + +"Lemme see him, Huck. My, he's pretty stiff. Where'd you get him ?" + +"Bought him off'n a boy." + +"What did you give?" + +"I give a blue ticket and a bladder that I got at the slaughter-house." + +"Where'd you get the blue ticket?" + +"Bought it off'n Ben Rogers two weeks ago for a hoop-stick." + +"Say--what is dead cats good for, Huck?" + +"Good for? Cure warts with." + +"No! Is that so? I know something that's better." + +"I bet you don't. What is it?" + +"Why, spunk-water." + +"Spunk-water! I wouldn't give a dern for spunk-water." + +"You wouldn't, wouldn't you? D'you ever try it?" + +"No, I hain't. But Bob Tanner did." + +"Who told you so!" + +"Why, he told Jeff Thatcher, and Jeff told Johnny Baker, and Johnny +told Jim Hollis, and Jim told Ben Rogers, and Ben told a nigger, and +the nigger told me. There now!" + +"Well, what of it? They'll all lie. Leastways all but the nigger. I +don't know HIM. But I never see a nigger that WOULDN'T lie. Shucks! Now +you tell me how Bob Tanner done it, Huck." + +"Why, he took and dipped his hand in a rotten stump where the +rain-water was." + +"In the daytime?" + +"Certainly." + +"With his face to the stump?" + +"Yes. Least I reckon so." + +"Did he say anything?" + +"I don't reckon he did. I don't know." + +"Aha! Talk about trying to cure warts with spunk-water such a blame +fool way as that! Why, that ain't a-going to do any good. You got to go +all by yourself, to the middle of the woods, where you know there's a +spunk-water stump, and just as it's midnight you back up against the +stump and jam your hand in and say: + + 'Barley-corn, barley-corn, injun-meal shorts, + Spunk-water, spunk-water, swaller these warts,' + +and then walk away quick, eleven steps, with your eyes shut, and then +turn around three times and walk home without speaking to anybody. +Because if you speak the charm's busted." + +"Well, that sounds like a good way; but that ain't the way Bob Tanner +done." + +"No, sir, you can bet he didn't, becuz he's the wartiest boy in this +town; and he wouldn't have a wart on him if he'd knowed how to work +spunk-water. I've took off thousands of warts off of my hands that way, +Huck. I play with frogs so much that I've always got considerable many +warts. Sometimes I take 'em off with a bean." + +"Yes, bean's good. I've done that." + +"Have you? What's your way?" + +"You take and split the bean, and cut the wart so as to get some +blood, and then you put the blood on one piece of the bean and take and +dig a hole and bury it 'bout midnight at the crossroads in the dark of +the moon, and then you burn up the rest of the bean. You see that piece +that's got the blood on it will keep drawing and drawing, trying to +fetch the other piece to it, and so that helps the blood to draw the +wart, and pretty soon off she comes." + +"Yes, that's it, Huck--that's it; though when you're burying it if you +say 'Down bean; off wart; come no more to bother me!' it's better. +That's the way Joe Harper does, and he's been nearly to Coonville and +most everywheres. But say--how do you cure 'em with dead cats?" + +"Why, you take your cat and go and get in the graveyard 'long about +midnight when somebody that was wicked has been buried; and when it's +midnight a devil will come, or maybe two or three, but you can't see +'em, you can only hear something like the wind, or maybe hear 'em talk; +and when they're taking that feller away, you heave your cat after 'em +and say, 'Devil follow corpse, cat follow devil, warts follow cat, I'm +done with ye!' That'll fetch ANY wart." + +"Sounds right. D'you ever try it, Huck?" + +"No, but old Mother Hopkins told me." + +"Well, I reckon it's so, then. Becuz they say she's a witch." + +"Say! Why, Tom, I KNOW she is. She witched pap. Pap says so his own +self. He come along one day, and he see she was a-witching him, so he +took up a rock, and if she hadn't dodged, he'd a got her. Well, that +very night he rolled off'n a shed wher' he was a layin drunk, and broke +his arm." + +"Why, that's awful. How did he know she was a-witching him?" + +"Lord, pap can tell, easy. Pap says when they keep looking at you +right stiddy, they're a-witching you. Specially if they mumble. Becuz +when they mumble they're saying the Lord's Prayer backards." + +"Say, Hucky, when you going to try the cat?" + +"To-night. I reckon they'll come after old Hoss Williams to-night." + +"But they buried him Saturday. Didn't they get him Saturday night?" + +"Why, how you talk! How could their charms work till midnight?--and +THEN it's Sunday. Devils don't slosh around much of a Sunday, I don't +reckon." + +"I never thought of that. That's so. Lemme go with you?" + +"Of course--if you ain't afeard." + +"Afeard! 'Tain't likely. Will you meow?" + +"Yes--and you meow back, if you get a chance. Last time, you kep' me +a-meowing around till old Hays went to throwing rocks at me and says +'Dern that cat!' and so I hove a brick through his window--but don't +you tell." + +"I won't. I couldn't meow that night, becuz auntie was watching me, +but I'll meow this time. Say--what's that?" + +"Nothing but a tick." + +"Where'd you get him?" + +"Out in the woods." + +"What'll you take for him?" + +"I don't know. I don't want to sell him." + +"All right. It's a mighty small tick, anyway." + +"Oh, anybody can run a tick down that don't belong to them. I'm +satisfied with it. It's a good enough tick for me." + +"Sho, there's ticks a plenty. I could have a thousand of 'em if I +wanted to." + +"Well, why don't you? Becuz you know mighty well you can't. This is a +pretty early tick, I reckon. It's the first one I've seen this year." + +"Say, Huck--I'll give you my tooth for him." + +"Less see it." + +Tom got out a bit of paper and carefully unrolled it. Huckleberry +viewed it wistfully. The temptation was very strong. At last he said: + +"Is it genuwyne?" + +Tom lifted his lip and showed the vacancy. + +"Well, all right," said Huckleberry, "it's a trade." + +Tom enclosed the tick in the percussion-cap box that had lately been +the pinchbug's prison, and the boys separated, each feeling wealthier +than before. + +When Tom reached the little isolated frame schoolhouse, he strode in +briskly, with the manner of one who had come with all honest speed. +He hung his hat on a peg and flung himself into his seat with +business-like alacrity. The master, throned on high in his great +splint-bottom arm-chair, was dozing, lulled by the drowsy hum of study. +The interruption roused him. + +"Thomas Sawyer!" + +Tom knew that when his name was pronounced in full, it meant trouble. + +"Sir!" + +"Come up here. Now, sir, why are you late again, as usual?" + +Tom was about to take refuge in a lie, when he saw two long tails of +yellow hair hanging down a back that he recognized by the electric +sympathy of love; and by that form was THE ONLY VACANT PLACE on the +girls' side of the schoolhouse. He instantly said: + +"I STOPPED TO TALK WITH HUCKLEBERRY FINN!" + +The master's pulse stood still, and he stared helplessly. The buzz of +study ceased. The pupils wondered if this foolhardy boy had lost his +mind. The master said: + +"You--you did what?" + +"Stopped to talk with Huckleberry Finn." + +There was no mistaking the words. + +"Thomas Sawyer, this is the most astounding confession I have ever +listened to. No mere ferule will answer for this offence. Take off your +jacket." + +The master's arm performed until it was tired and the stock of +switches notably diminished. Then the order followed: + +"Now, sir, go and sit with the girls! And let this be a warning to you." + +The titter that rippled around the room appeared to abash the boy, but +in reality that result was caused rather more by his worshipful awe of +his unknown idol and the dread pleasure that lay in his high good +fortune. He sat down upon the end of the pine bench and the girl +hitched herself away from him with a toss of her head. Nudges and winks +and whispers traversed the room, but Tom sat still, with his arms upon +the long, low desk before him, and seemed to study his book. + +By and by attention ceased from him, and the accustomed school murmur +rose upon the dull air once more. Presently the boy began to steal +furtive glances at the girl. She observed it, "made a mouth" at him and +gave him the back of her head for the space of a minute. When she +cautiously faced around again, a peach lay before her. She thrust it +away. Tom gently put it back. She thrust it away again, but with less +animosity. Tom patiently returned it to its place. Then she let it +remain. Tom scrawled on his slate, "Please take it--I got more." The +girl glanced at the words, but made no sign. Now the boy began to draw +something on the slate, hiding his work with his left hand. For a time +the girl refused to notice; but her human curiosity presently began to +manifest itself by hardly perceptible signs. The boy worked on, +apparently unconscious. The girl made a sort of noncommittal attempt to +see, but the boy did not betray that he was aware of it. At last she +gave in and hesitatingly whispered: + +"Let me see it." + +Tom partly uncovered a dismal caricature of a house with two gable +ends to it and a corkscrew of smoke issuing from the chimney. Then the +girl's interest began to fasten itself upon the work and she forgot +everything else. When it was finished, she gazed a moment, then +whispered: + +"It's nice--make a man." + +The artist erected a man in the front yard, that resembled a derrick. +He could have stepped over the house; but the girl was not +hypercritical; she was satisfied with the monster, and whispered: + +"It's a beautiful man--now make me coming along." + +Tom drew an hour-glass with a full moon and straw limbs to it and +armed the spreading fingers with a portentous fan. The girl said: + +"It's ever so nice--I wish I could draw." + +"It's easy," whispered Tom, "I'll learn you." + +"Oh, will you? When?" + +"At noon. Do you go home to dinner?" + +"I'll stay if you will." + +"Good--that's a whack. What's your name?" + +"Becky Thatcher. What's yours? Oh, I know. It's Thomas Sawyer." + +"That's the name they lick me by. I'm Tom when I'm good. You call me +Tom, will you?" + +"Yes." + +Now Tom began to scrawl something on the slate, hiding the words from +the girl. But she was not backward this time. She begged to see. Tom +said: + +"Oh, it ain't anything." + +"Yes it is." + +"No it ain't. You don't want to see." + +"Yes I do, indeed I do. Please let me." + +"You'll tell." + +"No I won't--deed and deed and double deed won't." + +"You won't tell anybody at all? Ever, as long as you live?" + +"No, I won't ever tell ANYbody. Now let me." + +"Oh, YOU don't want to see!" + +"Now that you treat me so, I WILL see." And she put her small hand +upon his and a little scuffle ensued, Tom pretending to resist in +earnest but letting his hand slip by degrees till these words were +revealed: "I LOVE YOU." + +"Oh, you bad thing!" And she hit his hand a smart rap, but reddened +and looked pleased, nevertheless. + +Just at this juncture the boy felt a slow, fateful grip closing on his +ear, and a steady lifting impulse. In that vise he was borne across the +house and deposited in his own seat, under a peppering fire of giggles +from the whole school. Then the master stood over him during a few +awful moments, and finally moved away to his throne without saying a +word. But although Tom's ear tingled, his heart was jubilant. + +As the school quieted down Tom made an honest effort to study, but the +turmoil within him was too great. In turn he took his place in the +reading class and made a botch of it; then in the geography class and +turned lakes into mountains, mountains into rivers, and rivers into +continents, till chaos was come again; then in the spelling class, and +got "turned down," by a succession of mere baby words, till he brought +up at the foot and yielded up the pewter medal which he had worn with +ostentation for months. + + + +CHAPTER VII + +THE harder Tom tried to fasten his mind on his book, the more his +ideas wandered. So at last, with a sigh and a yawn, he gave it up. It +seemed to him that the noon recess would never come. The air was +utterly dead. There was not a breath stirring. It was the sleepiest of +sleepy days. The drowsing murmur of the five and twenty studying +scholars soothed the soul like the spell that is in the murmur of bees. +Away off in the flaming sunshine, Cardiff Hill lifted its soft green +sides through a shimmering veil of heat, tinted with the purple of +distance; a few birds floated on lazy wing high in the air; no other +living thing was visible but some cows, and they were asleep. Tom's +heart ached to be free, or else to have something of interest to do to +pass the dreary time. His hand wandered into his pocket and his face +lit up with a glow of gratitude that was prayer, though he did not know +it. Then furtively the percussion-cap box came out. He released the +tick and put him on the long flat desk. The creature probably glowed +with a gratitude that amounted to prayer, too, at this moment, but it +was premature: for when he started thankfully to travel off, Tom turned +him aside with a pin and made him take a new direction. + +Tom's bosom friend sat next him, suffering just as Tom had been, and +now he was deeply and gratefully interested in this entertainment in an +instant. This bosom friend was Joe Harper. The two boys were sworn +friends all the week, and embattled enemies on Saturdays. Joe took a +pin out of his lapel and began to assist in exercising the prisoner. +The sport grew in interest momently. Soon Tom said that they were +interfering with each other, and neither getting the fullest benefit of +the tick. So he put Joe's slate on the desk and drew a line down the +middle of it from top to bottom. + +"Now," said he, "as long as he is on your side you can stir him up and +I'll let him alone; but if you let him get away and get on my side, +you're to leave him alone as long as I can keep him from crossing over." + +"All right, go ahead; start him up." + +The tick escaped from Tom, presently, and crossed the equator. Joe +harassed him awhile, and then he got away and crossed back again. This +change of base occurred often. While one boy was worrying the tick with +absorbing interest, the other would look on with interest as strong, +the two heads bowed together over the slate, and the two souls dead to +all things else. At last luck seemed to settle and abide with Joe. The +tick tried this, that, and the other course, and got as excited and as +anxious as the boys themselves, but time and again just as he would +have victory in his very grasp, so to speak, and Tom's fingers would be +twitching to begin, Joe's pin would deftly head him off, and keep +possession. At last Tom could stand it no longer. The temptation was +too strong. So he reached out and lent a hand with his pin. Joe was +angry in a moment. Said he: + +"Tom, you let him alone." + +"I only just want to stir him up a little, Joe." + +"No, sir, it ain't fair; you just let him alone." + +"Blame it, I ain't going to stir him much." + +"Let him alone, I tell you." + +"I won't!" + +"You shall--he's on my side of the line." + +"Look here, Joe Harper, whose is that tick?" + +"I don't care whose tick he is--he's on my side of the line, and you +sha'n't touch him." + +"Well, I'll just bet I will, though. He's my tick and I'll do what I +blame please with him, or die!" + +A tremendous whack came down on Tom's shoulders, and its duplicate on +Joe's; and for the space of two minutes the dust continued to fly from +the two jackets and the whole school to enjoy it. The boys had been too +absorbed to notice the hush that had stolen upon the school awhile +before when the master came tiptoeing down the room and stood over +them. He had contemplated a good part of the performance before he +contributed his bit of variety to it. + +When school broke up at noon, Tom flew to Becky Thatcher, and +whispered in her ear: + +"Put on your bonnet and let on you're going home; and when you get to +the corner, give the rest of 'em the slip, and turn down through the +lane and come back. I'll go the other way and come it over 'em the same +way." + +So the one went off with one group of scholars, and the other with +another. In a little while the two met at the bottom of the lane, and +when they reached the school they had it all to themselves. Then they +sat together, with a slate before them, and Tom gave Becky the pencil +and held her hand in his, guiding it, and so created another surprising +house. When the interest in art began to wane, the two fell to talking. +Tom was swimming in bliss. He said: + +"Do you love rats?" + +"No! I hate them!" + +"Well, I do, too--LIVE ones. But I mean dead ones, to swing round your +head with a string." + +"No, I don't care for rats much, anyway. What I like is chewing-gum." + +"Oh, I should say so! I wish I had some now." + +"Do you? I've got some. I'll let you chew it awhile, but you must give +it back to me." + +That was agreeable, so they chewed it turn about, and dangled their +legs against the bench in excess of contentment. + +"Was you ever at a circus?" said Tom. + +"Yes, and my pa's going to take me again some time, if I'm good." + +"I been to the circus three or four times--lots of times. Church ain't +shucks to a circus. There's things going on at a circus all the time. +I'm going to be a clown in a circus when I grow up." + +"Oh, are you! That will be nice. They're so lovely, all spotted up." + +"Yes, that's so. And they get slathers of money--most a dollar a day, +Ben Rogers says. Say, Becky, was you ever engaged?" + +"What's that?" + +"Why, engaged to be married." + +"No." + +"Would you like to?" + +"I reckon so. I don't know. What is it like?" + +"Like? Why it ain't like anything. You only just tell a boy you won't +ever have anybody but him, ever ever ever, and then you kiss and that's +all. Anybody can do it." + +"Kiss? What do you kiss for?" + +"Why, that, you know, is to--well, they always do that." + +"Everybody?" + +"Why, yes, everybody that's in love with each other. Do you remember +what I wrote on the slate?" + +"Ye--yes." + +"What was it?" + +"I sha'n't tell you." + +"Shall I tell YOU?" + +"Ye--yes--but some other time." + +"No, now." + +"No, not now--to-morrow." + +"Oh, no, NOW. Please, Becky--I'll whisper it, I'll whisper it ever so +easy." + +Becky hesitating, Tom took silence for consent, and passed his arm +about her waist and whispered the tale ever so softly, with his mouth +close to her ear. And then he added: + +"Now you whisper it to me--just the same." + +She resisted, for a while, and then said: + +"You turn your face away so you can't see, and then I will. But you +mustn't ever tell anybody--WILL you, Tom? Now you won't, WILL you?" + +"No, indeed, indeed I won't. Now, Becky." + +He turned his face away. She bent timidly around till her breath +stirred his curls and whispered, "I--love--you!" + +Then she sprang away and ran around and around the desks and benches, +with Tom after her, and took refuge in a corner at last, with her +little white apron to her face. Tom clasped her about her neck and +pleaded: + +"Now, Becky, it's all done--all over but the kiss. Don't you be afraid +of that--it ain't anything at all. Please, Becky." And he tugged at her +apron and the hands. + +By and by she gave up, and let her hands drop; her face, all glowing +with the struggle, came up and submitted. Tom kissed the red lips and +said: + +"Now it's all done, Becky. And always after this, you know, you ain't +ever to love anybody but me, and you ain't ever to marry anybody but +me, ever never and forever. Will you?" + +"No, I'll never love anybody but you, Tom, and I'll never marry +anybody but you--and you ain't to ever marry anybody but me, either." + +"Certainly. Of course. That's PART of it. And always coming to school +or when we're going home, you're to walk with me, when there ain't +anybody looking--and you choose me and I choose you at parties, because +that's the way you do when you're engaged." + +"It's so nice. I never heard of it before." + +"Oh, it's ever so gay! Why, me and Amy Lawrence--" + +The big eyes told Tom his blunder and he stopped, confused. + +"Oh, Tom! Then I ain't the first you've ever been engaged to!" + +The child began to cry. Tom said: + +"Oh, don't cry, Becky, I don't care for her any more." + +"Yes, you do, Tom--you know you do." + +Tom tried to put his arm about her neck, but she pushed him away and +turned her face to the wall, and went on crying. Tom tried again, with +soothing words in his mouth, and was repulsed again. Then his pride was +up, and he strode away and went outside. He stood about, restless and +uneasy, for a while, glancing at the door, every now and then, hoping +she would repent and come to find him. But she did not. Then he began +to feel badly and fear that he was in the wrong. It was a hard struggle +with him to make new advances, now, but he nerved himself to it and +entered. She was still standing back there in the corner, sobbing, with +her face to the wall. Tom's heart smote him. He went to her and stood a +moment, not knowing exactly how to proceed. Then he said hesitatingly: + +"Becky, I--I don't care for anybody but you." + +No reply--but sobs. + +"Becky"--pleadingly. "Becky, won't you say something?" + +More sobs. + +Tom got out his chiefest jewel, a brass knob from the top of an +andiron, and passed it around her so that she could see it, and said: + +"Please, Becky, won't you take it?" + +She struck it to the floor. Then Tom marched out of the house and over +the hills and far away, to return to school no more that day. Presently +Becky began to suspect. She ran to the door; he was not in sight; she +flew around to the play-yard; he was not there. Then she called: + +"Tom! Come back, Tom!" + +She listened intently, but there was no answer. She had no companions +but silence and loneliness. So she sat down to cry again and upbraid +herself; and by this time the scholars began to gather again, and she +had to hide her griefs and still her broken heart and take up the cross +of a long, dreary, aching afternoon, with none among the strangers +about her to exchange sorrows with. + + + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 2. *** + + + + +Updated editions will replace the previous one—the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away—you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. + + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE + +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project Gutenberg™ +electronic works + +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at www.gutenberg.org. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: + + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg™ + +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. + +Section 3. Information about the Project Gutenberg Literary Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. + +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit www.gutenberg.org/donate. + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate. + +Section 5. General Information About Project Gutenberg™ electronic works + +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. + +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our website which has the main PG search +facility: www.gutenberg.org. + +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 3. + +This ebook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this ebook or online +at www.gutenberg.org. If you are not located in the United States, +you will have to check the laws of the country where you are located +before using this eBook. + +Title: The Adventures of Tom Sawyer, Part 3. + +Author: Mark Twain + +Release date: June 29, 2004 [eBook #7195] + Most recently updated: December 30, 2020 + +Language: English + +Credits: Produced by David Widger + + +*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 3. *** + + + + +Produced by David Widger + + + + + + THE ADVENTURES OF TOM SAWYER + BY + MARK TWAIN + (Samuel Langhorne Clemens) + + Part 3 + + + +CHAPTER VIII + +TOM dodged hither and thither through lanes until he was well out of +the track of returning scholars, and then fell into a moody jog. He +crossed a small "branch" two or three times, because of a prevailing +juvenile superstition that to cross water baffled pursuit. Half an hour +later he was disappearing behind the Douglas mansion on the summit of +Cardiff Hill, and the schoolhouse was hardly distinguishable away off +in the valley behind him. He entered a dense wood, picked his pathless +way to the centre of it, and sat down on a mossy spot under a spreading +oak. There was not even a zephyr stirring; the dead noonday heat had +even stilled the songs of the birds; nature lay in a trance that was +broken by no sound but the occasional far-off hammering of a +woodpecker, and this seemed to render the pervading silence and sense +of loneliness the more profound. The boy's soul was steeped in +melancholy; his feelings were in happy accord with his surroundings. He +sat long with his elbows on his knees and his chin in his hands, +meditating. It seemed to him that life was but a trouble, at best, and +he more than half envied Jimmy Hodges, so lately released; it must be +very peaceful, he thought, to lie and slumber and dream forever and +ever, with the wind whispering through the trees and caressing the +grass and the flowers over the grave, and nothing to bother and grieve +about, ever any more. If he only had a clean Sunday-school record he +could be willing to go, and be done with it all. Now as to this girl. +What had he done? Nothing. He had meant the best in the world, and been +treated like a dog--like a very dog. She would be sorry some day--maybe +when it was too late. Ah, if he could only die TEMPORARILY! + +But the elastic heart of youth cannot be compressed into one +constrained shape long at a time. Tom presently began to drift +insensibly back into the concerns of this life again. What if he turned +his back, now, and disappeared mysteriously? What if he went away--ever +so far away, into unknown countries beyond the seas--and never came +back any more! How would she feel then! The idea of being a clown +recurred to him now, only to fill him with disgust. For frivolity and +jokes and spotted tights were an offense, when they intruded themselves +upon a spirit that was exalted into the vague august realm of the +romantic. No, he would be a soldier, and return after long years, all +war-worn and illustrious. No--better still, he would join the Indians, +and hunt buffaloes and go on the warpath in the mountain ranges and the +trackless great plains of the Far West, and away in the future come +back a great chief, bristling with feathers, hideous with paint, and +prance into Sunday-school, some drowsy summer morning, with a +bloodcurdling war-whoop, and sear the eyeballs of all his companions +with unappeasable envy. But no, there was something gaudier even than +this. He would be a pirate! That was it! NOW his future lay plain +before him, and glowing with unimaginable splendor. How his name would +fill the world, and make people shudder! How gloriously he would go +plowing the dancing seas, in his long, low, black-hulled racer, the +Spirit of the Storm, with his grisly flag flying at the fore! And at +the zenith of his fame, how he would suddenly appear at the old village +and stalk into church, brown and weather-beaten, in his black velvet +doublet and trunks, his great jack-boots, his crimson sash, his belt +bristling with horse-pistols, his crime-rusted cutlass at his side, his +slouch hat with waving plumes, his black flag unfurled, with the skull +and crossbones on it, and hear with swelling ecstasy the whisperings, +"It's Tom Sawyer the Pirate!--the Black Avenger of the Spanish Main!" + +Yes, it was settled; his career was determined. He would run away from +home and enter upon it. He would start the very next morning. Therefore +he must now begin to get ready. He would collect his resources +together. He went to a rotten log near at hand and began to dig under +one end of it with his Barlow knife. He soon struck wood that sounded +hollow. He put his hand there and uttered this incantation impressively: + +"What hasn't come here, come! What's here, stay here!" + +Then he scraped away the dirt, and exposed a pine shingle. He took it +up and disclosed a shapely little treasure-house whose bottom and sides +were of shingles. In it lay a marble. Tom's astonishment was boundless! +He scratched his head with a perplexed air, and said: + +"Well, that beats anything!" + +Then he tossed the marble away pettishly, and stood cogitating. The +truth was, that a superstition of his had failed, here, which he and +all his comrades had always looked upon as infallible. If you buried a +marble with certain necessary incantations, and left it alone a +fortnight, and then opened the place with the incantation he had just +used, you would find that all the marbles you had ever lost had +gathered themselves together there, meantime, no matter how widely they +had been separated. But now, this thing had actually and unquestionably +failed. Tom's whole structure of faith was shaken to its foundations. +He had many a time heard of this thing succeeding but never of its +failing before. It did not occur to him that he had tried it several +times before, himself, but could never find the hiding-places +afterward. He puzzled over the matter some time, and finally decided +that some witch had interfered and broken the charm. He thought he +would satisfy himself on that point; so he searched around till he +found a small sandy spot with a little funnel-shaped depression in it. +He laid himself down and put his mouth close to this depression and +called-- + +"Doodle-bug, doodle-bug, tell me what I want to know! Doodle-bug, +doodle-bug, tell me what I want to know!" + +The sand began to work, and presently a small black bug appeared for a +second and then darted under again in a fright. + +"He dasn't tell! So it WAS a witch that done it. I just knowed it." + +He well knew the futility of trying to contend against witches, so he +gave up discouraged. But it occurred to him that he might as well have +the marble he had just thrown away, and therefore he went and made a +patient search for it. But he could not find it. Now he went back to +his treasure-house and carefully placed himself just as he had been +standing when he tossed the marble away; then he took another marble +from his pocket and tossed it in the same way, saying: + +"Brother, go find your brother!" + +He watched where it stopped, and went there and looked. But it must +have fallen short or gone too far; so he tried twice more. The last +repetition was successful. The two marbles lay within a foot of each +other. + +Just here the blast of a toy tin trumpet came faintly down the green +aisles of the forest. Tom flung off his jacket and trousers, turned a +suspender into a belt, raked away some brush behind the rotten log, +disclosing a rude bow and arrow, a lath sword and a tin trumpet, and in +a moment had seized these things and bounded away, barelegged, with +fluttering shirt. He presently halted under a great elm, blew an +answering blast, and then began to tiptoe and look warily out, this way +and that. He said cautiously--to an imaginary company: + +"Hold, my merry men! Keep hid till I blow." + +Now appeared Joe Harper, as airily clad and elaborately armed as Tom. +Tom called: + +"Hold! Who comes here into Sherwood Forest without my pass?" + +"Guy of Guisborne wants no man's pass. Who art thou that--that--" + +"Dares to hold such language," said Tom, prompting--for they talked +"by the book," from memory. + +"Who art thou that dares to hold such language?" + +"I, indeed! I am Robin Hood, as thy caitiff carcase soon shall know." + +"Then art thou indeed that famous outlaw? Right gladly will I dispute +with thee the passes of the merry wood. Have at thee!" + +They took their lath swords, dumped their other traps on the ground, +struck a fencing attitude, foot to foot, and began a grave, careful +combat, "two up and two down." Presently Tom said: + +"Now, if you've got the hang, go it lively!" + +So they "went it lively," panting and perspiring with the work. By and +by Tom shouted: + +"Fall! fall! Why don't you fall?" + +"I sha'n't! Why don't you fall yourself? You're getting the worst of +it." + +"Why, that ain't anything. I can't fall; that ain't the way it is in +the book. The book says, 'Then with one back-handed stroke he slew poor +Guy of Guisborne.' You're to turn around and let me hit you in the +back." + +There was no getting around the authorities, so Joe turned, received +the whack and fell. + +"Now," said Joe, getting up, "you got to let me kill YOU. That's fair." + +"Why, I can't do that, it ain't in the book." + +"Well, it's blamed mean--that's all." + +"Well, say, Joe, you can be Friar Tuck or Much the miller's son, and +lam me with a quarter-staff; or I'll be the Sheriff of Nottingham and +you be Robin Hood a little while and kill me." + +This was satisfactory, and so these adventures were carried out. Then +Tom became Robin Hood again, and was allowed by the treacherous nun to +bleed his strength away through his neglected wound. And at last Joe, +representing a whole tribe of weeping outlaws, dragged him sadly forth, +gave his bow into his feeble hands, and Tom said, "Where this arrow +falls, there bury poor Robin Hood under the greenwood tree." Then he +shot the arrow and fell back and would have died, but he lit on a +nettle and sprang up too gaily for a corpse. + +The boys dressed themselves, hid their accoutrements, and went off +grieving that there were no outlaws any more, and wondering what modern +civilization could claim to have done to compensate for their loss. +They said they would rather be outlaws a year in Sherwood Forest than +President of the United States forever. + + + +CHAPTER IX + +AT half-past nine, that night, Tom and Sid were sent to bed, as usual. +They said their prayers, and Sid was soon asleep. Tom lay awake and +waited, in restless impatience. When it seemed to him that it must be +nearly daylight, he heard the clock strike ten! This was despair. He +would have tossed and fidgeted, as his nerves demanded, but he was +afraid he might wake Sid. So he lay still, and stared up into the dark. +Everything was dismally still. By and by, out of the stillness, little, +scarcely perceptible noises began to emphasize themselves. The ticking +of the clock began to bring itself into notice. Old beams began to +crack mysteriously. The stairs creaked faintly. Evidently spirits were +abroad. A measured, muffled snore issued from Aunt Polly's chamber. And +now the tiresome chirping of a cricket that no human ingenuity could +locate, began. Next the ghastly ticking of a deathwatch in the wall at +the bed's head made Tom shudder--it meant that somebody's days were +numbered. Then the howl of a far-off dog rose on the night air, and was +answered by a fainter howl from a remoter distance. Tom was in an +agony. At last he was satisfied that time had ceased and eternity +begun; he began to doze, in spite of himself; the clock chimed eleven, +but he did not hear it. And then there came, mingling with his +half-formed dreams, a most melancholy caterwauling. The raising of a +neighboring window disturbed him. A cry of "Scat! you devil!" and the +crash of an empty bottle against the back of his aunt's woodshed +brought him wide awake, and a single minute later he was dressed and +out of the window and creeping along the roof of the "ell" on all +fours. He "meow'd" with caution once or twice, as he went; then jumped +to the roof of the woodshed and thence to the ground. Huckleberry Finn +was there, with his dead cat. The boys moved off and disappeared in the +gloom. At the end of half an hour they were wading through the tall +grass of the graveyard. + +It was a graveyard of the old-fashioned Western kind. It was on a +hill, about a mile and a half from the village. It had a crazy board +fence around it, which leaned inward in places, and outward the rest of +the time, but stood upright nowhere. Grass and weeds grew rank over the +whole cemetery. All the old graves were sunken in, there was not a +tombstone on the place; round-topped, worm-eaten boards staggered over +the graves, leaning for support and finding none. "Sacred to the memory +of" So-and-So had been painted on them once, but it could no longer +have been read, on the most of them, now, even if there had been light. + +A faint wind moaned through the trees, and Tom feared it might be the +spirits of the dead, complaining at being disturbed. The boys talked +little, and only under their breath, for the time and the place and the +pervading solemnity and silence oppressed their spirits. They found the +sharp new heap they were seeking, and ensconced themselves within the +protection of three great elms that grew in a bunch within a few feet +of the grave. + +Then they waited in silence for what seemed a long time. The hooting +of a distant owl was all the sound that troubled the dead stillness. +Tom's reflections grew oppressive. He must force some talk. So he said +in a whisper: + +"Hucky, do you believe the dead people like it for us to be here?" + +Huckleberry whispered: + +"I wisht I knowed. It's awful solemn like, AIN'T it?" + +"I bet it is." + +There was a considerable pause, while the boys canvassed this matter +inwardly. Then Tom whispered: + +"Say, Hucky--do you reckon Hoss Williams hears us talking?" + +"O' course he does. Least his sperrit does." + +Tom, after a pause: + +"I wish I'd said Mister Williams. But I never meant any harm. +Everybody calls him Hoss." + +"A body can't be too partic'lar how they talk 'bout these-yer dead +people, Tom." + +This was a damper, and conversation died again. + +Presently Tom seized his comrade's arm and said: + +"Sh!" + +"What is it, Tom?" And the two clung together with beating hearts. + +"Sh! There 'tis again! Didn't you hear it?" + +"I--" + +"There! Now you hear it." + +"Lord, Tom, they're coming! They're coming, sure. What'll we do?" + +"I dono. Think they'll see us?" + +"Oh, Tom, they can see in the dark, same as cats. I wisht I hadn't +come." + +"Oh, don't be afeard. I don't believe they'll bother us. We ain't +doing any harm. If we keep perfectly still, maybe they won't notice us +at all." + +"I'll try to, Tom, but, Lord, I'm all of a shiver." + +"Listen!" + +The boys bent their heads together and scarcely breathed. A muffled +sound of voices floated up from the far end of the graveyard. + +"Look! See there!" whispered Tom. "What is it?" + +"It's devil-fire. Oh, Tom, this is awful." + +Some vague figures approached through the gloom, swinging an +old-fashioned tin lantern that freckled the ground with innumerable +little spangles of light. Presently Huckleberry whispered with a +shudder: + +"It's the devils sure enough. Three of 'em! Lordy, Tom, we're goners! +Can you pray?" + +"I'll try, but don't you be afeard. They ain't going to hurt us. 'Now +I lay me down to sleep, I--'" + +"Sh!" + +"What is it, Huck?" + +"They're HUMANS! One of 'em is, anyway. One of 'em's old Muff Potter's +voice." + +"No--'tain't so, is it?" + +"I bet I know it. Don't you stir nor budge. He ain't sharp enough to +notice us. Drunk, the same as usual, likely--blamed old rip!" + +"All right, I'll keep still. Now they're stuck. Can't find it. Here +they come again. Now they're hot. Cold again. Hot again. Red hot! +They're p'inted right, this time. Say, Huck, I know another o' them +voices; it's Injun Joe." + +"That's so--that murderin' half-breed! I'd druther they was devils a +dern sight. What kin they be up to?" + +The whisper died wholly out, now, for the three men had reached the +grave and stood within a few feet of the boys' hiding-place. + +"Here it is," said the third voice; and the owner of it held the +lantern up and revealed the face of young Doctor Robinson. + +Potter and Injun Joe were carrying a handbarrow with a rope and a +couple of shovels on it. They cast down their load and began to open +the grave. The doctor put the lantern at the head of the grave and came +and sat down with his back against one of the elm trees. He was so +close the boys could have touched him. + +"Hurry, men!" he said, in a low voice; "the moon might come out at any +moment." + +They growled a response and went on digging. For some time there was +no noise but the grating sound of the spades discharging their freight +of mould and gravel. It was very monotonous. Finally a spade struck +upon the coffin with a dull woody accent, and within another minute or +two the men had hoisted it out on the ground. They pried off the lid +with their shovels, got out the body and dumped it rudely on the +ground. The moon drifted from behind the clouds and exposed the pallid +face. The barrow was got ready and the corpse placed on it, covered +with a blanket, and bound to its place with the rope. Potter took out a +large spring-knife and cut off the dangling end of the rope and then +said: + +"Now the cussed thing's ready, Sawbones, and you'll just out with +another five, or here she stays." + +"That's the talk!" said Injun Joe. + +"Look here, what does this mean?" said the doctor. "You required your +pay in advance, and I've paid you." + +"Yes, and you done more than that," said Injun Joe, approaching the +doctor, who was now standing. "Five years ago you drove me away from +your father's kitchen one night, when I come to ask for something to +eat, and you said I warn't there for any good; and when I swore I'd get +even with you if it took a hundred years, your father had me jailed for +a vagrant. Did you think I'd forget? The Injun blood ain't in me for +nothing. And now I've GOT you, and you got to SETTLE, you know!" + +He was threatening the doctor, with his fist in his face, by this +time. The doctor struck out suddenly and stretched the ruffian on the +ground. Potter dropped his knife, and exclaimed: + +"Here, now, don't you hit my pard!" and the next moment he had +grappled with the doctor and the two were struggling with might and +main, trampling the grass and tearing the ground with their heels. +Injun Joe sprang to his feet, his eyes flaming with passion, snatched +up Potter's knife, and went creeping, catlike and stooping, round and +round about the combatants, seeking an opportunity. All at once the +doctor flung himself free, seized the heavy headboard of Williams' +grave and felled Potter to the earth with it--and in the same instant +the half-breed saw his chance and drove the knife to the hilt in the +young man's breast. He reeled and fell partly upon Potter, flooding him +with his blood, and in the same moment the clouds blotted out the +dreadful spectacle and the two frightened boys went speeding away in +the dark. + +Presently, when the moon emerged again, Injun Joe was standing over +the two forms, contemplating them. The doctor murmured inarticulately, +gave a long gasp or two and was still. The half-breed muttered: + +"THAT score is settled--damn you." + +Then he robbed the body. After which he put the fatal knife in +Potter's open right hand, and sat down on the dismantled coffin. Three +--four--five minutes passed, and then Potter began to stir and moan. His +hand closed upon the knife; he raised it, glanced at it, and let it +fall, with a shudder. Then he sat up, pushing the body from him, and +gazed at it, and then around him, confusedly. His eyes met Joe's. + +"Lord, how is this, Joe?" he said. + +"It's a dirty business," said Joe, without moving. + +"What did you do it for?" + +"I! I never done it!" + +"Look here! That kind of talk won't wash." + +Potter trembled and grew white. + +"I thought I'd got sober. I'd no business to drink to-night. But it's +in my head yet--worse'n when we started here. I'm all in a muddle; +can't recollect anything of it, hardly. Tell me, Joe--HONEST, now, old +feller--did I do it? Joe, I never meant to--'pon my soul and honor, I +never meant to, Joe. Tell me how it was, Joe. Oh, it's awful--and him +so young and promising." + +"Why, you two was scuffling, and he fetched you one with the headboard +and you fell flat; and then up you come, all reeling and staggering +like, and snatched the knife and jammed it into him, just as he fetched +you another awful clip--and here you've laid, as dead as a wedge til +now." + +"Oh, I didn't know what I was a-doing. I wish I may die this minute if +I did. It was all on account of the whiskey and the excitement, I +reckon. I never used a weepon in my life before, Joe. I've fought, but +never with weepons. They'll all say that. Joe, don't tell! Say you +won't tell, Joe--that's a good feller. I always liked you, Joe, and +stood up for you, too. Don't you remember? You WON'T tell, WILL you, +Joe?" And the poor creature dropped on his knees before the stolid +murderer, and clasped his appealing hands. + +"No, you've always been fair and square with me, Muff Potter, and I +won't go back on you. There, now, that's as fair as a man can say." + +"Oh, Joe, you're an angel. I'll bless you for this the longest day I +live." And Potter began to cry. + +"Come, now, that's enough of that. This ain't any time for blubbering. +You be off yonder way and I'll go this. Move, now, and don't leave any +tracks behind you." + +Potter started on a trot that quickly increased to a run. The +half-breed stood looking after him. He muttered: + +"If he's as much stunned with the lick and fuddled with the rum as he +had the look of being, he won't think of the knife till he's gone so +far he'll be afraid to come back after it to such a place by himself +--chicken-heart!" + +Two or three minutes later the murdered man, the blanketed corpse, the +lidless coffin, and the open grave were under no inspection but the +moon's. The stillness was complete again, too. + + + +CHAPTER X + +THE two boys flew on and on, toward the village, speechless with +horror. They glanced backward over their shoulders from time to time, +apprehensively, as if they feared they might be followed. Every stump +that started up in their path seemed a man and an enemy, and made them +catch their breath; and as they sped by some outlying cottages that lay +near the village, the barking of the aroused watch-dogs seemed to give +wings to their feet. + +"If we can only get to the old tannery before we break down!" +whispered Tom, in short catches between breaths. "I can't stand it much +longer." + +Huckleberry's hard pantings were his only reply, and the boys fixed +their eyes on the goal of their hopes and bent to their work to win it. +They gained steadily on it, and at last, breast to breast, they burst +through the open door and fell grateful and exhausted in the sheltering +shadows beyond. By and by their pulses slowed down, and Tom whispered: + +"Huckleberry, what do you reckon'll come of this?" + +"If Doctor Robinson dies, I reckon hanging'll come of it." + +"Do you though?" + +"Why, I KNOW it, Tom." + +Tom thought a while, then he said: + +"Who'll tell? We?" + +"What are you talking about? S'pose something happened and Injun Joe +DIDN'T hang? Why, he'd kill us some time or other, just as dead sure as +we're a laying here." + +"That's just what I was thinking to myself, Huck." + +"If anybody tells, let Muff Potter do it, if he's fool enough. He's +generally drunk enough." + +Tom said nothing--went on thinking. Presently he whispered: + +"Huck, Muff Potter don't know it. How can he tell?" + +"What's the reason he don't know it?" + +"Because he'd just got that whack when Injun Joe done it. D'you reckon +he could see anything? D'you reckon he knowed anything?" + +"By hokey, that's so, Tom!" + +"And besides, look-a-here--maybe that whack done for HIM!" + +"No, 'taint likely, Tom. He had liquor in him; I could see that; and +besides, he always has. Well, when pap's full, you might take and belt +him over the head with a church and you couldn't phase him. He says so, +his own self. So it's the same with Muff Potter, of course. But if a +man was dead sober, I reckon maybe that whack might fetch him; I dono." + +After another reflective silence, Tom said: + +"Hucky, you sure you can keep mum?" + +"Tom, we GOT to keep mum. You know that. That Injun devil wouldn't +make any more of drownding us than a couple of cats, if we was to +squeak 'bout this and they didn't hang him. Now, look-a-here, Tom, less +take and swear to one another--that's what we got to do--swear to keep +mum." + +"I'm agreed. It's the best thing. Would you just hold hands and swear +that we--" + +"Oh no, that wouldn't do for this. That's good enough for little +rubbishy common things--specially with gals, cuz THEY go back on you +anyway, and blab if they get in a huff--but there orter be writing +'bout a big thing like this. And blood." + +Tom's whole being applauded this idea. It was deep, and dark, and +awful; the hour, the circumstances, the surroundings, were in keeping +with it. He picked up a clean pine shingle that lay in the moonlight, +took a little fragment of "red keel" out of his pocket, got the moon on +his work, and painfully scrawled these lines, emphasizing each slow +down-stroke by clamping his tongue between his teeth, and letting up +the pressure on the up-strokes. [See next page.] + + "Huck Finn and + Tom Sawyer swears + they will keep mum + about This and They + wish They may Drop + down dead in Their + Tracks if They ever + Tell and Rot." + +Huckleberry was filled with admiration of Tom's facility in writing, +and the sublimity of his language. He at once took a pin from his lapel +and was going to prick his flesh, but Tom said: + +"Hold on! Don't do that. A pin's brass. It might have verdigrease on +it." + +"What's verdigrease?" + +"It's p'ison. That's what it is. You just swaller some of it once +--you'll see." + +So Tom unwound the thread from one of his needles, and each boy +pricked the ball of his thumb and squeezed out a drop of blood. In +time, after many squeezes, Tom managed to sign his initials, using the +ball of his little finger for a pen. Then he showed Huckleberry how to +make an H and an F, and the oath was complete. They buried the shingle +close to the wall, with some dismal ceremonies and incantations, and +the fetters that bound their tongues were considered to be locked and +the key thrown away. + +A figure crept stealthily through a break in the other end of the +ruined building, now, but they did not notice it. + +"Tom," whispered Huckleberry, "does this keep us from EVER telling +--ALWAYS?" + +"Of course it does. It don't make any difference WHAT happens, we got +to keep mum. We'd drop down dead--don't YOU know that?" + +"Yes, I reckon that's so." + +They continued to whisper for some little time. Presently a dog set up +a long, lugubrious howl just outside--within ten feet of them. The boys +clasped each other suddenly, in an agony of fright. + +"Which of us does he mean?" gasped Huckleberry. + +"I dono--peep through the crack. Quick!" + +"No, YOU, Tom!" + +"I can't--I can't DO it, Huck!" + +"Please, Tom. There 'tis again!" + +"Oh, lordy, I'm thankful!" whispered Tom. "I know his voice. It's Bull +Harbison." * + +[* If Mr. Harbison owned a slave named Bull, Tom would have spoken of +him as "Harbison's Bull," but a son or a dog of that name was "Bull +Harbison."] + +"Oh, that's good--I tell you, Tom, I was most scared to death; I'd a +bet anything it was a STRAY dog." + +The dog howled again. The boys' hearts sank once more. + +"Oh, my! that ain't no Bull Harbison!" whispered Huckleberry. "DO, Tom!" + +Tom, quaking with fear, yielded, and put his eye to the crack. His +whisper was hardly audible when he said: + +"Oh, Huck, IT S A STRAY DOG!" + +"Quick, Tom, quick! Who does he mean?" + +"Huck, he must mean us both--we're right together." + +"Oh, Tom, I reckon we're goners. I reckon there ain't no mistake 'bout +where I'LL go to. I been so wicked." + +"Dad fetch it! This comes of playing hookey and doing everything a +feller's told NOT to do. I might a been good, like Sid, if I'd a tried +--but no, I wouldn't, of course. But if ever I get off this time, I lay +I'll just WALLER in Sunday-schools!" And Tom began to snuffle a little. + +"YOU bad!" and Huckleberry began to snuffle too. "Consound it, Tom +Sawyer, you're just old pie, 'longside o' what I am. Oh, LORDY, lordy, +lordy, I wisht I only had half your chance." + +Tom choked off and whispered: + +"Look, Hucky, look! He's got his BACK to us!" + +Hucky looked, with joy in his heart. + +"Well, he has, by jingoes! Did he before?" + +"Yes, he did. But I, like a fool, never thought. Oh, this is bully, +you know. NOW who can he mean?" + +The howling stopped. Tom pricked up his ears. + +"Sh! What's that?" he whispered. + +"Sounds like--like hogs grunting. No--it's somebody snoring, Tom." + +"That IS it! Where 'bouts is it, Huck?" + +"I bleeve it's down at 'tother end. Sounds so, anyway. Pap used to +sleep there, sometimes, 'long with the hogs, but laws bless you, he +just lifts things when HE snores. Besides, I reckon he ain't ever +coming back to this town any more." + +The spirit of adventure rose in the boys' souls once more. + +"Hucky, do you das't to go if I lead?" + +"I don't like to, much. Tom, s'pose it's Injun Joe!" + +Tom quailed. But presently the temptation rose up strong again and the +boys agreed to try, with the understanding that they would take to +their heels if the snoring stopped. So they went tiptoeing stealthily +down, the one behind the other. When they had got to within five steps +of the snorer, Tom stepped on a stick, and it broke with a sharp snap. +The man moaned, writhed a little, and his face came into the moonlight. +It was Muff Potter. The boys' hearts had stood still, and their hopes +too, when the man moved, but their fears passed away now. They tiptoed +out, through the broken weather-boarding, and stopped at a little +distance to exchange a parting word. That long, lugubrious howl rose on +the night air again! They turned and saw the strange dog standing +within a few feet of where Potter was lying, and FACING Potter, with +his nose pointing heavenward. + +"Oh, geeminy, it's HIM!" exclaimed both boys, in a breath. + +"Say, Tom--they say a stray dog come howling around Johnny Miller's +house, 'bout midnight, as much as two weeks ago; and a whippoorwill +come in and lit on the banisters and sung, the very same evening; and +there ain't anybody dead there yet." + +"Well, I know that. And suppose there ain't. Didn't Gracie Miller fall +in the kitchen fire and burn herself terrible the very next Saturday?" + +"Yes, but she ain't DEAD. And what's more, she's getting better, too." + +"All right, you wait and see. She's a goner, just as dead sure as Muff +Potter's a goner. That's what the niggers say, and they know all about +these kind of things, Huck." + +Then they separated, cogitating. When Tom crept in at his bedroom +window the night was almost spent. He undressed with excessive caution, +and fell asleep congratulating himself that nobody knew of his +escapade. He was not aware that the gently-snoring Sid was awake, and +had been so for an hour. + +When Tom awoke, Sid was dressed and gone. There was a late look in the +light, a late sense in the atmosphere. He was startled. Why had he not +been called--persecuted till he was up, as usual? The thought filled +him with bodings. Within five minutes he was dressed and down-stairs, +feeling sore and drowsy. The family were still at table, but they had +finished breakfast. There was no voice of rebuke; but there were +averted eyes; there was a silence and an air of solemnity that struck a +chill to the culprit's heart. He sat down and tried to seem gay, but it +was up-hill work; it roused no smile, no response, and he lapsed into +silence and let his heart sink down to the depths. + +After breakfast his aunt took him aside, and Tom almost brightened in +the hope that he was going to be flogged; but it was not so. His aunt +wept over him and asked him how he could go and break her old heart so; +and finally told him to go on, and ruin himself and bring her gray +hairs with sorrow to the grave, for it was no use for her to try any +more. This was worse than a thousand whippings, and Tom's heart was +sorer now than his body. He cried, he pleaded for forgiveness, promised +to reform over and over again, and then received his dismissal, feeling +that he had won but an imperfect forgiveness and established but a +feeble confidence. + +He left the presence too miserable to even feel revengeful toward Sid; +and so the latter's prompt retreat through the back gate was +unnecessary. He moped to school gloomy and sad, and took his flogging, +along with Joe Harper, for playing hookey the day before, with the air +of one whose heart was busy with heavier woes and wholly dead to +trifles. Then he betook himself to his seat, rested his elbows on his +desk and his jaws in his hands, and stared at the wall with the stony +stare of suffering that has reached the limit and can no further go. +His elbow was pressing against some hard substance. After a long time +he slowly and sadly changed his position, and took up this object with +a sigh. It was in a paper. He unrolled it. A long, lingering, colossal +sigh followed, and his heart broke. It was his brass andiron knob! + +This final feather broke the camel's back. + + + +CHAPTER XI + +CLOSE upon the hour of noon the whole village was suddenly electrified +with the ghastly news. No need of the as yet undreamed-of telegraph; +the tale flew from man to man, from group to group, from house to +house, with little less than telegraphic speed. Of course the +schoolmaster gave holiday for that afternoon; the town would have +thought strangely of him if he had not. + +A gory knife had been found close to the murdered man, and it had been +recognized by somebody as belonging to Muff Potter--so the story ran. +And it was said that a belated citizen had come upon Potter washing +himself in the "branch" about one or two o'clock in the morning, and +that Potter had at once sneaked off--suspicious circumstances, +especially the washing which was not a habit with Potter. It was also +said that the town had been ransacked for this "murderer" (the public +are not slow in the matter of sifting evidence and arriving at a +verdict), but that he could not be found. Horsemen had departed down +all the roads in every direction, and the Sheriff "was confident" that +he would be captured before night. + +All the town was drifting toward the graveyard. Tom's heartbreak +vanished and he joined the procession, not because he would not a +thousand times rather go anywhere else, but because an awful, +unaccountable fascination drew him on. Arrived at the dreadful place, +he wormed his small body through the crowd and saw the dismal +spectacle. It seemed to him an age since he was there before. Somebody +pinched his arm. He turned, and his eyes met Huckleberry's. Then both +looked elsewhere at once, and wondered if anybody had noticed anything +in their mutual glance. But everybody was talking, and intent upon the +grisly spectacle before them. + +"Poor fellow!" "Poor young fellow!" "This ought to be a lesson to +grave robbers!" "Muff Potter'll hang for this if they catch him!" This +was the drift of remark; and the minister said, "It was a judgment; His +hand is here." + +Now Tom shivered from head to heel; for his eye fell upon the stolid +face of Injun Joe. At this moment the crowd began to sway and struggle, +and voices shouted, "It's him! it's him! he's coming himself!" + +"Who? Who?" from twenty voices. + +"Muff Potter!" + +"Hallo, he's stopped!--Look out, he's turning! Don't let him get away!" + +People in the branches of the trees over Tom's head said he wasn't +trying to get away--he only looked doubtful and perplexed. + +"Infernal impudence!" said a bystander; "wanted to come and take a +quiet look at his work, I reckon--didn't expect any company." + +The crowd fell apart, now, and the Sheriff came through, +ostentatiously leading Potter by the arm. The poor fellow's face was +haggard, and his eyes showed the fear that was upon him. When he stood +before the murdered man, he shook as with a palsy, and he put his face +in his hands and burst into tears. + +"I didn't do it, friends," he sobbed; "'pon my word and honor I never +done it." + +"Who's accused you?" shouted a voice. + +This shot seemed to carry home. Potter lifted his face and looked +around him with a pathetic hopelessness in his eyes. He saw Injun Joe, +and exclaimed: + +"Oh, Injun Joe, you promised me you'd never--" + +"Is that your knife?" and it was thrust before him by the Sheriff. + +Potter would have fallen if they had not caught him and eased him to +the ground. Then he said: + +"Something told me 't if I didn't come back and get--" He shuddered; +then waved his nerveless hand with a vanquished gesture and said, "Tell +'em, Joe, tell 'em--it ain't any use any more." + +Then Huckleberry and Tom stood dumb and staring, and heard the +stony-hearted liar reel off his serene statement, they expecting every +moment that the clear sky would deliver God's lightnings upon his head, +and wondering to see how long the stroke was delayed. And when he had +finished and still stood alive and whole, their wavering impulse to +break their oath and save the poor betrayed prisoner's life faded and +vanished away, for plainly this miscreant had sold himself to Satan and +it would be fatal to meddle with the property of such a power as that. + +"Why didn't you leave? What did you want to come here for?" somebody +said. + +"I couldn't help it--I couldn't help it," Potter moaned. "I wanted to +run away, but I couldn't seem to come anywhere but here." And he fell +to sobbing again. + +Injun Joe repeated his statement, just as calmly, a few minutes +afterward on the inquest, under oath; and the boys, seeing that the +lightnings were still withheld, were confirmed in their belief that Joe +had sold himself to the devil. He was now become, to them, the most +balefully interesting object they had ever looked upon, and they could +not take their fascinated eyes from his face. + +They inwardly resolved to watch him nights, when opportunity should +offer, in the hope of getting a glimpse of his dread master. + +Injun Joe helped to raise the body of the murdered man and put it in a +wagon for removal; and it was whispered through the shuddering crowd +that the wound bled a little! The boys thought that this happy +circumstance would turn suspicion in the right direction; but they were +disappointed, for more than one villager remarked: + +"It was within three feet of Muff Potter when it done it." + +Tom's fearful secret and gnawing conscience disturbed his sleep for as +much as a week after this; and at breakfast one morning Sid said: + +"Tom, you pitch around and talk in your sleep so much that you keep me +awake half the time." + +Tom blanched and dropped his eyes. + +"It's a bad sign," said Aunt Polly, gravely. "What you got on your +mind, Tom?" + +"Nothing. Nothing 't I know of." But the boy's hand shook so that he +spilled his coffee. + +"And you do talk such stuff," Sid said. "Last night you said, 'It's +blood, it's blood, that's what it is!' You said that over and over. And +you said, 'Don't torment me so--I'll tell!' Tell WHAT? What is it +you'll tell?" + +Everything was swimming before Tom. There is no telling what might +have happened, now, but luckily the concern passed out of Aunt Polly's +face and she came to Tom's relief without knowing it. She said: + +"Sho! It's that dreadful murder. I dream about it most every night +myself. Sometimes I dream it's me that done it." + +Mary said she had been affected much the same way. Sid seemed +satisfied. Tom got out of the presence as quick as he plausibly could, +and after that he complained of toothache for a week, and tied up his +jaws every night. He never knew that Sid lay nightly watching, and +frequently slipped the bandage free and then leaned on his elbow +listening a good while at a time, and afterward slipped the bandage +back to its place again. Tom's distress of mind wore off gradually and +the toothache grew irksome and was discarded. If Sid really managed to +make anything out of Tom's disjointed mutterings, he kept it to himself. + +It seemed to Tom that his schoolmates never would get done holding +inquests on dead cats, and thus keeping his trouble present to his +mind. Sid noticed that Tom never was coroner at one of these inquiries, +though it had been his habit to take the lead in all new enterprises; +he noticed, too, that Tom never acted as a witness--and that was +strange; and Sid did not overlook the fact that Tom even showed a +marked aversion to these inquests, and always avoided them when he +could. Sid marvelled, but said nothing. However, even inquests went out +of vogue at last, and ceased to torture Tom's conscience. + +Every day or two, during this time of sorrow, Tom watched his +opportunity and went to the little grated jail-window and smuggled such +small comforts through to the "murderer" as he could get hold of. The +jail was a trifling little brick den that stood in a marsh at the edge +of the village, and no guards were afforded for it; indeed, it was +seldom occupied. These offerings greatly helped to ease Tom's +conscience. + +The villagers had a strong desire to tar-and-feather Injun Joe and +ride him on a rail, for body-snatching, but so formidable was his +character that nobody could be found who was willing to take the lead +in the matter, so it was dropped. He had been careful to begin both of +his inquest-statements with the fight, without confessing the +grave-robbery that preceded it; therefore it was deemed wisest not +to try the case in the courts at present. + + + +CHAPTER XII + +ONE of the reasons why Tom's mind had drifted away from its secret +troubles was, that it had found a new and weighty matter to interest +itself about. Becky Thatcher had stopped coming to school. Tom had +struggled with his pride a few days, and tried to "whistle her down the +wind," but failed. He began to find himself hanging around her father's +house, nights, and feeling very miserable. She was ill. What if she +should die! There was distraction in the thought. He no longer took an +interest in war, nor even in piracy. The charm of life was gone; there +was nothing but dreariness left. He put his hoop away, and his bat; +there was no joy in them any more. His aunt was concerned. She began to +try all manner of remedies on him. She was one of those people who are +infatuated with patent medicines and all new-fangled methods of +producing health or mending it. She was an inveterate experimenter in +these things. When something fresh in this line came out she was in a +fever, right away, to try it; not on herself, for she was never ailing, +but on anybody else that came handy. She was a subscriber for all the +"Health" periodicals and phrenological frauds; and the solemn ignorance +they were inflated with was breath to her nostrils. All the "rot" they +contained about ventilation, and how to go to bed, and how to get up, +and what to eat, and what to drink, and how much exercise to take, and +what frame of mind to keep one's self in, and what sort of clothing to +wear, was all gospel to her, and she never observed that her +health-journals of the current month customarily upset everything they +had recommended the month before. She was as simple-hearted and honest +as the day was long, and so she was an easy victim. She gathered +together her quack periodicals and her quack medicines, and thus armed +with death, went about on her pale horse, metaphorically speaking, with +"hell following after." But she never suspected that she was not an +angel of healing and the balm of Gilead in disguise, to the suffering +neighbors. + +The water treatment was new, now, and Tom's low condition was a +windfall to her. She had him out at daylight every morning, stood him +up in the woodshed and drowned him with a deluge of cold water; then +she scrubbed him down with a towel like a file, and so brought him to; +then she rolled him up in a wet sheet and put him away under blankets +till she sweated his soul clean and "the yellow stains of it came +through his pores"--as Tom said. + +Yet notwithstanding all this, the boy grew more and more melancholy +and pale and dejected. She added hot baths, sitz baths, shower baths, +and plunges. The boy remained as dismal as a hearse. She began to +assist the water with a slim oatmeal diet and blister-plasters. She +calculated his capacity as she would a jug's, and filled him up every +day with quack cure-alls. + +Tom had become indifferent to persecution by this time. This phase +filled the old lady's heart with consternation. This indifference must +be broken up at any cost. Now she heard of Pain-killer for the first +time. She ordered a lot at once. She tasted it and was filled with +gratitude. It was simply fire in a liquid form. She dropped the water +treatment and everything else, and pinned her faith to Pain-killer. She +gave Tom a teaspoonful and watched with the deepest anxiety for the +result. Her troubles were instantly at rest, her soul at peace again; +for the "indifference" was broken up. The boy could not have shown a +wilder, heartier interest, if she had built a fire under him. + +Tom felt that it was time to wake up; this sort of life might be +romantic enough, in his blighted condition, but it was getting to have +too little sentiment and too much distracting variety about it. So he +thought over various plans for relief, and finally hit pon that of +professing to be fond of Pain-killer. He asked for it so often that he +became a nuisance, and his aunt ended by telling him to help himself +and quit bothering her. If it had been Sid, she would have had no +misgivings to alloy her delight; but since it was Tom, she watched the +bottle clandestinely. She found that the medicine did really diminish, +but it did not occur to her that the boy was mending the health of a +crack in the sitting-room floor with it. + +One day Tom was in the act of dosing the crack when his aunt's yellow +cat came along, purring, eying the teaspoon avariciously, and begging +for a taste. Tom said: + +"Don't ask for it unless you want it, Peter." + +But Peter signified that he did want it. + +"You better make sure." + +Peter was sure. + +"Now you've asked for it, and I'll give it to you, because there ain't +anything mean about me; but if you find you don't like it, you mustn't +blame anybody but your own self." + +Peter was agreeable. So Tom pried his mouth open and poured down the +Pain-killer. Peter sprang a couple of yards in the air, and then +delivered a war-whoop and set off round and round the room, banging +against furniture, upsetting flower-pots, and making general havoc. +Next he rose on his hind feet and pranced around, in a frenzy of +enjoyment, with his head over his shoulder and his voice proclaiming +his unappeasable happiness. Then he went tearing around the house again +spreading chaos and destruction in his path. Aunt Polly entered in time +to see him throw a few double summersets, deliver a final mighty +hurrah, and sail through the open window, carrying the rest of the +flower-pots with him. The old lady stood petrified with astonishment, +peering over her glasses; Tom lay on the floor expiring with laughter. + +"Tom, what on earth ails that cat?" + +"I don't know, aunt," gasped the boy. + +"Why, I never see anything like it. What did make him act so?" + +"Deed I don't know, Aunt Polly; cats always act so when they're having +a good time." + +"They do, do they?" There was something in the tone that made Tom +apprehensive. + +"Yes'm. That is, I believe they do." + +"You DO?" + +"Yes'm." + +The old lady was bending down, Tom watching, with interest emphasized +by anxiety. Too late he divined her "drift." The handle of the telltale +teaspoon was visible under the bed-valance. Aunt Polly took it, held it +up. Tom winced, and dropped his eyes. Aunt Polly raised him by the +usual handle--his ear--and cracked his head soundly with her thimble. + +"Now, sir, what did you want to treat that poor dumb beast so, for?" + +"I done it out of pity for him--because he hadn't any aunt." + +"Hadn't any aunt!--you numskull. What has that got to do with it?" + +"Heaps. Because if he'd had one she'd a burnt him out herself! She'd a +roasted his bowels out of him 'thout any more feeling than if he was a +human!" + +Aunt Polly felt a sudden pang of remorse. This was putting the thing +in a new light; what was cruelty to a cat MIGHT be cruelty to a boy, +too. She began to soften; she felt sorry. Her eyes watered a little, +and she put her hand on Tom's head and said gently: + +"I was meaning for the best, Tom. And, Tom, it DID do you good." + +Tom looked up in her face with just a perceptible twinkle peeping +through his gravity. + +"I know you was meaning for the best, aunty, and so was I with Peter. +It done HIM good, too. I never see him get around so since--" + +"Oh, go 'long with you, Tom, before you aggravate me again. And you +try and see if you can't be a good boy, for once, and you needn't take +any more medicine." + +Tom reached school ahead of time. It was noticed that this strange +thing had been occurring every day latterly. And now, as usual of late, +he hung about the gate of the schoolyard instead of playing with his +comrades. He was sick, he said, and he looked it. He tried to seem to +be looking everywhere but whither he really was looking--down the road. +Presently Jeff Thatcher hove in sight, and Tom's face lighted; he gazed +a moment, and then turned sorrowfully away. When Jeff arrived, Tom +accosted him; and "led up" warily to opportunities for remark about +Becky, but the giddy lad never could see the bait. Tom watched and +watched, hoping whenever a frisking frock came in sight, and hating the +owner of it as soon as he saw she was not the right one. At last frocks +ceased to appear, and he dropped hopelessly into the dumps; he entered +the empty schoolhouse and sat down to suffer. Then one more frock +passed in at the gate, and Tom's heart gave a great bound. The next +instant he was out, and "going on" like an Indian; yelling, laughing, +chasing boys, jumping over the fence at risk of life and limb, throwing +handsprings, standing on his head--doing all the heroic things he could +conceive of, and keeping a furtive eye out, all the while, to see if +Becky Thatcher was noticing. But she seemed to be unconscious of it +all; she never looked. Could it be possible that she was not aware that +he was there? He carried his exploits to her immediate vicinity; came +war-whooping around, snatched a boy's cap, hurled it to the roof of the +schoolhouse, broke through a group of boys, tumbling them in every +direction, and fell sprawling, himself, under Becky's nose, almost +upsetting her--and she turned, with her nose in the air, and he heard +her say: "Mf! some people think they're mighty smart--always showing +off!" + +Tom's cheeks burned. He gathered himself up and sneaked off, crushed +and crestfallen. + + + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 3. *** + + + + +Updated editions will replace the previous one—the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away—you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. + + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE + +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project Gutenberg™ +electronic works + +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at www.gutenberg.org. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: + + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg™ + +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. + +Section 3. Information about the Project Gutenberg Literary Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. + +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit www.gutenberg.org/donate. + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate. + +Section 5. General Information About Project Gutenberg™ electronic works + +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. + +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our website which has the main PG search +facility: www.gutenberg.org. + +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 4. + +This ebook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this ebook or online +at www.gutenberg.org. If you are not located in the United States, +you will have to check the laws of the country where you are located +before using this eBook. + +Title: The Adventures of Tom Sawyer, Part 4. + +Author: Mark Twain + +Release date: June 29, 2004 [eBook #7196] + Most recently updated: December 30, 2020 + +Language: English + +Credits: Produced by David Widger + + +*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 4. *** + + + + +Produced by David Widger + + + + + + THE ADVENTURES OF TOM SAWYER + BY + MARK TWAIN + (Samuel Langhorne Clemens) + + Part 4 + + + +CHAPTER XIII + +TOM'S mind was made up now. He was gloomy and desperate. He was a +forsaken, friendless boy, he said; nobody loved him; when they found +out what they had driven him to, perhaps they would be sorry; he had +tried to do right and get along, but they would not let him; since +nothing would do them but to be rid of him, let it be so; and let them +blame HIM for the consequences--why shouldn't they? What right had the +friendless to complain? Yes, they had forced him to it at last: he +would lead a life of crime. There was no choice. + +By this time he was far down Meadow Lane, and the bell for school to +"take up" tinkled faintly upon his ear. He sobbed, now, to think he +should never, never hear that old familiar sound any more--it was very +hard, but it was forced on him; since he was driven out into the cold +world, he must submit--but he forgave them. Then the sobs came thick +and fast. + +Just at this point he met his soul's sworn comrade, Joe Harper +--hard-eyed, and with evidently a great and dismal purpose in his heart. +Plainly here were "two souls with but a single thought." Tom, wiping +his eyes with his sleeve, began to blubber out something about a +resolution to escape from hard usage and lack of sympathy at home by +roaming abroad into the great world never to return; and ended by +hoping that Joe would not forget him. + +But it transpired that this was a request which Joe had just been +going to make of Tom, and had come to hunt him up for that purpose. His +mother had whipped him for drinking some cream which he had never +tasted and knew nothing about; it was plain that she was tired of him +and wished him to go; if she felt that way, there was nothing for him +to do but succumb; he hoped she would be happy, and never regret having +driven her poor boy out into the unfeeling world to suffer and die. + +As the two boys walked sorrowing along, they made a new compact to +stand by each other and be brothers and never separate till death +relieved them of their troubles. Then they began to lay their plans. +Joe was for being a hermit, and living on crusts in a remote cave, and +dying, some time, of cold and want and grief; but after listening to +Tom, he conceded that there were some conspicuous advantages about a +life of crime, and so he consented to be a pirate. + +Three miles below St. Petersburg, at a point where the Mississippi +River was a trifle over a mile wide, there was a long, narrow, wooded +island, with a shallow bar at the head of it, and this offered well as +a rendezvous. It was not inhabited; it lay far over toward the further +shore, abreast a dense and almost wholly unpeopled forest. So Jackson's +Island was chosen. Who were to be the subjects of their piracies was a +matter that did not occur to them. Then they hunted up Huckleberry +Finn, and he joined them promptly, for all careers were one to him; he +was indifferent. They presently separated to meet at a lonely spot on +the river-bank two miles above the village at the favorite hour--which +was midnight. There was a small log raft there which they meant to +capture. Each would bring hooks and lines, and such provision as he +could steal in the most dark and mysterious way--as became outlaws. And +before the afternoon was done, they had all managed to enjoy the sweet +glory of spreading the fact that pretty soon the town would "hear +something." All who got this vague hint were cautioned to "be mum and +wait." + +About midnight Tom arrived with a boiled ham and a few trifles, +and stopped in a dense undergrowth on a small bluff overlooking the +meeting-place. It was starlight, and very still. The mighty river lay +like an ocean at rest. Tom listened a moment, but no sound disturbed the +quiet. Then he gave a low, distinct whistle. It was answered from under +the bluff. Tom whistled twice more; these signals were answered in the +same way. Then a guarded voice said: + +"Who goes there?" + +"Tom Sawyer, the Black Avenger of the Spanish Main. Name your names." + +"Huck Finn the Red-Handed, and Joe Harper the Terror of the Seas." Tom +had furnished these titles, from his favorite literature. + +"'Tis well. Give the countersign." + +Two hoarse whispers delivered the same awful word simultaneously to +the brooding night: + +"BLOOD!" + +Then Tom tumbled his ham over the bluff and let himself down after it, +tearing both skin and clothes to some extent in the effort. There was +an easy, comfortable path along the shore under the bluff, but it +lacked the advantages of difficulty and danger so valued by a pirate. + +The Terror of the Seas had brought a side of bacon, and had about worn +himself out with getting it there. Finn the Red-Handed had stolen a +skillet and a quantity of half-cured leaf tobacco, and had also brought +a few corn-cobs to make pipes with. But none of the pirates smoked or +"chewed" but himself. The Black Avenger of the Spanish Main said it +would never do to start without some fire. That was a wise thought; +matches were hardly known there in that day. They saw a fire +smouldering upon a great raft a hundred yards above, and they went +stealthily thither and helped themselves to a chunk. They made an +imposing adventure of it, saying, "Hist!" every now and then, and +suddenly halting with finger on lip; moving with hands on imaginary +dagger-hilts; and giving orders in dismal whispers that if "the foe" +stirred, to "let him have it to the hilt," because "dead men tell no +tales." They knew well enough that the raftsmen were all down at the +village laying in stores or having a spree, but still that was no +excuse for their conducting this thing in an unpiratical way. + +They shoved off, presently, Tom in command, Huck at the after oar and +Joe at the forward. Tom stood amidships, gloomy-browed, and with folded +arms, and gave his orders in a low, stern whisper: + +"Luff, and bring her to the wind!" + +"Aye-aye, sir!" + +"Steady, steady-y-y-y!" + +"Steady it is, sir!" + +"Let her go off a point!" + +"Point it is, sir!" + +As the boys steadily and monotonously drove the raft toward mid-stream +it was no doubt understood that these orders were given only for +"style," and were not intended to mean anything in particular. + +"What sail's she carrying?" + +"Courses, tops'ls, and flying-jib, sir." + +"Send the r'yals up! Lay out aloft, there, half a dozen of ye +--foretopmaststuns'l! Lively, now!" + +"Aye-aye, sir!" + +"Shake out that maintogalans'l! Sheets and braces! NOW my hearties!" + +"Aye-aye, sir!" + +"Hellum-a-lee--hard a port! Stand by to meet her when she comes! Port, +port! NOW, men! With a will! Stead-y-y-y!" + +"Steady it is, sir!" + +The raft drew beyond the middle of the river; the boys pointed her +head right, and then lay on their oars. The river was not high, so +there was not more than a two or three mile current. Hardly a word was +said during the next three-quarters of an hour. Now the raft was +passing before the distant town. Two or three glimmering lights showed +where it lay, peacefully sleeping, beyond the vague vast sweep of +star-gemmed water, unconscious of the tremendous event that was happening. +The Black Avenger stood still with folded arms, "looking his last" upon +the scene of his former joys and his later sufferings, and wishing +"she" could see him now, abroad on the wild sea, facing peril and death +with dauntless heart, going to his doom with a grim smile on his lips. +It was but a small strain on his imagination to remove Jackson's Island +beyond eyeshot of the village, and so he "looked his last" with a +broken and satisfied heart. The other pirates were looking their last, +too; and they all looked so long that they came near letting the +current drift them out of the range of the island. But they discovered +the danger in time, and made shift to avert it. About two o'clock in +the morning the raft grounded on the bar two hundred yards above the +head of the island, and they waded back and forth until they had landed +their freight. Part of the little raft's belongings consisted of an old +sail, and this they spread over a nook in the bushes for a tent to +shelter their provisions; but they themselves would sleep in the open +air in good weather, as became outlaws. + +They built a fire against the side of a great log twenty or thirty +steps within the sombre depths of the forest, and then cooked some +bacon in the frying-pan for supper, and used up half of the corn "pone" +stock they had brought. It seemed glorious sport to be feasting in that +wild, free way in the virgin forest of an unexplored and uninhabited +island, far from the haunts of men, and they said they never would +return to civilization. The climbing fire lit up their faces and threw +its ruddy glare upon the pillared tree-trunks of their forest temple, +and upon the varnished foliage and festooning vines. + +When the last crisp slice of bacon was gone, and the last allowance of +corn pone devoured, the boys stretched themselves out on the grass, +filled with contentment. They could have found a cooler place, but they +would not deny themselves such a romantic feature as the roasting +camp-fire. + +"AIN'T it gay?" said Joe. + +"It's NUTS!" said Tom. "What would the boys say if they could see us?" + +"Say? Well, they'd just die to be here--hey, Hucky!" + +"I reckon so," said Huckleberry; "anyways, I'm suited. I don't want +nothing better'n this. I don't ever get enough to eat, gen'ally--and +here they can't come and pick at a feller and bullyrag him so." + +"It's just the life for me," said Tom. "You don't have to get up, +mornings, and you don't have to go to school, and wash, and all that +blame foolishness. You see a pirate don't have to do ANYTHING, Joe, +when he's ashore, but a hermit HE has to be praying considerable, and +then he don't have any fun, anyway, all by himself that way." + +"Oh yes, that's so," said Joe, "but I hadn't thought much about it, +you know. I'd a good deal rather be a pirate, now that I've tried it." + +"You see," said Tom, "people don't go much on hermits, nowadays, like +they used to in old times, but a pirate's always respected. And a +hermit's got to sleep on the hardest place he can find, and put +sackcloth and ashes on his head, and stand out in the rain, and--" + +"What does he put sackcloth and ashes on his head for?" inquired Huck. + +"I dono. But they've GOT to do it. Hermits always do. You'd have to do +that if you was a hermit." + +"Dern'd if I would," said Huck. + +"Well, what would you do?" + +"I dono. But I wouldn't do that." + +"Why, Huck, you'd HAVE to. How'd you get around it?" + +"Why, I just wouldn't stand it. I'd run away." + +"Run away! Well, you WOULD be a nice old slouch of a hermit. You'd be +a disgrace." + +The Red-Handed made no response, being better employed. He had +finished gouging out a cob, and now he fitted a weed stem to it, loaded +it with tobacco, and was pressing a coal to the charge and blowing a +cloud of fragrant smoke--he was in the full bloom of luxurious +contentment. The other pirates envied him this majestic vice, and +secretly resolved to acquire it shortly. Presently Huck said: + +"What does pirates have to do?" + +Tom said: + +"Oh, they have just a bully time--take ships and burn them, and get +the money and bury it in awful places in their island where there's +ghosts and things to watch it, and kill everybody in the ships--make +'em walk a plank." + +"And they carry the women to the island," said Joe; "they don't kill +the women." + +"No," assented Tom, "they don't kill the women--they're too noble. And +the women's always beautiful, too. + +"And don't they wear the bulliest clothes! Oh no! All gold and silver +and di'monds," said Joe, with enthusiasm. + +"Who?" said Huck. + +"Why, the pirates." + +Huck scanned his own clothing forlornly. + +"I reckon I ain't dressed fitten for a pirate," said he, with a +regretful pathos in his voice; "but I ain't got none but these." + +But the other boys told him the fine clothes would come fast enough, +after they should have begun their adventures. They made him understand +that his poor rags would do to begin with, though it was customary for +wealthy pirates to start with a proper wardrobe. + +Gradually their talk died out and drowsiness began to steal upon the +eyelids of the little waifs. The pipe dropped from the fingers of the +Red-Handed, and he slept the sleep of the conscience-free and the +weary. The Terror of the Seas and the Black Avenger of the Spanish Main +had more difficulty in getting to sleep. They said their prayers +inwardly, and lying down, since there was nobody there with authority +to make them kneel and recite aloud; in truth, they had a mind not to +say them at all, but they were afraid to proceed to such lengths as +that, lest they might call down a sudden and special thunderbolt from +heaven. Then at once they reached and hovered upon the imminent verge +of sleep--but an intruder came, now, that would not "down." It was +conscience. They began to feel a vague fear that they had been doing +wrong to run away; and next they thought of the stolen meat, and then +the real torture came. They tried to argue it away by reminding +conscience that they had purloined sweetmeats and apples scores of +times; but conscience was not to be appeased by such thin +plausibilities; it seemed to them, in the end, that there was no +getting around the stubborn fact that taking sweetmeats was only +"hooking," while taking bacon and hams and such valuables was plain +simple stealing--and there was a command against that in the Bible. So +they inwardly resolved that so long as they remained in the business, +their piracies should not again be sullied with the crime of stealing. +Then conscience granted a truce, and these curiously inconsistent +pirates fell peacefully to sleep. + + + +CHAPTER XIV + +WHEN Tom awoke in the morning, he wondered where he was. He sat up and +rubbed his eyes and looked around. Then he comprehended. It was the +cool gray dawn, and there was a delicious sense of repose and peace in +the deep pervading calm and silence of the woods. Not a leaf stirred; +not a sound obtruded upon great Nature's meditation. Beaded dewdrops +stood upon the leaves and grasses. A white layer of ashes covered the +fire, and a thin blue breath of smoke rose straight into the air. Joe +and Huck still slept. + +Now, far away in the woods a bird called; another answered; presently +the hammering of a woodpecker was heard. Gradually the cool dim gray of +the morning whitened, and as gradually sounds multiplied and life +manifested itself. The marvel of Nature shaking off sleep and going to +work unfolded itself to the musing boy. A little green worm came +crawling over a dewy leaf, lifting two-thirds of his body into the air +from time to time and "sniffing around," then proceeding again--for he +was measuring, Tom said; and when the worm approached him, of its own +accord, he sat as still as a stone, with his hopes rising and falling, +by turns, as the creature still came toward him or seemed inclined to +go elsewhere; and when at last it considered a painful moment with its +curved body in the air and then came decisively down upon Tom's leg and +began a journey over him, his whole heart was glad--for that meant that +he was going to have a new suit of clothes--without the shadow of a +doubt a gaudy piratical uniform. Now a procession of ants appeared, +from nowhere in particular, and went about their labors; one struggled +manfully by with a dead spider five times as big as itself in its arms, +and lugged it straight up a tree-trunk. A brown spotted lady-bug +climbed the dizzy height of a grass blade, and Tom bent down close to +it and said, "Lady-bug, lady-bug, fly away home, your house is on fire, +your children's alone," and she took wing and went off to see about it +--which did not surprise the boy, for he knew of old that this insect was +credulous about conflagrations, and he had practised upon its +simplicity more than once. A tumblebug came next, heaving sturdily at +its ball, and Tom touched the creature, to see it shut its legs against +its body and pretend to be dead. The birds were fairly rioting by this +time. A catbird, the Northern mocker, lit in a tree over Tom's head, +and trilled out her imitations of her neighbors in a rapture of +enjoyment; then a shrill jay swept down, a flash of blue flame, and +stopped on a twig almost within the boy's reach, cocked his head to one +side and eyed the strangers with a consuming curiosity; a gray squirrel +and a big fellow of the "fox" kind came skurrying along, sitting up at +intervals to inspect and chatter at the boys, for the wild things had +probably never seen a human being before and scarcely knew whether to +be afraid or not. All Nature was wide awake and stirring, now; long +lances of sunlight pierced down through the dense foliage far and near, +and a few butterflies came fluttering upon the scene. + +Tom stirred up the other pirates and they all clattered away with a +shout, and in a minute or two were stripped and chasing after and +tumbling over each other in the shallow limpid water of the white +sandbar. They felt no longing for the little village sleeping in the +distance beyond the majestic waste of water. A vagrant current or a +slight rise in the river had carried off their raft, but this only +gratified them, since its going was something like burning the bridge +between them and civilization. + +They came back to camp wonderfully refreshed, glad-hearted, and +ravenous; and they soon had the camp-fire blazing up again. Huck found +a spring of clear cold water close by, and the boys made cups of broad +oak or hickory leaves, and felt that water, sweetened with such a +wildwood charm as that, would be a good enough substitute for coffee. +While Joe was slicing bacon for breakfast, Tom and Huck asked him to +hold on a minute; they stepped to a promising nook in the river-bank +and threw in their lines; almost immediately they had reward. Joe had +not had time to get impatient before they were back again with some +handsome bass, a couple of sun-perch and a small catfish--provisions +enough for quite a family. They fried the fish with the bacon, and were +astonished; for no fish had ever seemed so delicious before. They did +not know that the quicker a fresh-water fish is on the fire after he is +caught the better he is; and they reflected little upon what a sauce +open-air sleeping, open-air exercise, bathing, and a large ingredient +of hunger make, too. + +They lay around in the shade, after breakfast, while Huck had a smoke, +and then went off through the woods on an exploring expedition. They +tramped gayly along, over decaying logs, through tangled underbrush, +among solemn monarchs of the forest, hung from their crowns to the +ground with a drooping regalia of grape-vines. Now and then they came +upon snug nooks carpeted with grass and jeweled with flowers. + +They found plenty of things to be delighted with, but nothing to be +astonished at. They discovered that the island was about three miles +long and a quarter of a mile wide, and that the shore it lay closest to +was only separated from it by a narrow channel hardly two hundred yards +wide. They took a swim about every hour, so it was close upon the +middle of the afternoon when they got back to camp. They were too +hungry to stop to fish, but they fared sumptuously upon cold ham, and +then threw themselves down in the shade to talk. But the talk soon +began to drag, and then died. The stillness, the solemnity that brooded +in the woods, and the sense of loneliness, began to tell upon the +spirits of the boys. They fell to thinking. A sort of undefined longing +crept upon them. This took dim shape, presently--it was budding +homesickness. Even Finn the Red-Handed was dreaming of his doorsteps +and empty hogsheads. But they were all ashamed of their weakness, and +none was brave enough to speak his thought. + +For some time, now, the boys had been dully conscious of a peculiar +sound in the distance, just as one sometimes is of the ticking of a +clock which he takes no distinct note of. But now this mysterious sound +became more pronounced, and forced a recognition. The boys started, +glanced at each other, and then each assumed a listening attitude. +There was a long silence, profound and unbroken; then a deep, sullen +boom came floating down out of the distance. + +"What is it!" exclaimed Joe, under his breath. + +"I wonder," said Tom in a whisper. + +"'Tain't thunder," said Huckleberry, in an awed tone, "becuz thunder--" + +"Hark!" said Tom. "Listen--don't talk." + +They waited a time that seemed an age, and then the same muffled boom +troubled the solemn hush. + +"Let's go and see." + +They sprang to their feet and hurried to the shore toward the town. +They parted the bushes on the bank and peered out over the water. The +little steam ferryboat was about a mile below the village, drifting +with the current. Her broad deck seemed crowded with people. There were +a great many skiffs rowing about or floating with the stream in the +neighborhood of the ferryboat, but the boys could not determine what +the men in them were doing. Presently a great jet of white smoke burst +from the ferryboat's side, and as it expanded and rose in a lazy cloud, +that same dull throb of sound was borne to the listeners again. + +"I know now!" exclaimed Tom; "somebody's drownded!" + +"That's it!" said Huck; "they done that last summer, when Bill Turner +got drownded; they shoot a cannon over the water, and that makes him +come up to the top. Yes, and they take loaves of bread and put +quicksilver in 'em and set 'em afloat, and wherever there's anybody +that's drownded, they'll float right there and stop." + +"Yes, I've heard about that," said Joe. "I wonder what makes the bread +do that." + +"Oh, it ain't the bread, so much," said Tom; "I reckon it's mostly +what they SAY over it before they start it out." + +"But they don't say anything over it," said Huck. "I've seen 'em and +they don't." + +"Well, that's funny," said Tom. "But maybe they say it to themselves. +Of COURSE they do. Anybody might know that." + +The other boys agreed that there was reason in what Tom said, because +an ignorant lump of bread, uninstructed by an incantation, could not be +expected to act very intelligently when set upon an errand of such +gravity. + +"By jings, I wish I was over there, now," said Joe. + +"I do too" said Huck "I'd give heaps to know who it is." + +The boys still listened and watched. Presently a revealing thought +flashed through Tom's mind, and he exclaimed: + +"Boys, I know who's drownded--it's us!" + +They felt like heroes in an instant. Here was a gorgeous triumph; they +were missed; they were mourned; hearts were breaking on their account; +tears were being shed; accusing memories of unkindness to these poor +lost lads were rising up, and unavailing regrets and remorse were being +indulged; and best of all, the departed were the talk of the whole +town, and the envy of all the boys, as far as this dazzling notoriety +was concerned. This was fine. It was worth while to be a pirate, after +all. + +As twilight drew on, the ferryboat went back to her accustomed +business and the skiffs disappeared. The pirates returned to camp. They +were jubilant with vanity over their new grandeur and the illustrious +trouble they were making. They caught fish, cooked supper and ate it, +and then fell to guessing at what the village was thinking and saying +about them; and the pictures they drew of the public distress on their +account were gratifying to look upon--from their point of view. But +when the shadows of night closed them in, they gradually ceased to +talk, and sat gazing into the fire, with their minds evidently +wandering elsewhere. The excitement was gone, now, and Tom and Joe +could not keep back thoughts of certain persons at home who were not +enjoying this fine frolic as much as they were. Misgivings came; they +grew troubled and unhappy; a sigh or two escaped, unawares. By and by +Joe timidly ventured upon a roundabout "feeler" as to how the others +might look upon a return to civilization--not right now, but-- + +Tom withered him with derision! Huck, being uncommitted as yet, joined +in with Tom, and the waverer quickly "explained," and was glad to get +out of the scrape with as little taint of chicken-hearted homesickness +clinging to his garments as he could. Mutiny was effectually laid to +rest for the moment. + +As the night deepened, Huck began to nod, and presently to snore. Joe +followed next. Tom lay upon his elbow motionless, for some time, +watching the two intently. At last he got up cautiously, on his knees, +and went searching among the grass and the flickering reflections flung +by the camp-fire. He picked up and inspected several large +semi-cylinders of the thin white bark of a sycamore, and finally chose +two which seemed to suit him. Then he knelt by the fire and painfully +wrote something upon each of these with his "red keel"; one he rolled up +and put in his jacket pocket, and the other he put in Joe's hat and +removed it to a little distance from the owner. And he also put into the +hat certain schoolboy treasures of almost inestimable value--among them +a lump of chalk, an India-rubber ball, three fishhooks, and one of that +kind of marbles known as a "sure 'nough crystal." Then he tiptoed his +way cautiously among the trees till he felt that he was out of hearing, +and straightway broke into a keen run in the direction of the sandbar. + + + +CHAPTER XV + +A FEW minutes later Tom was in the shoal water of the bar, wading +toward the Illinois shore. Before the depth reached his middle he was +half-way over; the current would permit no more wading, now, so he +struck out confidently to swim the remaining hundred yards. He swam +quartering upstream, but still was swept downward rather faster than he +had expected. However, he reached the shore finally, and drifted along +till he found a low place and drew himself out. He put his hand on his +jacket pocket, found his piece of bark safe, and then struck through +the woods, following the shore, with streaming garments. Shortly before +ten o'clock he came out into an open place opposite the village, and +saw the ferryboat lying in the shadow of the trees and the high bank. +Everything was quiet under the blinking stars. He crept down the bank, +watching with all his eyes, slipped into the water, swam three or four +strokes and climbed into the skiff that did "yawl" duty at the boat's +stern. He laid himself down under the thwarts and waited, panting. + +Presently the cracked bell tapped and a voice gave the order to "cast +off." A minute or two later the skiff's head was standing high up, +against the boat's swell, and the voyage was begun. Tom felt happy in +his success, for he knew it was the boat's last trip for the night. At +the end of a long twelve or fifteen minutes the wheels stopped, and Tom +slipped overboard and swam ashore in the dusk, landing fifty yards +downstream, out of danger of possible stragglers. + +He flew along unfrequented alleys, and shortly found himself at his +aunt's back fence. He climbed over, approached the "ell," and looked in +at the sitting-room window, for a light was burning there. There sat +Aunt Polly, Sid, Mary, and Joe Harper's mother, grouped together, +talking. They were by the bed, and the bed was between them and the +door. Tom went to the door and began to softly lift the latch; then he +pressed gently and the door yielded a crack; he continued pushing +cautiously, and quaking every time it creaked, till he judged he might +squeeze through on his knees; so he put his head through and began, +warily. + +"What makes the candle blow so?" said Aunt Polly. Tom hurried up. +"Why, that door's open, I believe. Why, of course it is. No end of +strange things now. Go 'long and shut it, Sid." + +Tom disappeared under the bed just in time. He lay and "breathed" +himself for a time, and then crept to where he could almost touch his +aunt's foot. + +"But as I was saying," said Aunt Polly, "he warn't BAD, so to say +--only mischEEvous. Only just giddy, and harum-scarum, you know. He +warn't any more responsible than a colt. HE never meant any harm, and +he was the best-hearted boy that ever was"--and she began to cry. + +"It was just so with my Joe--always full of his devilment, and up to +every kind of mischief, but he was just as unselfish and kind as he +could be--and laws bless me, to think I went and whipped him for taking +that cream, never once recollecting that I throwed it out myself +because it was sour, and I never to see him again in this world, never, +never, never, poor abused boy!" And Mrs. Harper sobbed as if her heart +would break. + +"I hope Tom's better off where he is," said Sid, "but if he'd been +better in some ways--" + +"SID!" Tom felt the glare of the old lady's eye, though he could not +see it. "Not a word against my Tom, now that he's gone! God'll take +care of HIM--never you trouble YOURself, sir! Oh, Mrs. Harper, I don't +know how to give him up! I don't know how to give him up! He was such a +comfort to me, although he tormented my old heart out of me, 'most." + +"The Lord giveth and the Lord hath taken away--Blessed be the name of +the Lord! But it's so hard--Oh, it's so hard! Only last Saturday my +Joe busted a firecracker right under my nose and I knocked him +sprawling. Little did I know then, how soon--Oh, if it was to do over +again I'd hug him and bless him for it." + +"Yes, yes, yes, I know just how you feel, Mrs. Harper, I know just +exactly how you feel. No longer ago than yesterday noon, my Tom took +and filled the cat full of Pain-killer, and I did think the cretur +would tear the house down. And God forgive me, I cracked Tom's head +with my thimble, poor boy, poor dead boy. But he's out of all his +troubles now. And the last words I ever heard him say was to reproach--" + +But this memory was too much for the old lady, and she broke entirely +down. Tom was snuffling, now, himself--and more in pity of himself than +anybody else. He could hear Mary crying, and putting in a kindly word +for him from time to time. He began to have a nobler opinion of himself +than ever before. Still, he was sufficiently touched by his aunt's +grief to long to rush out from under the bed and overwhelm her with +joy--and the theatrical gorgeousness of the thing appealed strongly to +his nature, too, but he resisted and lay still. + +He went on listening, and gathered by odds and ends that it was +conjectured at first that the boys had got drowned while taking a swim; +then the small raft had been missed; next, certain boys said the +missing lads had promised that the village should "hear something" +soon; the wise-heads had "put this and that together" and decided that +the lads had gone off on that raft and would turn up at the next town +below, presently; but toward noon the raft had been found, lodged +against the Missouri shore some five or six miles below the village +--and then hope perished; they must be drowned, else hunger would have +driven them home by nightfall if not sooner. It was believed that the +search for the bodies had been a fruitless effort merely because the +drowning must have occurred in mid-channel, since the boys, being good +swimmers, would otherwise have escaped to shore. This was Wednesday +night. If the bodies continued missing until Sunday, all hope would be +given over, and the funerals would be preached on that morning. Tom +shuddered. + +Mrs. Harper gave a sobbing good-night and turned to go. Then with a +mutual impulse the two bereaved women flung themselves into each +other's arms and had a good, consoling cry, and then parted. Aunt Polly +was tender far beyond her wont, in her good-night to Sid and Mary. Sid +snuffled a bit and Mary went off crying with all her heart. + +Aunt Polly knelt down and prayed for Tom so touchingly, so +appealingly, and with such measureless love in her words and her old +trembling voice, that he was weltering in tears again, long before she +was through. + +He had to keep still long after she went to bed, for she kept making +broken-hearted ejaculations from time to time, tossing unrestfully, and +turning over. But at last she was still, only moaning a little in her +sleep. Now the boy stole out, rose gradually by the bedside, shaded the +candle-light with his hand, and stood regarding her. His heart was full +of pity for her. He took out his sycamore scroll and placed it by the +candle. But something occurred to him, and he lingered considering. His +face lighted with a happy solution of his thought; he put the bark +hastily in his pocket. Then he bent over and kissed the faded lips, and +straightway made his stealthy exit, latching the door behind him. + +He threaded his way back to the ferry landing, found nobody at large +there, and walked boldly on board the boat, for he knew she was +tenantless except that there was a watchman, who always turned in and +slept like a graven image. He untied the skiff at the stern, slipped +into it, and was soon rowing cautiously upstream. When he had pulled a +mile above the village, he started quartering across and bent himself +stoutly to his work. He hit the landing on the other side neatly, for +this was a familiar bit of work to him. He was moved to capture the +skiff, arguing that it might be considered a ship and therefore +legitimate prey for a pirate, but he knew a thorough search would be +made for it and that might end in revelations. So he stepped ashore and +entered the woods. + +He sat down and took a long rest, torturing himself meanwhile to keep +awake, and then started warily down the home-stretch. The night was far +spent. It was broad daylight before he found himself fairly abreast the +island bar. He rested again until the sun was well up and gilding the +great river with its splendor, and then he plunged into the stream. A +little later he paused, dripping, upon the threshold of the camp, and +heard Joe say: + +"No, Tom's true-blue, Huck, and he'll come back. He won't desert. He +knows that would be a disgrace to a pirate, and Tom's too proud for +that sort of thing. He's up to something or other. Now I wonder what?" + +"Well, the things is ours, anyway, ain't they?" + +Pretty near, but not yet, Huck. The writing says they are if he ain't +back here to breakfast." + +"Which he is!" exclaimed Tom, with fine dramatic effect, stepping +grandly into camp. + +A sumptuous breakfast of bacon and fish was shortly provided, and as +the boys set to work upon it, Tom recounted (and adorned) his +adventures. They were a vain and boastful company of heroes when the +tale was done. Then Tom hid himself away in a shady nook to sleep till +noon, and the other pirates got ready to fish and explore. + + + +CHAPTER XVI + +AFTER dinner all the gang turned out to hunt for turtle eggs on the +bar. They went about poking sticks into the sand, and when they found a +soft place they went down on their knees and dug with their hands. +Sometimes they would take fifty or sixty eggs out of one hole. They +were perfectly round white things a trifle smaller than an English +walnut. They had a famous fried-egg feast that night, and another on +Friday morning. + +After breakfast they went whooping and prancing out on the bar, and +chased each other round and round, shedding clothes as they went, until +they were naked, and then continued the frolic far away up the shoal +water of the bar, against the stiff current, which latter tripped their +legs from under them from time to time and greatly increased the fun. +And now and then they stooped in a group and splashed water in each +other's faces with their palms, gradually approaching each other, with +averted faces to avoid the strangling sprays, and finally gripping and +struggling till the best man ducked his neighbor, and then they all +went under in a tangle of white legs and arms and came up blowing, +sputtering, laughing, and gasping for breath at one and the same time. + +When they were well exhausted, they would run out and sprawl on the +dry, hot sand, and lie there and cover themselves up with it, and by +and by break for the water again and go through the original +performance once more. Finally it occurred to them that their naked +skin represented flesh-colored "tights" very fairly; so they drew a +ring in the sand and had a circus--with three clowns in it, for none +would yield this proudest post to his neighbor. + +Next they got their marbles and played "knucks" and "ring-taw" and +"keeps" till that amusement grew stale. Then Joe and Huck had another +swim, but Tom would not venture, because he found that in kicking off +his trousers he had kicked his string of rattlesnake rattles off his +ankle, and he wondered how he had escaped cramp so long without the +protection of this mysterious charm. He did not venture again until he +had found it, and by that time the other boys were tired and ready to +rest. They gradually wandered apart, dropped into the "dumps," and fell +to gazing longingly across the wide river to where the village lay +drowsing in the sun. Tom found himself writing "BECKY" in the sand with +his big toe; he scratched it out, and was angry with himself for his +weakness. But he wrote it again, nevertheless; he could not help it. He +erased it once more and then took himself out of temptation by driving +the other boys together and joining them. + +But Joe's spirits had gone down almost beyond resurrection. He was so +homesick that he could hardly endure the misery of it. The tears lay +very near the surface. Huck was melancholy, too. Tom was downhearted, +but tried hard not to show it. He had a secret which he was not ready +to tell, yet, but if this mutinous depression was not broken up soon, +he would have to bring it out. He said, with a great show of +cheerfulness: + +"I bet there's been pirates on this island before, boys. We'll explore +it again. They've hid treasures here somewhere. How'd you feel to light +on a rotten chest full of gold and silver--hey?" + +But it roused only faint enthusiasm, which faded out, with no reply. +Tom tried one or two other seductions; but they failed, too. It was +discouraging work. Joe sat poking up the sand with a stick and looking +very gloomy. Finally he said: + +"Oh, boys, let's give it up. I want to go home. It's so lonesome." + +"Oh no, Joe, you'll feel better by and by," said Tom. "Just think of +the fishing that's here." + +"I don't care for fishing. I want to go home." + +"But, Joe, there ain't such another swimming-place anywhere." + +"Swimming's no good. I don't seem to care for it, somehow, when there +ain't anybody to say I sha'n't go in. I mean to go home." + +"Oh, shucks! Baby! You want to see your mother, I reckon." + +"Yes, I DO want to see my mother--and you would, too, if you had one. +I ain't any more baby than you are." And Joe snuffled a little. + +"Well, we'll let the cry-baby go home to his mother, won't we, Huck? +Poor thing--does it want to see its mother? And so it shall. You like +it here, don't you, Huck? We'll stay, won't we?" + +Huck said, "Y-e-s"--without any heart in it. + +"I'll never speak to you again as long as I live," said Joe, rising. +"There now!" And he moved moodily away and began to dress himself. + +"Who cares!" said Tom. "Nobody wants you to. Go 'long home and get +laughed at. Oh, you're a nice pirate. Huck and me ain't cry-babies. +We'll stay, won't we, Huck? Let him go if he wants to. I reckon we can +get along without him, per'aps." + +But Tom was uneasy, nevertheless, and was alarmed to see Joe go +sullenly on with his dressing. And then it was discomforting to see +Huck eying Joe's preparations so wistfully, and keeping up such an +ominous silence. Presently, without a parting word, Joe began to wade +off toward the Illinois shore. Tom's heart began to sink. He glanced at +Huck. Huck could not bear the look, and dropped his eyes. Then he said: + +"I want to go, too, Tom. It was getting so lonesome anyway, and now +it'll be worse. Let's us go, too, Tom." + +"I won't! You can all go, if you want to. I mean to stay." + +"Tom, I better go." + +"Well, go 'long--who's hendering you." + +Huck began to pick up his scattered clothes. He said: + +"Tom, I wisht you'd come, too. Now you think it over. We'll wait for +you when we get to shore." + +"Well, you'll wait a blame long time, that's all." + +Huck started sorrowfully away, and Tom stood looking after him, with a +strong desire tugging at his heart to yield his pride and go along too. +He hoped the boys would stop, but they still waded slowly on. It +suddenly dawned on Tom that it was become very lonely and still. He +made one final struggle with his pride, and then darted after his +comrades, yelling: + +"Wait! Wait! I want to tell you something!" + +They presently stopped and turned around. When he got to where they +were, he began unfolding his secret, and they listened moodily till at +last they saw the "point" he was driving at, and then they set up a +war-whoop of applause and said it was "splendid!" and said if he had +told them at first, they wouldn't have started away. He made a plausible +excuse; but his real reason had been the fear that not even the secret +would keep them with him any very great length of time, and so he had +meant to hold it in reserve as a last seduction. + +The lads came gayly back and went at their sports again with a will, +chattering all the time about Tom's stupendous plan and admiring the +genius of it. After a dainty egg and fish dinner, Tom said he wanted to +learn to smoke, now. Joe caught at the idea and said he would like to +try, too. So Huck made pipes and filled them. These novices had never +smoked anything before but cigars made of grape-vine, and they "bit" +the tongue, and were not considered manly anyway. + +Now they stretched themselves out on their elbows and began to puff, +charily, and with slender confidence. The smoke had an unpleasant +taste, and they gagged a little, but Tom said: + +"Why, it's just as easy! If I'd a knowed this was all, I'd a learnt +long ago." + +"So would I," said Joe. "It's just nothing." + +"Why, many a time I've looked at people smoking, and thought well I +wish I could do that; but I never thought I could," said Tom. + +"That's just the way with me, hain't it, Huck? You've heard me talk +just that way--haven't you, Huck? I'll leave it to Huck if I haven't." + +"Yes--heaps of times," said Huck. + +"Well, I have too," said Tom; "oh, hundreds of times. Once down by the +slaughter-house. Don't you remember, Huck? Bob Tanner was there, and +Johnny Miller, and Jeff Thatcher, when I said it. Don't you remember, +Huck, 'bout me saying that?" + +"Yes, that's so," said Huck. "That was the day after I lost a white +alley. No, 'twas the day before." + +"There--I told you so," said Tom. "Huck recollects it." + +"I bleeve I could smoke this pipe all day," said Joe. "I don't feel +sick." + +"Neither do I," said Tom. "I could smoke it all day. But I bet you +Jeff Thatcher couldn't." + +"Jeff Thatcher! Why, he'd keel over just with two draws. Just let him +try it once. HE'D see!" + +"I bet he would. And Johnny Miller--I wish could see Johnny Miller +tackle it once." + +"Oh, don't I!" said Joe. "Why, I bet you Johnny Miller couldn't any +more do this than nothing. Just one little snifter would fetch HIM." + +"'Deed it would, Joe. Say--I wish the boys could see us now." + +"So do I." + +"Say--boys, don't say anything about it, and some time when they're +around, I'll come up to you and say, 'Joe, got a pipe? I want a smoke.' +And you'll say, kind of careless like, as if it warn't anything, you'll +say, 'Yes, I got my OLD pipe, and another one, but my tobacker ain't +very good.' And I'll say, 'Oh, that's all right, if it's STRONG +enough.' And then you'll out with the pipes, and we'll light up just as +ca'm, and then just see 'em look!" + +"By jings, that'll be gay, Tom! I wish it was NOW!" + +"So do I! And when we tell 'em we learned when we was off pirating, +won't they wish they'd been along?" + +"Oh, I reckon not! I'll just BET they will!" + +So the talk ran on. But presently it began to flag a trifle, and grow +disjointed. The silences widened; the expectoration marvellously +increased. Every pore inside the boys' cheeks became a spouting +fountain; they could scarcely bail out the cellars under their tongues +fast enough to prevent an inundation; little overflowings down their +throats occurred in spite of all they could do, and sudden retchings +followed every time. Both boys were looking very pale and miserable, +now. Joe's pipe dropped from his nerveless fingers. Tom's followed. +Both fountains were going furiously and both pumps bailing with might +and main. Joe said feebly: + +"I've lost my knife. I reckon I better go and find it." + +Tom said, with quivering lips and halting utterance: + +"I'll help you. You go over that way and I'll hunt around by the +spring. No, you needn't come, Huck--we can find it." + +So Huck sat down again, and waited an hour. Then he found it lonesome, +and went to find his comrades. They were wide apart in the woods, both +very pale, both fast asleep. But something informed him that if they +had had any trouble they had got rid of it. + +They were not talkative at supper that night. They had a humble look, +and when Huck prepared his pipe after the meal and was going to prepare +theirs, they said no, they were not feeling very well--something they +ate at dinner had disagreed with them. + +About midnight Joe awoke, and called the boys. There was a brooding +oppressiveness in the air that seemed to bode something. The boys +huddled themselves together and sought the friendly companionship of +the fire, though the dull dead heat of the breathless atmosphere was +stifling. They sat still, intent and waiting. The solemn hush +continued. Beyond the light of the fire everything was swallowed up in +the blackness of darkness. Presently there came a quivering glow that +vaguely revealed the foliage for a moment and then vanished. By and by +another came, a little stronger. Then another. Then a faint moan came +sighing through the branches of the forest and the boys felt a fleeting +breath upon their cheeks, and shuddered with the fancy that the Spirit +of the Night had gone by. There was a pause. Now a weird flash turned +night into day and showed every little grass-blade, separate and +distinct, that grew about their feet. And it showed three white, +startled faces, too. A deep peal of thunder went rolling and tumbling +down the heavens and lost itself in sullen rumblings in the distance. A +sweep of chilly air passed by, rustling all the leaves and snowing the +flaky ashes broadcast about the fire. Another fierce glare lit up the +forest and an instant crash followed that seemed to rend the tree-tops +right over the boys' heads. They clung together in terror, in the thick +gloom that followed. A few big rain-drops fell pattering upon the +leaves. + +"Quick! boys, go for the tent!" exclaimed Tom. + +They sprang away, stumbling over roots and among vines in the dark, no +two plunging in the same direction. A furious blast roared through the +trees, making everything sing as it went. One blinding flash after +another came, and peal on peal of deafening thunder. And now a +drenching rain poured down and the rising hurricane drove it in sheets +along the ground. The boys cried out to each other, but the roaring +wind and the booming thunder-blasts drowned their voices utterly. +However, one by one they straggled in at last and took shelter under +the tent, cold, scared, and streaming with water; but to have company +in misery seemed something to be grateful for. They could not talk, the +old sail flapped so furiously, even if the other noises would have +allowed them. The tempest rose higher and higher, and presently the +sail tore loose from its fastenings and went winging away on the blast. +The boys seized each others' hands and fled, with many tumblings and +bruises, to the shelter of a great oak that stood upon the river-bank. +Now the battle was at its highest. Under the ceaseless conflagration of +lightning that flamed in the skies, everything below stood out in +clean-cut and shadowless distinctness: the bending trees, the billowy +river, white with foam, the driving spray of spume-flakes, the dim +outlines of the high bluffs on the other side, glimpsed through the +drifting cloud-rack and the slanting veil of rain. Every little while +some giant tree yielded the fight and fell crashing through the younger +growth; and the unflagging thunder-peals came now in ear-splitting +explosive bursts, keen and sharp, and unspeakably appalling. The storm +culminated in one matchless effort that seemed likely to tear the island +to pieces, burn it up, drown it to the tree-tops, blow it away, and +deafen every creature in it, all at one and the same moment. It was a +wild night for homeless young heads to be out in. + +But at last the battle was done, and the forces retired with weaker +and weaker threatenings and grumblings, and peace resumed her sway. The +boys went back to camp, a good deal awed; but they found there was +still something to be thankful for, because the great sycamore, the +shelter of their beds, was a ruin, now, blasted by the lightnings, and +they were not under it when the catastrophe happened. + +Everything in camp was drenched, the camp-fire as well; for they were +but heedless lads, like their generation, and had made no provision +against rain. Here was matter for dismay, for they were soaked through +and chilled. They were eloquent in their distress; but they presently +discovered that the fire had eaten so far up under the great log it had +been built against (where it curved upward and separated itself from +the ground), that a handbreadth or so of it had escaped wetting; so +they patiently wrought until, with shreds and bark gathered from the +under sides of sheltered logs, they coaxed the fire to burn again. Then +they piled on great dead boughs till they had a roaring furnace, and +were glad-hearted once more. They dried their boiled ham and had a +feast, and after that they sat by the fire and expanded and glorified +their midnight adventure until morning, for there was not a dry spot to +sleep on, anywhere around. + +As the sun began to steal in upon the boys, drowsiness came over them, +and they went out on the sandbar and lay down to sleep. They got +scorched out by and by, and drearily set about getting breakfast. After +the meal they felt rusty, and stiff-jointed, and a little homesick once +more. Tom saw the signs, and fell to cheering up the pirates as well as +he could. But they cared nothing for marbles, or circus, or swimming, +or anything. He reminded them of the imposing secret, and raised a ray +of cheer. While it lasted, he got them interested in a new device. This +was to knock off being pirates, for a while, and be Indians for a +change. They were attracted by this idea; so it was not long before +they were stripped, and striped from head to heel with black mud, like +so many zebras--all of them chiefs, of course--and then they went +tearing through the woods to attack an English settlement. + +By and by they separated into three hostile tribes, and darted upon +each other from ambush with dreadful war-whoops, and killed and scalped +each other by thousands. It was a gory day. Consequently it was an +extremely satisfactory one. + +They assembled in camp toward supper-time, hungry and happy; but now a +difficulty arose--hostile Indians could not break the bread of +hospitality together without first making peace, and this was a simple +impossibility without smoking a pipe of peace. There was no other +process that ever they had heard of. Two of the savages almost wished +they had remained pirates. However, there was no other way; so with +such show of cheerfulness as they could muster they called for the pipe +and took their whiff as it passed, in due form. + +And behold, they were glad they had gone into savagery, for they had +gained something; they found that they could now smoke a little without +having to go and hunt for a lost knife; they did not get sick enough to +be seriously uncomfortable. They were not likely to fool away this high +promise for lack of effort. No, they practised cautiously, after +supper, with right fair success, and so they spent a jubilant evening. +They were prouder and happier in their new acquirement than they would +have been in the scalping and skinning of the Six Nations. We will +leave them to smoke and chatter and brag, since we have no further use +for them at present. + + + +CHAPTER XVII + +BUT there was no hilarity in the little town that same tranquil +Saturday afternoon. The Harpers, and Aunt Polly's family, were being +put into mourning, with great grief and many tears. An unusual quiet +possessed the village, although it was ordinarily quiet enough, in all +conscience. The villagers conducted their concerns with an absent air, +and talked little; but they sighed often. The Saturday holiday seemed a +burden to the children. They had no heart in their sports, and +gradually gave them up. + +In the afternoon Becky Thatcher found herself moping about the +deserted schoolhouse yard, and feeling very melancholy. But she found +nothing there to comfort her. She soliloquized: + +"Oh, if I only had a brass andiron-knob again! But I haven't got +anything now to remember him by." And she choked back a little sob. + +Presently she stopped, and said to herself: + +"It was right here. Oh, if it was to do over again, I wouldn't say +that--I wouldn't say it for the whole world. But he's gone now; I'll +never, never, never see him any more." + +This thought broke her down, and she wandered away, with tears rolling +down her cheeks. Then quite a group of boys and girls--playmates of +Tom's and Joe's--came by, and stood looking over the paling fence and +talking in reverent tones of how Tom did so-and-so the last time they +saw him, and how Joe said this and that small trifle (pregnant with +awful prophecy, as they could easily see now!)--and each speaker +pointed out the exact spot where the lost lads stood at the time, and +then added something like "and I was a-standing just so--just as I am +now, and as if you was him--I was as close as that--and he smiled, just +this way--and then something seemed to go all over me, like--awful, you +know--and I never thought what it meant, of course, but I can see now!" + +Then there was a dispute about who saw the dead boys last in life, and +many claimed that dismal distinction, and offered evidences, more or +less tampered with by the witness; and when it was ultimately decided +who DID see the departed last, and exchanged the last words with them, +the lucky parties took upon themselves a sort of sacred importance, and +were gaped at and envied by all the rest. One poor chap, who had no +other grandeur to offer, said with tolerably manifest pride in the +remembrance: + +"Well, Tom Sawyer he licked me once." + +But that bid for glory was a failure. Most of the boys could say that, +and so that cheapened the distinction too much. The group loitered +away, still recalling memories of the lost heroes, in awed voices. + +When the Sunday-school hour was finished, the next morning, the bell +began to toll, instead of ringing in the usual way. It was a very still +Sabbath, and the mournful sound seemed in keeping with the musing hush +that lay upon nature. The villagers began to gather, loitering a moment +in the vestibule to converse in whispers about the sad event. But there +was no whispering in the house; only the funereal rustling of dresses +as the women gathered to their seats disturbed the silence there. None +could remember when the little church had been so full before. There +was finally a waiting pause, an expectant dumbness, and then Aunt Polly +entered, followed by Sid and Mary, and they by the Harper family, all +in deep black, and the whole congregation, the old minister as well, +rose reverently and stood until the mourners were seated in the front +pew. There was another communing silence, broken at intervals by +muffled sobs, and then the minister spread his hands abroad and prayed. +A moving hymn was sung, and the text followed: "I am the Resurrection +and the Life." + +As the service proceeded, the clergyman drew such pictures of the +graces, the winning ways, and the rare promise of the lost lads that +every soul there, thinking he recognized these pictures, felt a pang in +remembering that he had persistently blinded himself to them always +before, and had as persistently seen only faults and flaws in the poor +boys. The minister related many a touching incident in the lives of the +departed, too, which illustrated their sweet, generous natures, and the +people could easily see, now, how noble and beautiful those episodes +were, and remembered with grief that at the time they occurred they had +seemed rank rascalities, well deserving of the cowhide. The +congregation became more and more moved, as the pathetic tale went on, +till at last the whole company broke down and joined the weeping +mourners in a chorus of anguished sobs, the preacher himself giving way +to his feelings, and crying in the pulpit. + +There was a rustle in the gallery, which nobody noticed; a moment +later the church door creaked; the minister raised his streaming eyes +above his handkerchief, and stood transfixed! First one and then +another pair of eyes followed the minister's, and then almost with one +impulse the congregation rose and stared while the three dead boys came +marching up the aisle, Tom in the lead, Joe next, and Huck, a ruin of +drooping rags, sneaking sheepishly in the rear! They had been hid in +the unused gallery listening to their own funeral sermon! + +Aunt Polly, Mary, and the Harpers threw themselves upon their restored +ones, smothered them with kisses and poured out thanksgivings, while +poor Huck stood abashed and uncomfortable, not knowing exactly what to +do or where to hide from so many unwelcoming eyes. He wavered, and +started to slink away, but Tom seized him and said: + +"Aunt Polly, it ain't fair. Somebody's got to be glad to see Huck." + +"And so they shall. I'm glad to see him, poor motherless thing!" And +the loving attentions Aunt Polly lavished upon him were the one thing +capable of making him more uncomfortable than he was before. + +Suddenly the minister shouted at the top of his voice: "Praise God +from whom all blessings flow--SING!--and put your hearts in it!" + +And they did. Old Hundred swelled up with a triumphant burst, and +while it shook the rafters Tom Sawyer the Pirate looked around upon the +envying juveniles about him and confessed in his heart that this was +the proudest moment of his life. + +As the "sold" congregation trooped out they said they would almost be +willing to be made ridiculous again to hear Old Hundred sung like that +once more. + +Tom got more cuffs and kisses that day--according to Aunt Polly's +varying moods--than he had earned before in a year; and he hardly knew +which expressed the most gratefulness to God and affection for himself. + + + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 4. *** + + + + +Updated editions will replace the previous one—the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away—you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. + + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE + +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project Gutenberg™ +electronic works + +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at www.gutenberg.org. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: + + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg™ + +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. + +Section 3. Information about the Project Gutenberg Literary Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. + +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit www.gutenberg.org/donate. + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate. + +Section 5. General Information About Project Gutenberg™ electronic works + +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. + +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our website which has the main PG search +facility: www.gutenberg.org. + +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + From 2d7ce08f28ec545a35700eaade45e2c04823f078 Mon Sep 17 00:00:00 2001 From: Kateu Herbert Date: Sun, 15 Sep 2024 14:51:25 +0300 Subject: [PATCH 2/2] Removed tom_sawyer.txt --- testdata/tom_sawyer.txt | 5981 --------------------------------------- 1 file changed, 5981 deletions(-) delete mode 100644 testdata/tom_sawyer.txt diff --git a/testdata/tom_sawyer.txt b/testdata/tom_sawyer.txt deleted file mode 100644 index 84aa5c1474..0000000000 --- a/testdata/tom_sawyer.txt +++ /dev/null @@ -1,5981 +0,0 @@ -The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 1. - -This ebook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this ebook or online -at www.gutenberg.org. If you are not located in the United States, -you will have to check the laws of the country where you are located -before using this eBook. - -Title: The Adventures of Tom Sawyer, Part 1. - -Author: Mark Twain - -Release date: June 29, 2004 [eBook #7193] - Most recently updated: December 30, 2020 - -Language: English - -Credits: Produced by David Widger - - -*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 1. *** - - - - -Produced by David Widger - - - - - THE ADVENTURES OF TOM SAWYER - BY - MARK TWAIN - (Samuel Langhorne Clemens) - - Part 1 - - - P R E F A C E - -MOST of the adventures recorded in this book really occurred; one or -two were experiences of my own, the rest those of boys who were -schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but -not from an individual--he is a combination of the characteristics of -three boys whom I knew, and therefore belongs to the composite order of -architecture. - -The odd superstitions touched upon were all prevalent among children -and slaves in the West at the period of this story--that is to say, -thirty or forty years ago. - -Although my book is intended mainly for the entertainment of boys and -girls, I hope it will not be shunned by men and women on that account, -for part of my plan has been to try to pleasantly remind adults of what -they once were themselves, and of how they felt and thought and talked, -and what queer enterprises they sometimes engaged in. - - THE AUTHOR. - -HARTFORD, 1876. - - - - T O M S A W Y E R - - - -CHAPTER I - -"TOM!" - -No answer. - -"TOM!" - -No answer. - -"What's gone with that boy, I wonder? You TOM!" - -No answer. - -The old lady pulled her spectacles down and looked over them about the -room; then she put them up and looked out under them. She seldom or -never looked THROUGH them for so small a thing as a boy; they were her -state pair, the pride of her heart, and were built for "style," not -service--she could have seen through a pair of stove-lids just as well. -She looked perplexed for a moment, and then said, not fiercely, but -still loud enough for the furniture to hear: - -"Well, I lay if I get hold of you I'll--" - -She did not finish, for by this time she was bending down and punching -under the bed with the broom, and so she needed breath to punctuate the -punches with. She resurrected nothing but the cat. - -"I never did see the beat of that boy!" - -She went to the open door and stood in it and looked out among the -tomato vines and "jimpson" weeds that constituted the garden. No Tom. -So she lifted up her voice at an angle calculated for distance and -shouted: - -"Y-o-u-u TOM!" - -There was a slight noise behind her and she turned just in time to -seize a small boy by the slack of his roundabout and arrest his flight. - -"There! I might 'a' thought of that closet. What you been doing in -there?" - -"Nothing." - -"Nothing! Look at your hands. And look at your mouth. What IS that -truck?" - -"I don't know, aunt." - -"Well, I know. It's jam--that's what it is. Forty times I've said if -you didn't let that jam alone I'd skin you. Hand me that switch." - -The switch hovered in the air--the peril was desperate-- - -"My! Look behind you, aunt!" - -The old lady whirled round, and snatched her skirts out of danger. The -lad fled on the instant, scrambled up the high board-fence, and -disappeared over it. - -His aunt Polly stood surprised a moment, and then broke into a gentle -laugh. - -"Hang the boy, can't I never learn anything? Ain't he played me tricks -enough like that for me to be looking out for him by this time? But old -fools is the biggest fools there is. Can't learn an old dog new tricks, -as the saying is. But my goodness, he never plays them alike, two days, -and how is a body to know what's coming? He 'pears to know just how -long he can torment me before I get my dander up, and he knows if he -can make out to put me off for a minute or make me laugh, it's all down -again and I can't hit him a lick. I ain't doing my duty by that boy, -and that's the Lord's truth, goodness knows. Spare the rod and spile -the child, as the Good Book says. I'm a laying up sin and suffering for -us both, I know. He's full of the Old Scratch, but laws-a-me! he's my -own dead sister's boy, poor thing, and I ain't got the heart to lash -him, somehow. Every time I let him off, my conscience does hurt me so, -and every time I hit him my old heart most breaks. Well-a-well, man -that is born of woman is of few days and full of trouble, as the -Scripture says, and I reckon it's so. He'll play hookey this evening, * -and [* Southwestern for "afternoon"] I'll just be obleeged to make him -work, to-morrow, to punish him. It's mighty hard to make him work -Saturdays, when all the boys is having holiday, but he hates work more -than he hates anything else, and I've GOT to do some of my duty by him, -or I'll be the ruination of the child." - -Tom did play hookey, and he had a very good time. He got back home -barely in season to help Jim, the small colored boy, saw next-day's -wood and split the kindlings before supper--at least he was there in -time to tell his adventures to Jim while Jim did three-fourths of the -work. Tom's younger brother (or rather half-brother) Sid was already -through with his part of the work (picking up chips), for he was a -quiet boy, and had no adventurous, troublesome ways. - -While Tom was eating his supper, and stealing sugar as opportunity -offered, Aunt Polly asked him questions that were full of guile, and -very deep--for she wanted to trap him into damaging revealments. Like -many other simple-hearted souls, it was her pet vanity to believe she -was endowed with a talent for dark and mysterious diplomacy, and she -loved to contemplate her most transparent devices as marvels of low -cunning. Said she: - -"Tom, it was middling warm in school, warn't it?" - -"Yes'm." - -"Powerful warm, warn't it?" - -"Yes'm." - -"Didn't you want to go in a-swimming, Tom?" - -A bit of a scare shot through Tom--a touch of uncomfortable suspicion. -He searched Aunt Polly's face, but it told him nothing. So he said: - -"No'm--well, not very much." - -The old lady reached out her hand and felt Tom's shirt, and said: - -"But you ain't too warm now, though." And it flattered her to reflect -that she had discovered that the shirt was dry without anybody knowing -that that was what she had in her mind. But in spite of her, Tom knew -where the wind lay, now. So he forestalled what might be the next move: - -"Some of us pumped on our heads--mine's damp yet. See?" - -Aunt Polly was vexed to think she had overlooked that bit of -circumstantial evidence, and missed a trick. Then she had a new -inspiration: - -"Tom, you didn't have to undo your shirt collar where I sewed it, to -pump on your head, did you? Unbutton your jacket!" - -The trouble vanished out of Tom's face. He opened his jacket. His -shirt collar was securely sewed. - -"Bother! Well, go 'long with you. I'd made sure you'd played hookey -and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a -singed cat, as the saying is--better'n you look. THIS time." - -She was half sorry her sagacity had miscarried, and half glad that Tom -had stumbled into obedient conduct for once. - -But Sidney said: - -"Well, now, if I didn't think you sewed his collar with white thread, -but it's black." - -"Why, I did sew it with white! Tom!" - -But Tom did not wait for the rest. As he went out at the door he said: - -"Siddy, I'll lick you for that." - -In a safe place Tom examined two large needles which were thrust into -the lapels of his jacket, and had thread bound about them--one needle -carried white thread and the other black. He said: - -"She'd never noticed if it hadn't been for Sid. Confound it! sometimes -she sews it with white, and sometimes she sews it with black. I wish to -geeminy she'd stick to one or t'other--I can't keep the run of 'em. But -I bet you I'll lam Sid for that. I'll learn him!" - -He was not the Model Boy of the village. He knew the model boy very -well though--and loathed him. - -Within two minutes, or even less, he had forgotten all his troubles. -Not because his troubles were one whit less heavy and bitter to him -than a man's are to a man, but because a new and powerful interest bore -them down and drove them out of his mind for the time--just as men's -misfortunes are forgotten in the excitement of new enterprises. This -new interest was a valued novelty in whistling, which he had just -acquired from a negro, and he was suffering to practise it undisturbed. -It consisted in a peculiar bird-like turn, a sort of liquid warble, -produced by touching the tongue to the roof of the mouth at short -intervals in the midst of the music--the reader probably remembers how -to do it, if he has ever been a boy. Diligence and attention soon gave -him the knack of it, and he strode down the street with his mouth full -of harmony and his soul full of gratitude. He felt much as an -astronomer feels who has discovered a new planet--no doubt, as far as -strong, deep, unalloyed pleasure is concerned, the advantage was with -the boy, not the astronomer. - -The summer evenings were long. It was not dark, yet. Presently Tom -checked his whistle. A stranger was before him--a boy a shade larger -than himself. A new-comer of any age or either sex was an impressive -curiosity in the poor little shabby village of St. Petersburg. This boy -was well dressed, too--well dressed on a week-day. This was simply -astounding. His cap was a dainty thing, his close-buttoned blue cloth -roundabout was new and natty, and so were his pantaloons. He had shoes -on--and it was only Friday. He even wore a necktie, a bright bit of -ribbon. He had a citified air about him that ate into Tom's vitals. The -more Tom stared at the splendid marvel, the higher he turned up his -nose at his finery and the shabbier and shabbier his own outfit seemed -to him to grow. Neither boy spoke. If one moved, the other moved--but -only sidewise, in a circle; they kept face to face and eye to eye all -the time. Finally Tom said: - -"I can lick you!" - -"I'd like to see you try it." - -"Well, I can do it." - -"No you can't, either." - -"Yes I can." - -"No you can't." - -"I can." - -"You can't." - -"Can!" - -"Can't!" - -An uncomfortable pause. Then Tom said: - -"What's your name?" - -"'Tisn't any of your business, maybe." - -"Well I 'low I'll MAKE it my business." - -"Well why don't you?" - -"If you say much, I will." - -"Much--much--MUCH. There now." - -"Oh, you think you're mighty smart, DON'T you? I could lick you with -one hand tied behind me, if I wanted to." - -"Well why don't you DO it? You SAY you can do it." - -"Well I WILL, if you fool with me." - -"Oh yes--I've seen whole families in the same fix." - -"Smarty! You think you're SOME, now, DON'T you? Oh, what a hat!" - -"You can lump that hat if you don't like it. I dare you to knock it -off--and anybody that'll take a dare will suck eggs." - -"You're a liar!" - -"You're another." - -"You're a fighting liar and dasn't take it up." - -"Aw--take a walk!" - -"Say--if you give me much more of your sass I'll take and bounce a -rock off'n your head." - -"Oh, of COURSE you will." - -"Well I WILL." - -"Well why don't you DO it then? What do you keep SAYING you will for? -Why don't you DO it? It's because you're afraid." - -"I AIN'T afraid." - -"You are." - -"I ain't." - -"You are." - -Another pause, and more eying and sidling around each other. Presently -they were shoulder to shoulder. Tom said: - -"Get away from here!" - -"Go away yourself!" - -"I won't." - -"I won't either." - -So they stood, each with a foot placed at an angle as a brace, and -both shoving with might and main, and glowering at each other with -hate. But neither could get an advantage. After struggling till both -were hot and flushed, each relaxed his strain with watchful caution, -and Tom said: - -"You're a coward and a pup. I'll tell my big brother on you, and he -can thrash you with his little finger, and I'll make him do it, too." - -"What do I care for your big brother? I've got a brother that's bigger -than he is--and what's more, he can throw him over that fence, too." -[Both brothers were imaginary.] - -"That's a lie." - -"YOUR saying so don't make it so." - -Tom drew a line in the dust with his big toe, and said: - -"I dare you to step over that, and I'll lick you till you can't stand -up. Anybody that'll take a dare will steal sheep." - -The new boy stepped over promptly, and said: - -"Now you said you'd do it, now let's see you do it." - -"Don't you crowd me now; you better look out." - -"Well, you SAID you'd do it--why don't you do it?" - -"By jingo! for two cents I WILL do it." - -The new boy took two broad coppers out of his pocket and held them out -with derision. Tom struck them to the ground. In an instant both boys -were rolling and tumbling in the dirt, gripped together like cats; and -for the space of a minute they tugged and tore at each other's hair and -clothes, punched and scratched each other's nose, and covered -themselves with dust and glory. Presently the confusion took form, and -through the fog of battle Tom appeared, seated astride the new boy, and -pounding him with his fists. "Holler 'nuff!" said he. - -The boy only struggled to free himself. He was crying--mainly from rage. - -"Holler 'nuff!"--and the pounding went on. - -At last the stranger got out a smothered "'Nuff!" and Tom let him up -and said: - -"Now that'll learn you. Better look out who you're fooling with next -time." - -The new boy went off brushing the dust from his clothes, sobbing, -snuffling, and occasionally looking back and shaking his head and -threatening what he would do to Tom the "next time he caught him out." -To which Tom responded with jeers, and started off in high feather, and -as soon as his back was turned the new boy snatched up a stone, threw -it and hit him between the shoulders and then turned tail and ran like -an antelope. Tom chased the traitor home, and thus found out where he -lived. He then held a position at the gate for some time, daring the -enemy to come outside, but the enemy only made faces at him through the -window and declined. At last the enemy's mother appeared, and called -Tom a bad, vicious, vulgar child, and ordered him away. So he went -away; but he said he "'lowed" to "lay" for that boy. - -He got home pretty late that night, and when he climbed cautiously in -at the window, he uncovered an ambuscade, in the person of his aunt; -and when she saw the state his clothes were in her resolution to turn -his Saturday holiday into captivity at hard labor became adamantine in -its firmness. - - - -CHAPTER II - -SATURDAY morning was come, and all the summer world was bright and -fresh, and brimming with life. There was a song in every heart; and if -the heart was young the music issued at the lips. There was cheer in -every face and a spring in every step. The locust-trees were in bloom -and the fragrance of the blossoms filled the air. Cardiff Hill, beyond -the village and above it, was green with vegetation and it lay just far -enough away to seem a Delectable Land, dreamy, reposeful, and inviting. - -Tom appeared on the sidewalk with a bucket of whitewash and a -long-handled brush. He surveyed the fence, and all gladness left him and -a deep melancholy settled down upon his spirit. Thirty yards of board -fence nine feet high. Life to him seemed hollow, and existence but a -burden. Sighing, he dipped his brush and passed it along the topmost -plank; repeated the operation; did it again; compared the insignificant -whitewashed streak with the far-reaching continent of unwhitewashed -fence, and sat down on a tree-box discouraged. Jim came skipping out at -the gate with a tin pail, and singing Buffalo Gals. Bringing water from -the town pump had always been hateful work in Tom's eyes, before, but -now it did not strike him so. He remembered that there was company at -the pump. White, mulatto, and negro boys and girls were always there -waiting their turns, resting, trading playthings, quarrelling, -fighting, skylarking. And he remembered that although the pump was only -a hundred and fifty yards off, Jim never got back with a bucket of -water under an hour--and even then somebody generally had to go after -him. Tom said: - -"Say, Jim, I'll fetch the water if you'll whitewash some." - -Jim shook his head and said: - -"Can't, Mars Tom. Ole missis, she tole me I got to go an' git dis -water an' not stop foolin' roun' wid anybody. She say she spec' Mars -Tom gwine to ax me to whitewash, an' so she tole me go 'long an' 'tend -to my own business--she 'lowed SHE'D 'tend to de whitewashin'." - -"Oh, never you mind what she said, Jim. That's the way she always -talks. Gimme the bucket--I won't be gone only a a minute. SHE won't -ever know." - -"Oh, I dasn't, Mars Tom. Ole missis she'd take an' tar de head off'n -me. 'Deed she would." - -"SHE! She never licks anybody--whacks 'em over the head with her -thimble--and who cares for that, I'd like to know. She talks awful, but -talk don't hurt--anyways it don't if she don't cry. Jim, I'll give you -a marvel. I'll give you a white alley!" - -Jim began to waver. - -"White alley, Jim! And it's a bully taw." - -"My! Dat's a mighty gay marvel, I tell you! But Mars Tom I's powerful -'fraid ole missis--" - -"And besides, if you will I'll show you my sore toe." - -Jim was only human--this attraction was too much for him. He put down -his pail, took the white alley, and bent over the toe with absorbing -interest while the bandage was being unwound. In another moment he was -flying down the street with his pail and a tingling rear, Tom was -whitewashing with vigor, and Aunt Polly was retiring from the field -with a slipper in her hand and triumph in her eye. - -But Tom's energy did not last. He began to think of the fun he had -planned for this day, and his sorrows multiplied. Soon the free boys -would come tripping along on all sorts of delicious expeditions, and -they would make a world of fun of him for having to work--the very -thought of it burnt him like fire. He got out his worldly wealth and -examined it--bits of toys, marbles, and trash; enough to buy an -exchange of WORK, maybe, but not half enough to buy so much as half an -hour of pure freedom. So he returned his straitened means to his -pocket, and gave up the idea of trying to buy the boys. At this dark -and hopeless moment an inspiration burst upon him! Nothing less than a -great, magnificent inspiration. - -He took up his brush and went tranquilly to work. Ben Rogers hove in -sight presently--the very boy, of all boys, whose ridicule he had been -dreading. Ben's gait was the hop-skip-and-jump--proof enough that his -heart was light and his anticipations high. He was eating an apple, and -giving a long, melodious whoop, at intervals, followed by a deep-toned -ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As -he drew near, he slackened speed, took the middle of the street, leaned -far over to starboard and rounded to ponderously and with laborious -pomp and circumstance--for he was personating the Big Missouri, and -considered himself to be drawing nine feet of water. He was boat and -captain and engine-bells combined, so he had to imagine himself -standing on his own hurricane-deck giving the orders and executing them: - -"Stop her, sir! Ting-a-ling-ling!" The headway ran almost out, and he -drew up slowly toward the sidewalk. - -"Ship up to back! Ting-a-ling-ling!" His arms straightened and -stiffened down his sides. - -"Set her back on the stabboard! Ting-a-ling-ling! Chow! ch-chow-wow! -Chow!" His right hand, meantime, describing stately circles--for it was -representing a forty-foot wheel. - -"Let her go back on the labboard! Ting-a-lingling! Chow-ch-chow-chow!" -The left hand began to describe circles. - -"Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead -on the stabboard! Stop her! Let your outside turn over slow! -Ting-a-ling-ling! Chow-ow-ow! Get out that head-line! LIVELY now! -Come--out with your spring-line--what're you about there! Take a turn -round that stump with the bight of it! Stand by that stage, now--let her -go! Done with the engines, sir! Ting-a-ling-ling! SH'T! S'H'T! SH'T!" -(trying the gauge-cocks). - -Tom went on whitewashing--paid no attention to the steamboat. Ben -stared a moment and then said: "Hi-YI! YOU'RE up a stump, ain't you!" - -No answer. Tom surveyed his last touch with the eye of an artist, then -he gave his brush another gentle sweep and surveyed the result, as -before. Ben ranged up alongside of him. Tom's mouth watered for the -apple, but he stuck to his work. Ben said: - -"Hello, old chap, you got to work, hey?" - -Tom wheeled suddenly and said: - -"Why, it's you, Ben! I warn't noticing." - -"Say--I'm going in a-swimming, I am. Don't you wish you could? But of -course you'd druther WORK--wouldn't you? Course you would!" - -Tom contemplated the boy a bit, and said: - -"What do you call work?" - -"Why, ain't THAT work?" - -Tom resumed his whitewashing, and answered carelessly: - -"Well, maybe it is, and maybe it ain't. All I know, is, it suits Tom -Sawyer." - -"Oh come, now, you don't mean to let on that you LIKE it?" - -The brush continued to move. - -"Like it? Well, I don't see why I oughtn't to like it. Does a boy get -a chance to whitewash a fence every day?" - -That put the thing in a new light. Ben stopped nibbling his apple. Tom -swept his brush daintily back and forth--stepped back to note the -effect--added a touch here and there--criticised the effect again--Ben -watching every move and getting more and more interested, more and more -absorbed. Presently he said: - -"Say, Tom, let ME whitewash a little." - -Tom considered, was about to consent; but he altered his mind: - -"No--no--I reckon it wouldn't hardly do, Ben. You see, Aunt Polly's -awful particular about this fence--right here on the street, you know ---but if it was the back fence I wouldn't mind and SHE wouldn't. Yes, -she's awful particular about this fence; it's got to be done very -careful; I reckon there ain't one boy in a thousand, maybe two -thousand, that can do it the way it's got to be done." - -"No--is that so? Oh come, now--lemme just try. Only just a little--I'd -let YOU, if you was me, Tom." - -"Ben, I'd like to, honest injun; but Aunt Polly--well, Jim wanted to -do it, but she wouldn't let him; Sid wanted to do it, and she wouldn't -let Sid. Now don't you see how I'm fixed? If you was to tackle this -fence and anything was to happen to it--" - -"Oh, shucks, I'll be just as careful. Now lemme try. Say--I'll give -you the core of my apple." - -"Well, here--No, Ben, now don't. I'm afeard--" - -"I'll give you ALL of it!" - -Tom gave up the brush with reluctance in his face, but alacrity in his -heart. And while the late steamer Big Missouri worked and sweated in -the sun, the retired artist sat on a barrel in the shade close by, -dangled his legs, munched his apple, and planned the slaughter of more -innocents. There was no lack of material; boys happened along every -little while; they came to jeer, but remained to whitewash. By the time -Ben was fagged out, Tom had traded the next chance to Billy Fisher for -a kite, in good repair; and when he played out, Johnny Miller bought in -for a dead rat and a string to swing it with--and so on, and so on, -hour after hour. And when the middle of the afternoon came, from being -a poor poverty-stricken boy in the morning, Tom was literally rolling -in wealth. He had besides the things before mentioned, twelve marbles, -part of a jews-harp, a piece of blue bottle-glass to look through, a -spool cannon, a key that wouldn't unlock anything, a fragment of chalk, -a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six -fire-crackers, a kitten with only one eye, a brass doorknob, a -dog-collar--but no dog--the handle of a knife, four pieces of -orange-peel, and a dilapidated old window sash. - -He had had a nice, good, idle time all the while--plenty of company ---and the fence had three coats of whitewash on it! If he hadn't run out -of whitewash he would have bankrupted every boy in the village. - -Tom said to himself that it was not such a hollow world, after all. He -had discovered a great law of human action, without knowing it--namely, -that in order to make a man or a boy covet a thing, it is only -necessary to make the thing difficult to attain. If he had been a great -and wise philosopher, like the writer of this book, he would now have -comprehended that Work consists of whatever a body is OBLIGED to do, -and that Play consists of whatever a body is not obliged to do. And -this would help him to understand why constructing artificial flowers -or performing on a tread-mill is work, while rolling ten-pins or -climbing Mont Blanc is only amusement. There are wealthy gentlemen in -England who drive four-horse passenger-coaches twenty or thirty miles -on a daily line, in the summer, because the privilege costs them -considerable money; but if they were offered wages for the service, -that would turn it into work and then they would resign. - -The boy mused awhile over the substantial change which had taken place -in his worldly circumstances, and then wended toward headquarters to -report. - - - -CHAPTER III - -TOM presented himself before Aunt Polly, who was sitting by an open -window in a pleasant rearward apartment, which was bedroom, -breakfast-room, dining-room, and library, combined. The balmy summer -air, the restful quiet, the odor of the flowers, and the drowsing murmur -of the bees had had their effect, and she was nodding over her knitting ---for she had no company but the cat, and it was asleep in her lap. Her -spectacles were propped up on her gray head for safety. She had thought -that of course Tom had deserted long ago, and she wondered at seeing him -place himself in her power again in this intrepid way. He said: "Mayn't -I go and play now, aunt?" - -"What, a'ready? How much have you done?" - -"It's all done, aunt." - -"Tom, don't lie to me--I can't bear it." - -"I ain't, aunt; it IS all done." - -Aunt Polly placed small trust in such evidence. She went out to see -for herself; and she would have been content to find twenty per cent. -of Tom's statement true. When she found the entire fence whitewashed, -and not only whitewashed but elaborately coated and recoated, and even -a streak added to the ground, her astonishment was almost unspeakable. -She said: - -"Well, I never! There's no getting round it, you can work when you're -a mind to, Tom." And then she diluted the compliment by adding, "But -it's powerful seldom you're a mind to, I'm bound to say. Well, go 'long -and play; but mind you get back some time in a week, or I'll tan you." - -She was so overcome by the splendor of his achievement that she took -him into the closet and selected a choice apple and delivered it to -him, along with an improving lecture upon the added value and flavor a -treat took to itself when it came without sin through virtuous effort. -And while she closed with a happy Scriptural flourish, he "hooked" a -doughnut. - -Then he skipped out, and saw Sid just starting up the outside stairway -that led to the back rooms on the second floor. Clods were handy and -the air was full of them in a twinkling. They raged around Sid like a -hail-storm; and before Aunt Polly could collect her surprised faculties -and sally to the rescue, six or seven clods had taken personal effect, -and Tom was over the fence and gone. There was a gate, but as a general -thing he was too crowded for time to make use of it. His soul was at -peace, now that he had settled with Sid for calling attention to his -black thread and getting him into trouble. - -Tom skirted the block, and came round into a muddy alley that led by -the back of his aunt's cow-stable. He presently got safely beyond the -reach of capture and punishment, and hastened toward the public square -of the village, where two "military" companies of boys had met for -conflict, according to previous appointment. Tom was General of one of -these armies, Joe Harper (a bosom friend) General of the other. These -two great commanders did not condescend to fight in person--that being -better suited to the still smaller fry--but sat together on an eminence -and conducted the field operations by orders delivered through -aides-de-camp. Tom's army won a great victory, after a long and -hard-fought battle. Then the dead were counted, prisoners exchanged, -the terms of the next disagreement agreed upon, and the day for the -necessary battle appointed; after which the armies fell into line and -marched away, and Tom turned homeward alone. - -As he was passing by the house where Jeff Thatcher lived, he saw a new -girl in the garden--a lovely little blue-eyed creature with yellow hair -plaited into two long-tails, white summer frock and embroidered -pantalettes. The fresh-crowned hero fell without firing a shot. A -certain Amy Lawrence vanished out of his heart and left not even a -memory of herself behind. He had thought he loved her to distraction; -he had regarded his passion as adoration; and behold it was only a poor -little evanescent partiality. He had been months winning her; she had -confessed hardly a week ago; he had been the happiest and the proudest -boy in the world only seven short days, and here in one instant of time -she had gone out of his heart like a casual stranger whose visit is -done. - -He worshipped this new angel with furtive eye, till he saw that she -had discovered him; then he pretended he did not know she was present, -and began to "show off" in all sorts of absurd boyish ways, in order to -win her admiration. He kept up this grotesque foolishness for some -time; but by-and-by, while he was in the midst of some dangerous -gymnastic performances, he glanced aside and saw that the little girl -was wending her way toward the house. Tom came up to the fence and -leaned on it, grieving, and hoping she would tarry yet awhile longer. -She halted a moment on the steps and then moved toward the door. Tom -heaved a great sigh as she put her foot on the threshold. But his face -lit up, right away, for she tossed a pansy over the fence a moment -before she disappeared. - -The boy ran around and stopped within a foot or two of the flower, and -then shaded his eyes with his hand and began to look down street as if -he had discovered something of interest going on in that direction. -Presently he picked up a straw and began trying to balance it on his -nose, with his head tilted far back; and as he moved from side to side, -in his efforts, he edged nearer and nearer toward the pansy; finally -his bare foot rested upon it, his pliant toes closed upon it, and he -hopped away with the treasure and disappeared round the corner. But -only for a minute--only while he could button the flower inside his -jacket, next his heart--or next his stomach, possibly, for he was not -much posted in anatomy, and not hypercritical, anyway. - -He returned, now, and hung about the fence till nightfall, "showing -off," as before; but the girl never exhibited herself again, though Tom -comforted himself a little with the hope that she had been near some -window, meantime, and been aware of his attentions. Finally he strode -home reluctantly, with his poor head full of visions. - -All through supper his spirits were so high that his aunt wondered -"what had got into the child." He took a good scolding about clodding -Sid, and did not seem to mind it in the least. He tried to steal sugar -under his aunt's very nose, and got his knuckles rapped for it. He said: - -"Aunt, you don't whack Sid when he takes it." - -"Well, Sid don't torment a body the way you do. You'd be always into -that sugar if I warn't watching you." - -Presently she stepped into the kitchen, and Sid, happy in his -immunity, reached for the sugar-bowl--a sort of glorying over Tom which -was wellnigh unbearable. But Sid's fingers slipped and the bowl dropped -and broke. Tom was in ecstasies. In such ecstasies that he even -controlled his tongue and was silent. He said to himself that he would -not speak a word, even when his aunt came in, but would sit perfectly -still till she asked who did the mischief; and then he would tell, and -there would be nothing so good in the world as to see that pet model -"catch it." He was so brimful of exultation that he could hardly hold -himself when the old lady came back and stood above the wreck -discharging lightnings of wrath from over her spectacles. He said to -himself, "Now it's coming!" And the next instant he was sprawling on -the floor! The potent palm was uplifted to strike again when Tom cried -out: - -"Hold on, now, what 'er you belting ME for?--Sid broke it!" - -Aunt Polly paused, perplexed, and Tom looked for healing pity. But -when she got her tongue again, she only said: - -"Umf! Well, you didn't get a lick amiss, I reckon. You been into some -other audacious mischief when I wasn't around, like enough." - -Then her conscience reproached her, and she yearned to say something -kind and loving; but she judged that this would be construed into a -confession that she had been in the wrong, and discipline forbade that. -So she kept silence, and went about her affairs with a troubled heart. -Tom sulked in a corner and exalted his woes. He knew that in her heart -his aunt was on her knees to him, and he was morosely gratified by the -consciousness of it. He would hang out no signals, he would take notice -of none. He knew that a yearning glance fell upon him, now and then, -through a film of tears, but he refused recognition of it. He pictured -himself lying sick unto death and his aunt bending over him beseeching -one little forgiving word, but he would turn his face to the wall, and -die with that word unsaid. Ah, how would she feel then? And he pictured -himself brought home from the river, dead, with his curls all wet, and -his sore heart at rest. How she would throw herself upon him, and how -her tears would fall like rain, and her lips pray God to give her back -her boy and she would never, never abuse him any more! But he would lie -there cold and white and make no sign--a poor little sufferer, whose -griefs were at an end. He so worked upon his feelings with the pathos -of these dreams, that he had to keep swallowing, he was so like to -choke; and his eyes swam in a blur of water, which overflowed when he -winked, and ran down and trickled from the end of his nose. And such a -luxury to him was this petting of his sorrows, that he could not bear -to have any worldly cheeriness or any grating delight intrude upon it; -it was too sacred for such contact; and so, presently, when his cousin -Mary danced in, all alive with the joy of seeing home again after an -age-long visit of one week to the country, he got up and moved in -clouds and darkness out at one door as she brought song and sunshine in -at the other. - -He wandered far from the accustomed haunts of boys, and sought -desolate places that were in harmony with his spirit. A log raft in the -river invited him, and he seated himself on its outer edge and -contemplated the dreary vastness of the stream, wishing, the while, -that he could only be drowned, all at once and unconsciously, without -undergoing the uncomfortable routine devised by nature. Then he thought -of his flower. He got it out, rumpled and wilted, and it mightily -increased his dismal felicity. He wondered if she would pity him if she -knew? Would she cry, and wish that she had a right to put her arms -around his neck and comfort him? Or would she turn coldly away like all -the hollow world? This picture brought such an agony of pleasurable -suffering that he worked it over and over again in his mind and set it -up in new and varied lights, till he wore it threadbare. At last he -rose up sighing and departed in the darkness. - -About half-past nine or ten o'clock he came along the deserted street -to where the Adored Unknown lived; he paused a moment; no sound fell -upon his listening ear; a candle was casting a dull glow upon the -curtain of a second-story window. Was the sacred presence there? He -climbed the fence, threaded his stealthy way through the plants, till -he stood under that window; he looked up at it long, and with emotion; -then he laid him down on the ground under it, disposing himself upon -his back, with his hands clasped upon his breast and holding his poor -wilted flower. And thus he would die--out in the cold world, with no -shelter over his homeless head, no friendly hand to wipe the -death-damps from his brow, no loving face to bend pityingly over him -when the great agony came. And thus SHE would see him when she looked -out upon the glad morning, and oh! would she drop one little tear upon -his poor, lifeless form, would she heave one little sigh to see a bright -young life so rudely blighted, so untimely cut down? - -The window went up, a maid-servant's discordant voice profaned the -holy calm, and a deluge of water drenched the prone martyr's remains! - -The strangling hero sprang up with a relieving snort. There was a whiz -as of a missile in the air, mingled with the murmur of a curse, a sound -as of shivering glass followed, and a small, vague form went over the -fence and shot away in the gloom. - -Not long after, as Tom, all undressed for bed, was surveying his -drenched garments by the light of a tallow dip, Sid woke up; but if he -had any dim idea of making any "references to allusions," he thought -better of it and held his peace, for there was danger in Tom's eye. - -Tom turned in without the added vexation of prayers, and Sid made -mental note of the omission. - - - - - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 1. *** - - - - -Updated editions will replace the previous one—the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away—you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE - -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project Gutenberg™ -electronic works - -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at www.gutenberg.org. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: - - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg™ - -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. - -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit www.gutenberg.org/donate. - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate. - -Section 5. General Information About Project Gutenberg™ electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. - -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org. - -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 2. - -This ebook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this ebook or online -at www.gutenberg.org. If you are not located in the United States, -you will have to check the laws of the country where you are located -before using this eBook. - -Title: The Adventures of Tom Sawyer, Part 2. - -Author: Mark Twain - -Release date: June 29, 2004 [eBook #7194] - Most recently updated: December 30, 2020 - -Language: English - -Credits: Produced by David Widger - - -*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 2. *** - - - - -Produced by David Widger - - - - - THE ADVENTURES OF TOM SAWYER - BY - MARK TWAIN - (Samuel Langhorne Clemens) - - Part 2 - - - -CHAPTER IV - -THE sun rose upon a tranquil world, and beamed down upon the peaceful -village like a benediction. Breakfast over, Aunt Polly had family -worship: it began with a prayer built from the ground up of solid -courses of Scriptural quotations, welded together with a thin mortar of -originality; and from the summit of this she delivered a grim chapter -of the Mosaic Law, as from Sinai. - -Then Tom girded up his loins, so to speak, and went to work to "get -his verses." Sid had learned his lesson days before. Tom bent all his -energies to the memorizing of five verses, and he chose part of the -Sermon on the Mount, because he could find no verses that were shorter. -At the end of half an hour Tom had a vague general idea of his lesson, -but no more, for his mind was traversing the whole field of human -thought, and his hands were busy with distracting recreations. Mary -took his book to hear him recite, and he tried to find his way through -the fog: - -"Blessed are the--a--a--" - -"Poor"-- - -"Yes--poor; blessed are the poor--a--a--" - -"In spirit--" - -"In spirit; blessed are the poor in spirit, for they--they--" - -"THEIRS--" - -"For THEIRS. Blessed are the poor in spirit, for theirs is the kingdom -of heaven. Blessed are they that mourn, for they--they--" - -"Sh--" - -"For they--a--" - -"S, H, A--" - -"For they S, H--Oh, I don't know what it is!" - -"SHALL!" - -"Oh, SHALL! for they shall--for they shall--a--a--shall mourn--a--a-- -blessed are they that shall--they that--a--they that shall mourn, for -they shall--a--shall WHAT? Why don't you tell me, Mary?--what do you -want to be so mean for?" - -"Oh, Tom, you poor thick-headed thing, I'm not teasing you. I wouldn't -do that. You must go and learn it again. Don't you be discouraged, Tom, -you'll manage it--and if you do, I'll give you something ever so nice. -There, now, that's a good boy." - -"All right! What is it, Mary, tell me what it is." - -"Never you mind, Tom. You know if I say it's nice, it is nice." - -"You bet you that's so, Mary. All right, I'll tackle it again." - -And he did "tackle it again"--and under the double pressure of -curiosity and prospective gain he did it with such spirit that he -accomplished a shining success. Mary gave him a brand-new "Barlow" -knife worth twelve and a half cents; and the convulsion of delight that -swept his system shook him to his foundations. True, the knife would -not cut anything, but it was a "sure-enough" Barlow, and there was -inconceivable grandeur in that--though where the Western boys ever got -the idea that such a weapon could possibly be counterfeited to its -injury is an imposing mystery and will always remain so, perhaps. Tom -contrived to scarify the cupboard with it, and was arranging to begin -on the bureau, when he was called off to dress for Sunday-school. - -Mary gave him a tin basin of water and a piece of soap, and he went -outside the door and set the basin on a little bench there; then he -dipped the soap in the water and laid it down; turned up his sleeves; -poured out the water on the ground, gently, and then entered the -kitchen and began to wipe his face diligently on the towel behind the -door. But Mary removed the towel and said: - -"Now ain't you ashamed, Tom. You mustn't be so bad. Water won't hurt -you." - -Tom was a trifle disconcerted. The basin was refilled, and this time -he stood over it a little while, gathering resolution; took in a big -breath and began. When he entered the kitchen presently, with both eyes -shut and groping for the towel with his hands, an honorable testimony -of suds and water was dripping from his face. But when he emerged from -the towel, he was not yet satisfactory, for the clean territory stopped -short at his chin and his jaws, like a mask; below and beyond this line -there was a dark expanse of unirrigated soil that spread downward in -front and backward around his neck. Mary took him in hand, and when she -was done with him he was a man and a brother, without distinction of -color, and his saturated hair was neatly brushed, and its short curls -wrought into a dainty and symmetrical general effect. [He privately -smoothed out the curls, with labor and difficulty, and plastered his -hair close down to his head; for he held curls to be effeminate, and -his own filled his life with bitterness.] Then Mary got out a suit of -his clothing that had been used only on Sundays during two years--they -were simply called his "other clothes"--and so by that we know the -size of his wardrobe. The girl "put him to rights" after he had dressed -himself; she buttoned his neat roundabout up to his chin, turned his -vast shirt collar down over his shoulders, brushed him off and crowned -him with his speckled straw hat. He now looked exceedingly improved and -uncomfortable. He was fully as uncomfortable as he looked; for there -was a restraint about whole clothes and cleanliness that galled him. He -hoped that Mary would forget his shoes, but the hope was blighted; she -coated them thoroughly with tallow, as was the custom, and brought them -out. He lost his temper and said he was always being made to do -everything he didn't want to do. But Mary said, persuasively: - -"Please, Tom--that's a good boy." - -So he got into the shoes snarling. Mary was soon ready, and the three -children set out for Sunday-school--a place that Tom hated with his -whole heart; but Sid and Mary were fond of it. - -Sabbath-school hours were from nine to half-past ten; and then church -service. Two of the children always remained for the sermon -voluntarily, and the other always remained too--for stronger reasons. -The church's high-backed, uncushioned pews would seat about three -hundred persons; the edifice was but a small, plain affair, with a sort -of pine board tree-box on top of it for a steeple. At the door Tom -dropped back a step and accosted a Sunday-dressed comrade: - -"Say, Billy, got a yaller ticket?" - -"Yes." - -"What'll you take for her?" - -"What'll you give?" - -"Piece of lickrish and a fish-hook." - -"Less see 'em." - -Tom exhibited. They were satisfactory, and the property changed hands. -Then Tom traded a couple of white alleys for three red tickets, and -some small trifle or other for a couple of blue ones. He waylaid other -boys as they came, and went on buying tickets of various colors ten or -fifteen minutes longer. He entered the church, now, with a swarm of -clean and noisy boys and girls, proceeded to his seat and started a -quarrel with the first boy that came handy. The teacher, a grave, -elderly man, interfered; then turned his back a moment and Tom pulled a -boy's hair in the next bench, and was absorbed in his book when the boy -turned around; stuck a pin in another boy, presently, in order to hear -him say "Ouch!" and got a new reprimand from his teacher. Tom's whole -class were of a pattern--restless, noisy, and troublesome. When they -came to recite their lessons, not one of them knew his verses -perfectly, but had to be prompted all along. However, they worried -through, and each got his reward--in small blue tickets, each with a -passage of Scripture on it; each blue ticket was pay for two verses of -the recitation. Ten blue tickets equalled a red one, and could be -exchanged for it; ten red tickets equalled a yellow one; for ten yellow -tickets the superintendent gave a very plainly bound Bible (worth forty -cents in those easy times) to the pupil. How many of my readers would -have the industry and application to memorize two thousand verses, even -for a Dore Bible? And yet Mary had acquired two Bibles in this way--it -was the patient work of two years--and a boy of German parentage had -won four or five. He once recited three thousand verses without -stopping; but the strain upon his mental faculties was too great, and -he was little better than an idiot from that day forth--a grievous -misfortune for the school, for on great occasions, before company, the -superintendent (as Tom expressed it) had always made this boy come out -and "spread himself." Only the older pupils managed to keep their -tickets and stick to their tedious work long enough to get a Bible, and -so the delivery of one of these prizes was a rare and noteworthy -circumstance; the successful pupil was so great and conspicuous for -that day that on the spot every scholar's heart was fired with a fresh -ambition that often lasted a couple of weeks. It is possible that Tom's -mental stomach had never really hungered for one of those prizes, but -unquestionably his entire being had for many a day longed for the glory -and the eclat that came with it. - -In due course the superintendent stood up in front of the pulpit, with -a closed hymn-book in his hand and his forefinger inserted between its -leaves, and commanded attention. When a Sunday-school superintendent -makes his customary little speech, a hymn-book in the hand is as -necessary as is the inevitable sheet of music in the hand of a singer -who stands forward on the platform and sings a solo at a concert ---though why, is a mystery: for neither the hymn-book nor the sheet of -music is ever referred to by the sufferer. This superintendent was a -slim creature of thirty-five, with a sandy goatee and short sandy hair; -he wore a stiff standing-collar whose upper edge almost reached his -ears and whose sharp points curved forward abreast the corners of his -mouth--a fence that compelled a straight lookout ahead, and a turning -of the whole body when a side view was required; his chin was propped -on a spreading cravat which was as broad and as long as a bank-note, -and had fringed ends; his boot toes were turned sharply up, in the -fashion of the day, like sleigh-runners--an effect patiently and -laboriously produced by the young men by sitting with their toes -pressed against a wall for hours together. Mr. Walters was very earnest -of mien, and very sincere and honest at heart; and he held sacred -things and places in such reverence, and so separated them from worldly -matters, that unconsciously to himself his Sunday-school voice had -acquired a peculiar intonation which was wholly absent on week-days. He -began after this fashion: - -"Now, children, I want you all to sit up just as straight and pretty -as you can and give me all your attention for a minute or two. There ---that is it. That is the way good little boys and girls should do. I see -one little girl who is looking out of the window--I am afraid she -thinks I am out there somewhere--perhaps up in one of the trees making -a speech to the little birds. [Applausive titter.] I want to tell you -how good it makes me feel to see so many bright, clean little faces -assembled in a place like this, learning to do right and be good." And -so forth and so on. It is not necessary to set down the rest of the -oration. It was of a pattern which does not vary, and so it is familiar -to us all. - -The latter third of the speech was marred by the resumption of fights -and other recreations among certain of the bad boys, and by fidgetings -and whisperings that extended far and wide, washing even to the bases -of isolated and incorruptible rocks like Sid and Mary. But now every -sound ceased suddenly, with the subsidence of Mr. Walters' voice, and -the conclusion of the speech was received with a burst of silent -gratitude. - -A good part of the whispering had been occasioned by an event which -was more or less rare--the entrance of visitors: lawyer Thatcher, -accompanied by a very feeble and aged man; a fine, portly, middle-aged -gentleman with iron-gray hair; and a dignified lady who was doubtless -the latter's wife. The lady was leading a child. Tom had been restless -and full of chafings and repinings; conscience-smitten, too--he could -not meet Amy Lawrence's eye, he could not brook her loving gaze. But -when he saw this small new-comer his soul was all ablaze with bliss in -a moment. The next moment he was "showing off" with all his might ---cuffing boys, pulling hair, making faces--in a word, using every art -that seemed likely to fascinate a girl and win her applause. His -exaltation had but one alloy--the memory of his humiliation in this -angel's garden--and that record in sand was fast washing out, under -the waves of happiness that were sweeping over it now. - -The visitors were given the highest seat of honor, and as soon as Mr. -Walters' speech was finished, he introduced them to the school. The -middle-aged man turned out to be a prodigious personage--no less a one -than the county judge--altogether the most august creation these -children had ever looked upon--and they wondered what kind of material -he was made of--and they half wanted to hear him roar, and were half -afraid he might, too. He was from Constantinople, twelve miles away--so -he had travelled, and seen the world--these very eyes had looked upon -the county court-house--which was said to have a tin roof. The awe -which these reflections inspired was attested by the impressive silence -and the ranks of staring eyes. This was the great Judge Thatcher, -brother of their own lawyer. Jeff Thatcher immediately went forward, to -be familiar with the great man and be envied by the school. It would -have been music to his soul to hear the whisperings: - -"Look at him, Jim! He's a going up there. Say--look! he's a going to -shake hands with him--he IS shaking hands with him! By jings, don't you -wish you was Jeff?" - -Mr. Walters fell to "showing off," with all sorts of official -bustlings and activities, giving orders, delivering judgments, -discharging directions here, there, everywhere that he could find a -target. The librarian "showed off"--running hither and thither with his -arms full of books and making a deal of the splutter and fuss that -insect authority delights in. The young lady teachers "showed off" ---bending sweetly over pupils that were lately being boxed, lifting -pretty warning fingers at bad little boys and patting good ones -lovingly. The young gentlemen teachers "showed off" with small -scoldings and other little displays of authority and fine attention to -discipline--and most of the teachers, of both sexes, found business up -at the library, by the pulpit; and it was business that frequently had -to be done over again two or three times (with much seeming vexation). -The little girls "showed off" in various ways, and the little boys -"showed off" with such diligence that the air was thick with paper wads -and the murmur of scufflings. And above it all the great man sat and -beamed a majestic judicial smile upon all the house, and warmed himself -in the sun of his own grandeur--for he was "showing off," too. - -There was only one thing wanting to make Mr. Walters' ecstasy -complete, and that was a chance to deliver a Bible-prize and exhibit a -prodigy. Several pupils had a few yellow tickets, but none had enough ---he had been around among the star pupils inquiring. He would have given -worlds, now, to have that German lad back again with a sound mind. - -And now at this moment, when hope was dead, Tom Sawyer came forward -with nine yellow tickets, nine red tickets, and ten blue ones, and -demanded a Bible. This was a thunderbolt out of a clear sky. Walters -was not expecting an application from this source for the next ten -years. But there was no getting around it--here were the certified -checks, and they were good for their face. Tom was therefore elevated -to a place with the Judge and the other elect, and the great news was -announced from headquarters. It was the most stunning surprise of the -decade, and so profound was the sensation that it lifted the new hero -up to the judicial one's altitude, and the school had two marvels to -gaze upon in place of one. The boys were all eaten up with envy--but -those that suffered the bitterest pangs were those who perceived too -late that they themselves had contributed to this hated splendor by -trading tickets to Tom for the wealth he had amassed in selling -whitewashing privileges. These despised themselves, as being the dupes -of a wily fraud, a guileful snake in the grass. - -The prize was delivered to Tom with as much effusion as the -superintendent could pump up under the circumstances; but it lacked -somewhat of the true gush, for the poor fellow's instinct taught him -that there was a mystery here that could not well bear the light, -perhaps; it was simply preposterous that this boy had warehoused two -thousand sheaves of Scriptural wisdom on his premises--a dozen would -strain his capacity, without a doubt. - -Amy Lawrence was proud and glad, and she tried to make Tom see it in -her face--but he wouldn't look. She wondered; then she was just a grain -troubled; next a dim suspicion came and went--came again; she watched; -a furtive glance told her worlds--and then her heart broke, and she was -jealous, and angry, and the tears came and she hated everybody. Tom -most of all (she thought). - -Tom was introduced to the Judge; but his tongue was tied, his breath -would hardly come, his heart quaked--partly because of the awful -greatness of the man, but mainly because he was her parent. He would -have liked to fall down and worship him, if it were in the dark. The -Judge put his hand on Tom's head and called him a fine little man, and -asked him what his name was. The boy stammered, gasped, and got it out: - -"Tom." - -"Oh, no, not Tom--it is--" - -"Thomas." - -"Ah, that's it. I thought there was more to it, maybe. That's very -well. But you've another one I daresay, and you'll tell it to me, won't -you?" - -"Tell the gentleman your other name, Thomas," said Walters, "and say -sir. You mustn't forget your manners." - -"Thomas Sawyer--sir." - -"That's it! That's a good boy. Fine boy. Fine, manly little fellow. -Two thousand verses is a great many--very, very great many. And you -never can be sorry for the trouble you took to learn them; for -knowledge is worth more than anything there is in the world; it's what -makes great men and good men; you'll be a great man and a good man -yourself, some day, Thomas, and then you'll look back and say, It's all -owing to the precious Sunday-school privileges of my boyhood--it's all -owing to my dear teachers that taught me to learn--it's all owing to -the good superintendent, who encouraged me, and watched over me, and -gave me a beautiful Bible--a splendid elegant Bible--to keep and have -it all for my own, always--it's all owing to right bringing up! That is -what you will say, Thomas--and you wouldn't take any money for those -two thousand verses--no indeed you wouldn't. And now you wouldn't mind -telling me and this lady some of the things you've learned--no, I know -you wouldn't--for we are proud of little boys that learn. Now, no -doubt you know the names of all the twelve disciples. Won't you tell us -the names of the first two that were appointed?" - -Tom was tugging at a button-hole and looking sheepish. He blushed, -now, and his eyes fell. Mr. Walters' heart sank within him. He said to -himself, it is not possible that the boy can answer the simplest -question--why DID the Judge ask him? Yet he felt obliged to speak up -and say: - -"Answer the gentleman, Thomas--don't be afraid." - -Tom still hung fire. - -"Now I know you'll tell me," said the lady. "The names of the first -two disciples were--" - -"DAVID AND GOLIAH!" - -Let us draw the curtain of charity over the rest of the scene. - - - -CHAPTER V - -ABOUT half-past ten the cracked bell of the small church began to -ring, and presently the people began to gather for the morning sermon. -The Sunday-school children distributed themselves about the house and -occupied pews with their parents, so as to be under supervision. Aunt -Polly came, and Tom and Sid and Mary sat with her--Tom being placed -next the aisle, in order that he might be as far away from the open -window and the seductive outside summer scenes as possible. The crowd -filed up the aisles: the aged and needy postmaster, who had seen better -days; the mayor and his wife--for they had a mayor there, among other -unnecessaries; the justice of the peace; the widow Douglass, fair, -smart, and forty, a generous, good-hearted soul and well-to-do, her -hill mansion the only palace in the town, and the most hospitable and -much the most lavish in the matter of festivities that St. Petersburg -could boast; the bent and venerable Major and Mrs. Ward; lawyer -Riverson, the new notable from a distance; next the belle of the -village, followed by a troop of lawn-clad and ribbon-decked young -heart-breakers; then all the young clerks in town in a body--for they -had stood in the vestibule sucking their cane-heads, a circling wall of -oiled and simpering admirers, till the last girl had run their gantlet; -and last of all came the Model Boy, Willie Mufferson, taking as heedful -care of his mother as if she were cut glass. He always brought his -mother to church, and was the pride of all the matrons. The boys all -hated him, he was so good. And besides, he had been "thrown up to them" -so much. His white handkerchief was hanging out of his pocket behind, as -usual on Sundays--accidentally. Tom had no handkerchief, and he looked -upon boys who had as snobs. - -The congregation being fully assembled, now, the bell rang once more, -to warn laggards and stragglers, and then a solemn hush fell upon the -church which was only broken by the tittering and whispering of the -choir in the gallery. The choir always tittered and whispered all -through service. There was once a church choir that was not ill-bred, -but I have forgotten where it was, now. It was a great many years ago, -and I can scarcely remember anything about it, but I think it was in -some foreign country. - -The minister gave out the hymn, and read it through with a relish, in -a peculiar style which was much admired in that part of the country. -His voice began on a medium key and climbed steadily up till it reached -a certain point, where it bore with strong emphasis upon the topmost -word and then plunged down as if from a spring-board: - - Shall I be car-ri-ed toe the skies, on flow'ry BEDS of ease, - - Whilst others fight to win the prize, and sail thro' BLOODY seas? - -He was regarded as a wonderful reader. At church "sociables" he was -always called upon to read poetry; and when he was through, the ladies -would lift up their hands and let them fall helplessly in their laps, -and "wall" their eyes, and shake their heads, as much as to say, "Words -cannot express it; it is too beautiful, TOO beautiful for this mortal -earth." - -After the hymn had been sung, the Rev. Mr. Sprague turned himself into -a bulletin-board, and read off "notices" of meetings and societies and -things till it seemed that the list would stretch out to the crack of -doom--a queer custom which is still kept up in America, even in cities, -away here in this age of abundant newspapers. Often, the less there is -to justify a traditional custom, the harder it is to get rid of it. - -And now the minister prayed. A good, generous prayer it was, and went -into details: it pleaded for the church, and the little children of the -church; for the other churches of the village; for the village itself; -for the county; for the State; for the State officers; for the United -States; for the churches of the United States; for Congress; for the -President; for the officers of the Government; for poor sailors, tossed -by stormy seas; for the oppressed millions groaning under the heel of -European monarchies and Oriental despotisms; for such as have the light -and the good tidings, and yet have not eyes to see nor ears to hear -withal; for the heathen in the far islands of the sea; and closed with -a supplication that the words he was about to speak might find grace -and favor, and be as seed sown in fertile ground, yielding in time a -grateful harvest of good. Amen. - -There was a rustling of dresses, and the standing congregation sat -down. The boy whose history this book relates did not enjoy the prayer, -he only endured it--if he even did that much. He was restive all -through it; he kept tally of the details of the prayer, unconsciously ---for he was not listening, but he knew the ground of old, and the -clergyman's regular route over it--and when a little trifle of new -matter was interlarded, his ear detected it and his whole nature -resented it; he considered additions unfair, and scoundrelly. In the -midst of the prayer a fly had lit on the back of the pew in front of -him and tortured his spirit by calmly rubbing its hands together, -embracing its head with its arms, and polishing it so vigorously that -it seemed to almost part company with the body, and the slender thread -of a neck was exposed to view; scraping its wings with its hind legs -and smoothing them to its body as if they had been coat-tails; going -through its whole toilet as tranquilly as if it knew it was perfectly -safe. As indeed it was; for as sorely as Tom's hands itched to grab for -it they did not dare--he believed his soul would be instantly destroyed -if he did such a thing while the prayer was going on. But with the -closing sentence his hand began to curve and steal forward; and the -instant the "Amen" was out the fly was a prisoner of war. His aunt -detected the act and made him let it go. - -The minister gave out his text and droned along monotonously through -an argument that was so prosy that many a head by and by began to nod ---and yet it was an argument that dealt in limitless fire and brimstone -and thinned the predestined elect down to a company so small as to be -hardly worth the saving. Tom counted the pages of the sermon; after -church he always knew how many pages there had been, but he seldom knew -anything else about the discourse. However, this time he was really -interested for a little while. The minister made a grand and moving -picture of the assembling together of the world's hosts at the -millennium when the lion and the lamb should lie down together and a -little child should lead them. But the pathos, the lesson, the moral of -the great spectacle were lost upon the boy; he only thought of the -conspicuousness of the principal character before the on-looking -nations; his face lit with the thought, and he said to himself that he -wished he could be that child, if it was a tame lion. - -Now he lapsed into suffering again, as the dry argument was resumed. -Presently he bethought him of a treasure he had and got it out. It was -a large black beetle with formidable jaws--a "pinchbug," he called it. -It was in a percussion-cap box. The first thing the beetle did was to -take him by the finger. A natural fillip followed, the beetle went -floundering into the aisle and lit on its back, and the hurt finger -went into the boy's mouth. The beetle lay there working its helpless -legs, unable to turn over. Tom eyed it, and longed for it; but it was -safe out of his reach. Other people uninterested in the sermon found -relief in the beetle, and they eyed it too. Presently a vagrant poodle -dog came idling along, sad at heart, lazy with the summer softness and -the quiet, weary of captivity, sighing for change. He spied the beetle; -the drooping tail lifted and wagged. He surveyed the prize; walked -around it; smelt at it from a safe distance; walked around it again; -grew bolder, and took a closer smell; then lifted his lip and made a -gingerly snatch at it, just missing it; made another, and another; -began to enjoy the diversion; subsided to his stomach with the beetle -between his paws, and continued his experiments; grew weary at last, -and then indifferent and absent-minded. His head nodded, and little by -little his chin descended and touched the enemy, who seized it. There -was a sharp yelp, a flirt of the poodle's head, and the beetle fell a -couple of yards away, and lit on its back once more. The neighboring -spectators shook with a gentle inward joy, several faces went behind -fans and handkerchiefs, and Tom was entirely happy. The dog looked -foolish, and probably felt so; but there was resentment in his heart, -too, and a craving for revenge. So he went to the beetle and began a -wary attack on it again; jumping at it from every point of a circle, -lighting with his fore-paws within an inch of the creature, making even -closer snatches at it with his teeth, and jerking his head till his -ears flapped again. But he grew tired once more, after a while; tried -to amuse himself with a fly but found no relief; followed an ant -around, with his nose close to the floor, and quickly wearied of that; -yawned, sighed, forgot the beetle entirely, and sat down on it. Then -there was a wild yelp of agony and the poodle went sailing up the -aisle; the yelps continued, and so did the dog; he crossed the house in -front of the altar; he flew down the other aisle; he crossed before the -doors; he clamored up the home-stretch; his anguish grew with his -progress, till presently he was but a woolly comet moving in its orbit -with the gleam and the speed of light. At last the frantic sufferer -sheered from its course, and sprang into its master's lap; he flung it -out of the window, and the voice of distress quickly thinned away and -died in the distance. - -By this time the whole church was red-faced and suffocating with -suppressed laughter, and the sermon had come to a dead standstill. The -discourse was resumed presently, but it went lame and halting, all -possibility of impressiveness being at an end; for even the gravest -sentiments were constantly being received with a smothered burst of -unholy mirth, under cover of some remote pew-back, as if the poor -parson had said a rarely facetious thing. It was a genuine relief to -the whole congregation when the ordeal was over and the benediction -pronounced. - -Tom Sawyer went home quite cheerful, thinking to himself that there -was some satisfaction about divine service when there was a bit of -variety in it. He had but one marring thought; he was willing that the -dog should play with his pinchbug, but he did not think it was upright -in him to carry it off. - - - -CHAPTER VI - -MONDAY morning found Tom Sawyer miserable. Monday morning always found -him so--because it began another week's slow suffering in school. He -generally began that day with wishing he had had no intervening -holiday, it made the going into captivity and fetters again so much -more odious. - -Tom lay thinking. Presently it occurred to him that he wished he was -sick; then he could stay home from school. Here was a vague -possibility. He canvassed his system. No ailment was found, and he -investigated again. This time he thought he could detect colicky -symptoms, and he began to encourage them with considerable hope. But -they soon grew feeble, and presently died wholly away. He reflected -further. Suddenly he discovered something. One of his upper front teeth -was loose. This was lucky; he was about to begin to groan, as a -"starter," as he called it, when it occurred to him that if he came -into court with that argument, his aunt would pull it out, and that -would hurt. So he thought he would hold the tooth in reserve for the -present, and seek further. Nothing offered for some little time, and -then he remembered hearing the doctor tell about a certain thing that -laid up a patient for two or three weeks and threatened to make him -lose a finger. So the boy eagerly drew his sore toe from under the -sheet and held it up for inspection. But now he did not know the -necessary symptoms. However, it seemed well worth while to chance it, -so he fell to groaning with considerable spirit. - -But Sid slept on unconscious. - -Tom groaned louder, and fancied that he began to feel pain in the toe. - -No result from Sid. - -Tom was panting with his exertions by this time. He took a rest and -then swelled himself up and fetched a succession of admirable groans. - -Sid snored on. - -Tom was aggravated. He said, "Sid, Sid!" and shook him. This course -worked well, and Tom began to groan again. Sid yawned, stretched, then -brought himself up on his elbow with a snort, and began to stare at -Tom. Tom went on groaning. Sid said: - -"Tom! Say, Tom!" [No response.] "Here, Tom! TOM! What is the matter, -Tom?" And he shook him and looked in his face anxiously. - -Tom moaned out: - -"Oh, don't, Sid. Don't joggle me." - -"Why, what's the matter, Tom? I must call auntie." - -"No--never mind. It'll be over by and by, maybe. Don't call anybody." - -"But I must! DON'T groan so, Tom, it's awful. How long you been this -way?" - -"Hours. Ouch! Oh, don't stir so, Sid, you'll kill me." - -"Tom, why didn't you wake me sooner? Oh, Tom, DON'T! It makes my -flesh crawl to hear you. Tom, what is the matter?" - -"I forgive you everything, Sid. [Groan.] Everything you've ever done -to me. When I'm gone--" - -"Oh, Tom, you ain't dying, are you? Don't, Tom--oh, don't. Maybe--" - -"I forgive everybody, Sid. [Groan.] Tell 'em so, Sid. And Sid, you -give my window-sash and my cat with one eye to that new girl that's -come to town, and tell her--" - -But Sid had snatched his clothes and gone. Tom was suffering in -reality, now, so handsomely was his imagination working, and so his -groans had gathered quite a genuine tone. - -Sid flew down-stairs and said: - -"Oh, Aunt Polly, come! Tom's dying!" - -"Dying!" - -"Yes'm. Don't wait--come quick!" - -"Rubbage! I don't believe it!" - -But she fled up-stairs, nevertheless, with Sid and Mary at her heels. -And her face grew white, too, and her lip trembled. When she reached -the bedside she gasped out: - -"You, Tom! Tom, what's the matter with you?" - -"Oh, auntie, I'm--" - -"What's the matter with you--what is the matter with you, child?" - -"Oh, auntie, my sore toe's mortified!" - -The old lady sank down into a chair and laughed a little, then cried a -little, then did both together. This restored her and she said: - -"Tom, what a turn you did give me. Now you shut up that nonsense and -climb out of this." - -The groans ceased and the pain vanished from the toe. The boy felt a -little foolish, and he said: - -"Aunt Polly, it SEEMED mortified, and it hurt so I never minded my -tooth at all." - -"Your tooth, indeed! What's the matter with your tooth?" - -"One of them's loose, and it aches perfectly awful." - -"There, there, now, don't begin that groaning again. Open your mouth. -Well--your tooth IS loose, but you're not going to die about that. -Mary, get me a silk thread, and a chunk of fire out of the kitchen." - -Tom said: - -"Oh, please, auntie, don't pull it out. It don't hurt any more. I wish -I may never stir if it does. Please don't, auntie. I don't want to stay -home from school." - -"Oh, you don't, don't you? So all this row was because you thought -you'd get to stay home from school and go a-fishing? Tom, Tom, I love -you so, and you seem to try every way you can to break my old heart -with your outrageousness." By this time the dental instruments were -ready. The old lady made one end of the silk thread fast to Tom's tooth -with a loop and tied the other to the bedpost. Then she seized the -chunk of fire and suddenly thrust it almost into the boy's face. The -tooth hung dangling by the bedpost, now. - -But all trials bring their compensations. As Tom wended to school -after breakfast, he was the envy of every boy he met because the gap in -his upper row of teeth enabled him to expectorate in a new and -admirable way. He gathered quite a following of lads interested in the -exhibition; and one that had cut his finger and had been a centre of -fascination and homage up to this time, now found himself suddenly -without an adherent, and shorn of his glory. His heart was heavy, and -he said with a disdain which he did not feel that it wasn't anything to -spit like Tom Sawyer; but another boy said, "Sour grapes!" and he -wandered away a dismantled hero. - -Shortly Tom came upon the juvenile pariah of the village, Huckleberry -Finn, son of the town drunkard. Huckleberry was cordially hated and -dreaded by all the mothers of the town, because he was idle and lawless -and vulgar and bad--and because all their children admired him so, and -delighted in his forbidden society, and wished they dared to be like -him. Tom was like the rest of the respectable boys, in that he envied -Huckleberry his gaudy outcast condition, and was under strict orders -not to play with him. So he played with him every time he got a chance. -Huckleberry was always dressed in the cast-off clothes of full-grown -men, and they were in perennial bloom and fluttering with rags. His hat -was a vast ruin with a wide crescent lopped out of its brim; his coat, -when he wore one, hung nearly to his heels and had the rearward buttons -far down the back; but one suspender supported his trousers; the seat -of the trousers bagged low and contained nothing, the fringed legs -dragged in the dirt when not rolled up. - -Huckleberry came and went, at his own free will. He slept on doorsteps -in fine weather and in empty hogsheads in wet; he did not have to go to -school or to church, or call any being master or obey anybody; he could -go fishing or swimming when and where he chose, and stay as long as it -suited him; nobody forbade him to fight; he could sit up as late as he -pleased; he was always the first boy that went barefoot in the spring -and the last to resume leather in the fall; he never had to wash, nor -put on clean clothes; he could swear wonderfully. In a word, everything -that goes to make life precious that boy had. So thought every -harassed, hampered, respectable boy in St. Petersburg. - -Tom hailed the romantic outcast: - -"Hello, Huckleberry!" - -"Hello yourself, and see how you like it." - -"What's that you got?" - -"Dead cat." - -"Lemme see him, Huck. My, he's pretty stiff. Where'd you get him ?" - -"Bought him off'n a boy." - -"What did you give?" - -"I give a blue ticket and a bladder that I got at the slaughter-house." - -"Where'd you get the blue ticket?" - -"Bought it off'n Ben Rogers two weeks ago for a hoop-stick." - -"Say--what is dead cats good for, Huck?" - -"Good for? Cure warts with." - -"No! Is that so? I know something that's better." - -"I bet you don't. What is it?" - -"Why, spunk-water." - -"Spunk-water! I wouldn't give a dern for spunk-water." - -"You wouldn't, wouldn't you? D'you ever try it?" - -"No, I hain't. But Bob Tanner did." - -"Who told you so!" - -"Why, he told Jeff Thatcher, and Jeff told Johnny Baker, and Johnny -told Jim Hollis, and Jim told Ben Rogers, and Ben told a nigger, and -the nigger told me. There now!" - -"Well, what of it? They'll all lie. Leastways all but the nigger. I -don't know HIM. But I never see a nigger that WOULDN'T lie. Shucks! Now -you tell me how Bob Tanner done it, Huck." - -"Why, he took and dipped his hand in a rotten stump where the -rain-water was." - -"In the daytime?" - -"Certainly." - -"With his face to the stump?" - -"Yes. Least I reckon so." - -"Did he say anything?" - -"I don't reckon he did. I don't know." - -"Aha! Talk about trying to cure warts with spunk-water such a blame -fool way as that! Why, that ain't a-going to do any good. You got to go -all by yourself, to the middle of the woods, where you know there's a -spunk-water stump, and just as it's midnight you back up against the -stump and jam your hand in and say: - - 'Barley-corn, barley-corn, injun-meal shorts, - Spunk-water, spunk-water, swaller these warts,' - -and then walk away quick, eleven steps, with your eyes shut, and then -turn around three times and walk home without speaking to anybody. -Because if you speak the charm's busted." - -"Well, that sounds like a good way; but that ain't the way Bob Tanner -done." - -"No, sir, you can bet he didn't, becuz he's the wartiest boy in this -town; and he wouldn't have a wart on him if he'd knowed how to work -spunk-water. I've took off thousands of warts off of my hands that way, -Huck. I play with frogs so much that I've always got considerable many -warts. Sometimes I take 'em off with a bean." - -"Yes, bean's good. I've done that." - -"Have you? What's your way?" - -"You take and split the bean, and cut the wart so as to get some -blood, and then you put the blood on one piece of the bean and take and -dig a hole and bury it 'bout midnight at the crossroads in the dark of -the moon, and then you burn up the rest of the bean. You see that piece -that's got the blood on it will keep drawing and drawing, trying to -fetch the other piece to it, and so that helps the blood to draw the -wart, and pretty soon off she comes." - -"Yes, that's it, Huck--that's it; though when you're burying it if you -say 'Down bean; off wart; come no more to bother me!' it's better. -That's the way Joe Harper does, and he's been nearly to Coonville and -most everywheres. But say--how do you cure 'em with dead cats?" - -"Why, you take your cat and go and get in the graveyard 'long about -midnight when somebody that was wicked has been buried; and when it's -midnight a devil will come, or maybe two or three, but you can't see -'em, you can only hear something like the wind, or maybe hear 'em talk; -and when they're taking that feller away, you heave your cat after 'em -and say, 'Devil follow corpse, cat follow devil, warts follow cat, I'm -done with ye!' That'll fetch ANY wart." - -"Sounds right. D'you ever try it, Huck?" - -"No, but old Mother Hopkins told me." - -"Well, I reckon it's so, then. Becuz they say she's a witch." - -"Say! Why, Tom, I KNOW she is. She witched pap. Pap says so his own -self. He come along one day, and he see she was a-witching him, so he -took up a rock, and if she hadn't dodged, he'd a got her. Well, that -very night he rolled off'n a shed wher' he was a layin drunk, and broke -his arm." - -"Why, that's awful. How did he know she was a-witching him?" - -"Lord, pap can tell, easy. Pap says when they keep looking at you -right stiddy, they're a-witching you. Specially if they mumble. Becuz -when they mumble they're saying the Lord's Prayer backards." - -"Say, Hucky, when you going to try the cat?" - -"To-night. I reckon they'll come after old Hoss Williams to-night." - -"But they buried him Saturday. Didn't they get him Saturday night?" - -"Why, how you talk! How could their charms work till midnight?--and -THEN it's Sunday. Devils don't slosh around much of a Sunday, I don't -reckon." - -"I never thought of that. That's so. Lemme go with you?" - -"Of course--if you ain't afeard." - -"Afeard! 'Tain't likely. Will you meow?" - -"Yes--and you meow back, if you get a chance. Last time, you kep' me -a-meowing around till old Hays went to throwing rocks at me and says -'Dern that cat!' and so I hove a brick through his window--but don't -you tell." - -"I won't. I couldn't meow that night, becuz auntie was watching me, -but I'll meow this time. Say--what's that?" - -"Nothing but a tick." - -"Where'd you get him?" - -"Out in the woods." - -"What'll you take for him?" - -"I don't know. I don't want to sell him." - -"All right. It's a mighty small tick, anyway." - -"Oh, anybody can run a tick down that don't belong to them. I'm -satisfied with it. It's a good enough tick for me." - -"Sho, there's ticks a plenty. I could have a thousand of 'em if I -wanted to." - -"Well, why don't you? Becuz you know mighty well you can't. This is a -pretty early tick, I reckon. It's the first one I've seen this year." - -"Say, Huck--I'll give you my tooth for him." - -"Less see it." - -Tom got out a bit of paper and carefully unrolled it. Huckleberry -viewed it wistfully. The temptation was very strong. At last he said: - -"Is it genuwyne?" - -Tom lifted his lip and showed the vacancy. - -"Well, all right," said Huckleberry, "it's a trade." - -Tom enclosed the tick in the percussion-cap box that had lately been -the pinchbug's prison, and the boys separated, each feeling wealthier -than before. - -When Tom reached the little isolated frame schoolhouse, he strode in -briskly, with the manner of one who had come with all honest speed. -He hung his hat on a peg and flung himself into his seat with -business-like alacrity. The master, throned on high in his great -splint-bottom arm-chair, was dozing, lulled by the drowsy hum of study. -The interruption roused him. - -"Thomas Sawyer!" - -Tom knew that when his name was pronounced in full, it meant trouble. - -"Sir!" - -"Come up here. Now, sir, why are you late again, as usual?" - -Tom was about to take refuge in a lie, when he saw two long tails of -yellow hair hanging down a back that he recognized by the electric -sympathy of love; and by that form was THE ONLY VACANT PLACE on the -girls' side of the schoolhouse. He instantly said: - -"I STOPPED TO TALK WITH HUCKLEBERRY FINN!" - -The master's pulse stood still, and he stared helplessly. The buzz of -study ceased. The pupils wondered if this foolhardy boy had lost his -mind. The master said: - -"You--you did what?" - -"Stopped to talk with Huckleberry Finn." - -There was no mistaking the words. - -"Thomas Sawyer, this is the most astounding confession I have ever -listened to. No mere ferule will answer for this offence. Take off your -jacket." - -The master's arm performed until it was tired and the stock of -switches notably diminished. Then the order followed: - -"Now, sir, go and sit with the girls! And let this be a warning to you." - -The titter that rippled around the room appeared to abash the boy, but -in reality that result was caused rather more by his worshipful awe of -his unknown idol and the dread pleasure that lay in his high good -fortune. He sat down upon the end of the pine bench and the girl -hitched herself away from him with a toss of her head. Nudges and winks -and whispers traversed the room, but Tom sat still, with his arms upon -the long, low desk before him, and seemed to study his book. - -By and by attention ceased from him, and the accustomed school murmur -rose upon the dull air once more. Presently the boy began to steal -furtive glances at the girl. She observed it, "made a mouth" at him and -gave him the back of her head for the space of a minute. When she -cautiously faced around again, a peach lay before her. She thrust it -away. Tom gently put it back. She thrust it away again, but with less -animosity. Tom patiently returned it to its place. Then she let it -remain. Tom scrawled on his slate, "Please take it--I got more." The -girl glanced at the words, but made no sign. Now the boy began to draw -something on the slate, hiding his work with his left hand. For a time -the girl refused to notice; but her human curiosity presently began to -manifest itself by hardly perceptible signs. The boy worked on, -apparently unconscious. The girl made a sort of noncommittal attempt to -see, but the boy did not betray that he was aware of it. At last she -gave in and hesitatingly whispered: - -"Let me see it." - -Tom partly uncovered a dismal caricature of a house with two gable -ends to it and a corkscrew of smoke issuing from the chimney. Then the -girl's interest began to fasten itself upon the work and she forgot -everything else. When it was finished, she gazed a moment, then -whispered: - -"It's nice--make a man." - -The artist erected a man in the front yard, that resembled a derrick. -He could have stepped over the house; but the girl was not -hypercritical; she was satisfied with the monster, and whispered: - -"It's a beautiful man--now make me coming along." - -Tom drew an hour-glass with a full moon and straw limbs to it and -armed the spreading fingers with a portentous fan. The girl said: - -"It's ever so nice--I wish I could draw." - -"It's easy," whispered Tom, "I'll learn you." - -"Oh, will you? When?" - -"At noon. Do you go home to dinner?" - -"I'll stay if you will." - -"Good--that's a whack. What's your name?" - -"Becky Thatcher. What's yours? Oh, I know. It's Thomas Sawyer." - -"That's the name they lick me by. I'm Tom when I'm good. You call me -Tom, will you?" - -"Yes." - -Now Tom began to scrawl something on the slate, hiding the words from -the girl. But she was not backward this time. She begged to see. Tom -said: - -"Oh, it ain't anything." - -"Yes it is." - -"No it ain't. You don't want to see." - -"Yes I do, indeed I do. Please let me." - -"You'll tell." - -"No I won't--deed and deed and double deed won't." - -"You won't tell anybody at all? Ever, as long as you live?" - -"No, I won't ever tell ANYbody. Now let me." - -"Oh, YOU don't want to see!" - -"Now that you treat me so, I WILL see." And she put her small hand -upon his and a little scuffle ensued, Tom pretending to resist in -earnest but letting his hand slip by degrees till these words were -revealed: "I LOVE YOU." - -"Oh, you bad thing!" And she hit his hand a smart rap, but reddened -and looked pleased, nevertheless. - -Just at this juncture the boy felt a slow, fateful grip closing on his -ear, and a steady lifting impulse. In that vise he was borne across the -house and deposited in his own seat, under a peppering fire of giggles -from the whole school. Then the master stood over him during a few -awful moments, and finally moved away to his throne without saying a -word. But although Tom's ear tingled, his heart was jubilant. - -As the school quieted down Tom made an honest effort to study, but the -turmoil within him was too great. In turn he took his place in the -reading class and made a botch of it; then in the geography class and -turned lakes into mountains, mountains into rivers, and rivers into -continents, till chaos was come again; then in the spelling class, and -got "turned down," by a succession of mere baby words, till he brought -up at the foot and yielded up the pewter medal which he had worn with -ostentation for months. - - - -CHAPTER VII - -THE harder Tom tried to fasten his mind on his book, the more his -ideas wandered. So at last, with a sigh and a yawn, he gave it up. It -seemed to him that the noon recess would never come. The air was -utterly dead. There was not a breath stirring. It was the sleepiest of -sleepy days. The drowsing murmur of the five and twenty studying -scholars soothed the soul like the spell that is in the murmur of bees. -Away off in the flaming sunshine, Cardiff Hill lifted its soft green -sides through a shimmering veil of heat, tinted with the purple of -distance; a few birds floated on lazy wing high in the air; no other -living thing was visible but some cows, and they were asleep. Tom's -heart ached to be free, or else to have something of interest to do to -pass the dreary time. His hand wandered into his pocket and his face -lit up with a glow of gratitude that was prayer, though he did not know -it. Then furtively the percussion-cap box came out. He released the -tick and put him on the long flat desk. The creature probably glowed -with a gratitude that amounted to prayer, too, at this moment, but it -was premature: for when he started thankfully to travel off, Tom turned -him aside with a pin and made him take a new direction. - -Tom's bosom friend sat next him, suffering just as Tom had been, and -now he was deeply and gratefully interested in this entertainment in an -instant. This bosom friend was Joe Harper. The two boys were sworn -friends all the week, and embattled enemies on Saturdays. Joe took a -pin out of his lapel and began to assist in exercising the prisoner. -The sport grew in interest momently. Soon Tom said that they were -interfering with each other, and neither getting the fullest benefit of -the tick. So he put Joe's slate on the desk and drew a line down the -middle of it from top to bottom. - -"Now," said he, "as long as he is on your side you can stir him up and -I'll let him alone; but if you let him get away and get on my side, -you're to leave him alone as long as I can keep him from crossing over." - -"All right, go ahead; start him up." - -The tick escaped from Tom, presently, and crossed the equator. Joe -harassed him awhile, and then he got away and crossed back again. This -change of base occurred often. While one boy was worrying the tick with -absorbing interest, the other would look on with interest as strong, -the two heads bowed together over the slate, and the two souls dead to -all things else. At last luck seemed to settle and abide with Joe. The -tick tried this, that, and the other course, and got as excited and as -anxious as the boys themselves, but time and again just as he would -have victory in his very grasp, so to speak, and Tom's fingers would be -twitching to begin, Joe's pin would deftly head him off, and keep -possession. At last Tom could stand it no longer. The temptation was -too strong. So he reached out and lent a hand with his pin. Joe was -angry in a moment. Said he: - -"Tom, you let him alone." - -"I only just want to stir him up a little, Joe." - -"No, sir, it ain't fair; you just let him alone." - -"Blame it, I ain't going to stir him much." - -"Let him alone, I tell you." - -"I won't!" - -"You shall--he's on my side of the line." - -"Look here, Joe Harper, whose is that tick?" - -"I don't care whose tick he is--he's on my side of the line, and you -sha'n't touch him." - -"Well, I'll just bet I will, though. He's my tick and I'll do what I -blame please with him, or die!" - -A tremendous whack came down on Tom's shoulders, and its duplicate on -Joe's; and for the space of two minutes the dust continued to fly from -the two jackets and the whole school to enjoy it. The boys had been too -absorbed to notice the hush that had stolen upon the school awhile -before when the master came tiptoeing down the room and stood over -them. He had contemplated a good part of the performance before he -contributed his bit of variety to it. - -When school broke up at noon, Tom flew to Becky Thatcher, and -whispered in her ear: - -"Put on your bonnet and let on you're going home; and when you get to -the corner, give the rest of 'em the slip, and turn down through the -lane and come back. I'll go the other way and come it over 'em the same -way." - -So the one went off with one group of scholars, and the other with -another. In a little while the two met at the bottom of the lane, and -when they reached the school they had it all to themselves. Then they -sat together, with a slate before them, and Tom gave Becky the pencil -and held her hand in his, guiding it, and so created another surprising -house. When the interest in art began to wane, the two fell to talking. -Tom was swimming in bliss. He said: - -"Do you love rats?" - -"No! I hate them!" - -"Well, I do, too--LIVE ones. But I mean dead ones, to swing round your -head with a string." - -"No, I don't care for rats much, anyway. What I like is chewing-gum." - -"Oh, I should say so! I wish I had some now." - -"Do you? I've got some. I'll let you chew it awhile, but you must give -it back to me." - -That was agreeable, so they chewed it turn about, and dangled their -legs against the bench in excess of contentment. - -"Was you ever at a circus?" said Tom. - -"Yes, and my pa's going to take me again some time, if I'm good." - -"I been to the circus three or four times--lots of times. Church ain't -shucks to a circus. There's things going on at a circus all the time. -I'm going to be a clown in a circus when I grow up." - -"Oh, are you! That will be nice. They're so lovely, all spotted up." - -"Yes, that's so. And they get slathers of money--most a dollar a day, -Ben Rogers says. Say, Becky, was you ever engaged?" - -"What's that?" - -"Why, engaged to be married." - -"No." - -"Would you like to?" - -"I reckon so. I don't know. What is it like?" - -"Like? Why it ain't like anything. You only just tell a boy you won't -ever have anybody but him, ever ever ever, and then you kiss and that's -all. Anybody can do it." - -"Kiss? What do you kiss for?" - -"Why, that, you know, is to--well, they always do that." - -"Everybody?" - -"Why, yes, everybody that's in love with each other. Do you remember -what I wrote on the slate?" - -"Ye--yes." - -"What was it?" - -"I sha'n't tell you." - -"Shall I tell YOU?" - -"Ye--yes--but some other time." - -"No, now." - -"No, not now--to-morrow." - -"Oh, no, NOW. Please, Becky--I'll whisper it, I'll whisper it ever so -easy." - -Becky hesitating, Tom took silence for consent, and passed his arm -about her waist and whispered the tale ever so softly, with his mouth -close to her ear. And then he added: - -"Now you whisper it to me--just the same." - -She resisted, for a while, and then said: - -"You turn your face away so you can't see, and then I will. But you -mustn't ever tell anybody--WILL you, Tom? Now you won't, WILL you?" - -"No, indeed, indeed I won't. Now, Becky." - -He turned his face away. She bent timidly around till her breath -stirred his curls and whispered, "I--love--you!" - -Then she sprang away and ran around and around the desks and benches, -with Tom after her, and took refuge in a corner at last, with her -little white apron to her face. Tom clasped her about her neck and -pleaded: - -"Now, Becky, it's all done--all over but the kiss. Don't you be afraid -of that--it ain't anything at all. Please, Becky." And he tugged at her -apron and the hands. - -By and by she gave up, and let her hands drop; her face, all glowing -with the struggle, came up and submitted. Tom kissed the red lips and -said: - -"Now it's all done, Becky. And always after this, you know, you ain't -ever to love anybody but me, and you ain't ever to marry anybody but -me, ever never and forever. Will you?" - -"No, I'll never love anybody but you, Tom, and I'll never marry -anybody but you--and you ain't to ever marry anybody but me, either." - -"Certainly. Of course. That's PART of it. And always coming to school -or when we're going home, you're to walk with me, when there ain't -anybody looking--and you choose me and I choose you at parties, because -that's the way you do when you're engaged." - -"It's so nice. I never heard of it before." - -"Oh, it's ever so gay! Why, me and Amy Lawrence--" - -The big eyes told Tom his blunder and he stopped, confused. - -"Oh, Tom! Then I ain't the first you've ever been engaged to!" - -The child began to cry. Tom said: - -"Oh, don't cry, Becky, I don't care for her any more." - -"Yes, you do, Tom--you know you do." - -Tom tried to put his arm about her neck, but she pushed him away and -turned her face to the wall, and went on crying. Tom tried again, with -soothing words in his mouth, and was repulsed again. Then his pride was -up, and he strode away and went outside. He stood about, restless and -uneasy, for a while, glancing at the door, every now and then, hoping -she would repent and come to find him. But she did not. Then he began -to feel badly and fear that he was in the wrong. It was a hard struggle -with him to make new advances, now, but he nerved himself to it and -entered. She was still standing back there in the corner, sobbing, with -her face to the wall. Tom's heart smote him. He went to her and stood a -moment, not knowing exactly how to proceed. Then he said hesitatingly: - -"Becky, I--I don't care for anybody but you." - -No reply--but sobs. - -"Becky"--pleadingly. "Becky, won't you say something?" - -More sobs. - -Tom got out his chiefest jewel, a brass knob from the top of an -andiron, and passed it around her so that she could see it, and said: - -"Please, Becky, won't you take it?" - -She struck it to the floor. Then Tom marched out of the house and over -the hills and far away, to return to school no more that day. Presently -Becky began to suspect. She ran to the door; he was not in sight; she -flew around to the play-yard; he was not there. Then she called: - -"Tom! Come back, Tom!" - -She listened intently, but there was no answer. She had no companions -but silence and loneliness. So she sat down to cry again and upbraid -herself; and by this time the scholars began to gather again, and she -had to hide her griefs and still her broken heart and take up the cross -of a long, dreary, aching afternoon, with none among the strangers -about her to exchange sorrows with. - - - - - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 2. *** - - - - -Updated editions will replace the previous one—the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away—you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE - -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project Gutenberg™ -electronic works - -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at www.gutenberg.org. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: - - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg™ - -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. - -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit www.gutenberg.org/donate. - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate. - -Section 5. General Information About Project Gutenberg™ electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. - -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org. - -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 3. - -This ebook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this ebook or online -at www.gutenberg.org. If you are not located in the United States, -you will have to check the laws of the country where you are located -before using this eBook. - -Title: The Adventures of Tom Sawyer, Part 3. - -Author: Mark Twain - -Release date: June 29, 2004 [eBook #7195] - Most recently updated: December 30, 2020 - -Language: English - -Credits: Produced by David Widger - - -*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 3. *** - - - - -Produced by David Widger - - - - - - THE ADVENTURES OF TOM SAWYER - BY - MARK TWAIN - (Samuel Langhorne Clemens) - - Part 3 - - - -CHAPTER VIII - -TOM dodged hither and thither through lanes until he was well out of -the track of returning scholars, and then fell into a moody jog. He -crossed a small "branch" two or three times, because of a prevailing -juvenile superstition that to cross water baffled pursuit. Half an hour -later he was disappearing behind the Douglas mansion on the summit of -Cardiff Hill, and the schoolhouse was hardly distinguishable away off -in the valley behind him. He entered a dense wood, picked his pathless -way to the centre of it, and sat down on a mossy spot under a spreading -oak. There was not even a zephyr stirring; the dead noonday heat had -even stilled the songs of the birds; nature lay in a trance that was -broken by no sound but the occasional far-off hammering of a -woodpecker, and this seemed to render the pervading silence and sense -of loneliness the more profound. The boy's soul was steeped in -melancholy; his feelings were in happy accord with his surroundings. He -sat long with his elbows on his knees and his chin in his hands, -meditating. It seemed to him that life was but a trouble, at best, and -he more than half envied Jimmy Hodges, so lately released; it must be -very peaceful, he thought, to lie and slumber and dream forever and -ever, with the wind whispering through the trees and caressing the -grass and the flowers over the grave, and nothing to bother and grieve -about, ever any more. If he only had a clean Sunday-school record he -could be willing to go, and be done with it all. Now as to this girl. -What had he done? Nothing. He had meant the best in the world, and been -treated like a dog--like a very dog. She would be sorry some day--maybe -when it was too late. Ah, if he could only die TEMPORARILY! - -But the elastic heart of youth cannot be compressed into one -constrained shape long at a time. Tom presently began to drift -insensibly back into the concerns of this life again. What if he turned -his back, now, and disappeared mysteriously? What if he went away--ever -so far away, into unknown countries beyond the seas--and never came -back any more! How would she feel then! The idea of being a clown -recurred to him now, only to fill him with disgust. For frivolity and -jokes and spotted tights were an offense, when they intruded themselves -upon a spirit that was exalted into the vague august realm of the -romantic. No, he would be a soldier, and return after long years, all -war-worn and illustrious. No--better still, he would join the Indians, -and hunt buffaloes and go on the warpath in the mountain ranges and the -trackless great plains of the Far West, and away in the future come -back a great chief, bristling with feathers, hideous with paint, and -prance into Sunday-school, some drowsy summer morning, with a -bloodcurdling war-whoop, and sear the eyeballs of all his companions -with unappeasable envy. But no, there was something gaudier even than -this. He would be a pirate! That was it! NOW his future lay plain -before him, and glowing with unimaginable splendor. How his name would -fill the world, and make people shudder! How gloriously he would go -plowing the dancing seas, in his long, low, black-hulled racer, the -Spirit of the Storm, with his grisly flag flying at the fore! And at -the zenith of his fame, how he would suddenly appear at the old village -and stalk into church, brown and weather-beaten, in his black velvet -doublet and trunks, his great jack-boots, his crimson sash, his belt -bristling with horse-pistols, his crime-rusted cutlass at his side, his -slouch hat with waving plumes, his black flag unfurled, with the skull -and crossbones on it, and hear with swelling ecstasy the whisperings, -"It's Tom Sawyer the Pirate!--the Black Avenger of the Spanish Main!" - -Yes, it was settled; his career was determined. He would run away from -home and enter upon it. He would start the very next morning. Therefore -he must now begin to get ready. He would collect his resources -together. He went to a rotten log near at hand and began to dig under -one end of it with his Barlow knife. He soon struck wood that sounded -hollow. He put his hand there and uttered this incantation impressively: - -"What hasn't come here, come! What's here, stay here!" - -Then he scraped away the dirt, and exposed a pine shingle. He took it -up and disclosed a shapely little treasure-house whose bottom and sides -were of shingles. In it lay a marble. Tom's astonishment was boundless! -He scratched his head with a perplexed air, and said: - -"Well, that beats anything!" - -Then he tossed the marble away pettishly, and stood cogitating. The -truth was, that a superstition of his had failed, here, which he and -all his comrades had always looked upon as infallible. If you buried a -marble with certain necessary incantations, and left it alone a -fortnight, and then opened the place with the incantation he had just -used, you would find that all the marbles you had ever lost had -gathered themselves together there, meantime, no matter how widely they -had been separated. But now, this thing had actually and unquestionably -failed. Tom's whole structure of faith was shaken to its foundations. -He had many a time heard of this thing succeeding but never of its -failing before. It did not occur to him that he had tried it several -times before, himself, but could never find the hiding-places -afterward. He puzzled over the matter some time, and finally decided -that some witch had interfered and broken the charm. He thought he -would satisfy himself on that point; so he searched around till he -found a small sandy spot with a little funnel-shaped depression in it. -He laid himself down and put his mouth close to this depression and -called-- - -"Doodle-bug, doodle-bug, tell me what I want to know! Doodle-bug, -doodle-bug, tell me what I want to know!" - -The sand began to work, and presently a small black bug appeared for a -second and then darted under again in a fright. - -"He dasn't tell! So it WAS a witch that done it. I just knowed it." - -He well knew the futility of trying to contend against witches, so he -gave up discouraged. But it occurred to him that he might as well have -the marble he had just thrown away, and therefore he went and made a -patient search for it. But he could not find it. Now he went back to -his treasure-house and carefully placed himself just as he had been -standing when he tossed the marble away; then he took another marble -from his pocket and tossed it in the same way, saying: - -"Brother, go find your brother!" - -He watched where it stopped, and went there and looked. But it must -have fallen short or gone too far; so he tried twice more. The last -repetition was successful. The two marbles lay within a foot of each -other. - -Just here the blast of a toy tin trumpet came faintly down the green -aisles of the forest. Tom flung off his jacket and trousers, turned a -suspender into a belt, raked away some brush behind the rotten log, -disclosing a rude bow and arrow, a lath sword and a tin trumpet, and in -a moment had seized these things and bounded away, barelegged, with -fluttering shirt. He presently halted under a great elm, blew an -answering blast, and then began to tiptoe and look warily out, this way -and that. He said cautiously--to an imaginary company: - -"Hold, my merry men! Keep hid till I blow." - -Now appeared Joe Harper, as airily clad and elaborately armed as Tom. -Tom called: - -"Hold! Who comes here into Sherwood Forest without my pass?" - -"Guy of Guisborne wants no man's pass. Who art thou that--that--" - -"Dares to hold such language," said Tom, prompting--for they talked -"by the book," from memory. - -"Who art thou that dares to hold such language?" - -"I, indeed! I am Robin Hood, as thy caitiff carcase soon shall know." - -"Then art thou indeed that famous outlaw? Right gladly will I dispute -with thee the passes of the merry wood. Have at thee!" - -They took their lath swords, dumped their other traps on the ground, -struck a fencing attitude, foot to foot, and began a grave, careful -combat, "two up and two down." Presently Tom said: - -"Now, if you've got the hang, go it lively!" - -So they "went it lively," panting and perspiring with the work. By and -by Tom shouted: - -"Fall! fall! Why don't you fall?" - -"I sha'n't! Why don't you fall yourself? You're getting the worst of -it." - -"Why, that ain't anything. I can't fall; that ain't the way it is in -the book. The book says, 'Then with one back-handed stroke he slew poor -Guy of Guisborne.' You're to turn around and let me hit you in the -back." - -There was no getting around the authorities, so Joe turned, received -the whack and fell. - -"Now," said Joe, getting up, "you got to let me kill YOU. That's fair." - -"Why, I can't do that, it ain't in the book." - -"Well, it's blamed mean--that's all." - -"Well, say, Joe, you can be Friar Tuck or Much the miller's son, and -lam me with a quarter-staff; or I'll be the Sheriff of Nottingham and -you be Robin Hood a little while and kill me." - -This was satisfactory, and so these adventures were carried out. Then -Tom became Robin Hood again, and was allowed by the treacherous nun to -bleed his strength away through his neglected wound. And at last Joe, -representing a whole tribe of weeping outlaws, dragged him sadly forth, -gave his bow into his feeble hands, and Tom said, "Where this arrow -falls, there bury poor Robin Hood under the greenwood tree." Then he -shot the arrow and fell back and would have died, but he lit on a -nettle and sprang up too gaily for a corpse. - -The boys dressed themselves, hid their accoutrements, and went off -grieving that there were no outlaws any more, and wondering what modern -civilization could claim to have done to compensate for their loss. -They said they would rather be outlaws a year in Sherwood Forest than -President of the United States forever. - - - -CHAPTER IX - -AT half-past nine, that night, Tom and Sid were sent to bed, as usual. -They said their prayers, and Sid was soon asleep. Tom lay awake and -waited, in restless impatience. When it seemed to him that it must be -nearly daylight, he heard the clock strike ten! This was despair. He -would have tossed and fidgeted, as his nerves demanded, but he was -afraid he might wake Sid. So he lay still, and stared up into the dark. -Everything was dismally still. By and by, out of the stillness, little, -scarcely perceptible noises began to emphasize themselves. The ticking -of the clock began to bring itself into notice. Old beams began to -crack mysteriously. The stairs creaked faintly. Evidently spirits were -abroad. A measured, muffled snore issued from Aunt Polly's chamber. And -now the tiresome chirping of a cricket that no human ingenuity could -locate, began. Next the ghastly ticking of a deathwatch in the wall at -the bed's head made Tom shudder--it meant that somebody's days were -numbered. Then the howl of a far-off dog rose on the night air, and was -answered by a fainter howl from a remoter distance. Tom was in an -agony. At last he was satisfied that time had ceased and eternity -begun; he began to doze, in spite of himself; the clock chimed eleven, -but he did not hear it. And then there came, mingling with his -half-formed dreams, a most melancholy caterwauling. The raising of a -neighboring window disturbed him. A cry of "Scat! you devil!" and the -crash of an empty bottle against the back of his aunt's woodshed -brought him wide awake, and a single minute later he was dressed and -out of the window and creeping along the roof of the "ell" on all -fours. He "meow'd" with caution once or twice, as he went; then jumped -to the roof of the woodshed and thence to the ground. Huckleberry Finn -was there, with his dead cat. The boys moved off and disappeared in the -gloom. At the end of half an hour they were wading through the tall -grass of the graveyard. - -It was a graveyard of the old-fashioned Western kind. It was on a -hill, about a mile and a half from the village. It had a crazy board -fence around it, which leaned inward in places, and outward the rest of -the time, but stood upright nowhere. Grass and weeds grew rank over the -whole cemetery. All the old graves were sunken in, there was not a -tombstone on the place; round-topped, worm-eaten boards staggered over -the graves, leaning for support and finding none. "Sacred to the memory -of" So-and-So had been painted on them once, but it could no longer -have been read, on the most of them, now, even if there had been light. - -A faint wind moaned through the trees, and Tom feared it might be the -spirits of the dead, complaining at being disturbed. The boys talked -little, and only under their breath, for the time and the place and the -pervading solemnity and silence oppressed their spirits. They found the -sharp new heap they were seeking, and ensconced themselves within the -protection of three great elms that grew in a bunch within a few feet -of the grave. - -Then they waited in silence for what seemed a long time. The hooting -of a distant owl was all the sound that troubled the dead stillness. -Tom's reflections grew oppressive. He must force some talk. So he said -in a whisper: - -"Hucky, do you believe the dead people like it for us to be here?" - -Huckleberry whispered: - -"I wisht I knowed. It's awful solemn like, AIN'T it?" - -"I bet it is." - -There was a considerable pause, while the boys canvassed this matter -inwardly. Then Tom whispered: - -"Say, Hucky--do you reckon Hoss Williams hears us talking?" - -"O' course he does. Least his sperrit does." - -Tom, after a pause: - -"I wish I'd said Mister Williams. But I never meant any harm. -Everybody calls him Hoss." - -"A body can't be too partic'lar how they talk 'bout these-yer dead -people, Tom." - -This was a damper, and conversation died again. - -Presently Tom seized his comrade's arm and said: - -"Sh!" - -"What is it, Tom?" And the two clung together with beating hearts. - -"Sh! There 'tis again! Didn't you hear it?" - -"I--" - -"There! Now you hear it." - -"Lord, Tom, they're coming! They're coming, sure. What'll we do?" - -"I dono. Think they'll see us?" - -"Oh, Tom, they can see in the dark, same as cats. I wisht I hadn't -come." - -"Oh, don't be afeard. I don't believe they'll bother us. We ain't -doing any harm. If we keep perfectly still, maybe they won't notice us -at all." - -"I'll try to, Tom, but, Lord, I'm all of a shiver." - -"Listen!" - -The boys bent their heads together and scarcely breathed. A muffled -sound of voices floated up from the far end of the graveyard. - -"Look! See there!" whispered Tom. "What is it?" - -"It's devil-fire. Oh, Tom, this is awful." - -Some vague figures approached through the gloom, swinging an -old-fashioned tin lantern that freckled the ground with innumerable -little spangles of light. Presently Huckleberry whispered with a -shudder: - -"It's the devils sure enough. Three of 'em! Lordy, Tom, we're goners! -Can you pray?" - -"I'll try, but don't you be afeard. They ain't going to hurt us. 'Now -I lay me down to sleep, I--'" - -"Sh!" - -"What is it, Huck?" - -"They're HUMANS! One of 'em is, anyway. One of 'em's old Muff Potter's -voice." - -"No--'tain't so, is it?" - -"I bet I know it. Don't you stir nor budge. He ain't sharp enough to -notice us. Drunk, the same as usual, likely--blamed old rip!" - -"All right, I'll keep still. Now they're stuck. Can't find it. Here -they come again. Now they're hot. Cold again. Hot again. Red hot! -They're p'inted right, this time. Say, Huck, I know another o' them -voices; it's Injun Joe." - -"That's so--that murderin' half-breed! I'd druther they was devils a -dern sight. What kin they be up to?" - -The whisper died wholly out, now, for the three men had reached the -grave and stood within a few feet of the boys' hiding-place. - -"Here it is," said the third voice; and the owner of it held the -lantern up and revealed the face of young Doctor Robinson. - -Potter and Injun Joe were carrying a handbarrow with a rope and a -couple of shovels on it. They cast down their load and began to open -the grave. The doctor put the lantern at the head of the grave and came -and sat down with his back against one of the elm trees. He was so -close the boys could have touched him. - -"Hurry, men!" he said, in a low voice; "the moon might come out at any -moment." - -They growled a response and went on digging. For some time there was -no noise but the grating sound of the spades discharging their freight -of mould and gravel. It was very monotonous. Finally a spade struck -upon the coffin with a dull woody accent, and within another minute or -two the men had hoisted it out on the ground. They pried off the lid -with their shovels, got out the body and dumped it rudely on the -ground. The moon drifted from behind the clouds and exposed the pallid -face. The barrow was got ready and the corpse placed on it, covered -with a blanket, and bound to its place with the rope. Potter took out a -large spring-knife and cut off the dangling end of the rope and then -said: - -"Now the cussed thing's ready, Sawbones, and you'll just out with -another five, or here she stays." - -"That's the talk!" said Injun Joe. - -"Look here, what does this mean?" said the doctor. "You required your -pay in advance, and I've paid you." - -"Yes, and you done more than that," said Injun Joe, approaching the -doctor, who was now standing. "Five years ago you drove me away from -your father's kitchen one night, when I come to ask for something to -eat, and you said I warn't there for any good; and when I swore I'd get -even with you if it took a hundred years, your father had me jailed for -a vagrant. Did you think I'd forget? The Injun blood ain't in me for -nothing. And now I've GOT you, and you got to SETTLE, you know!" - -He was threatening the doctor, with his fist in his face, by this -time. The doctor struck out suddenly and stretched the ruffian on the -ground. Potter dropped his knife, and exclaimed: - -"Here, now, don't you hit my pard!" and the next moment he had -grappled with the doctor and the two were struggling with might and -main, trampling the grass and tearing the ground with their heels. -Injun Joe sprang to his feet, his eyes flaming with passion, snatched -up Potter's knife, and went creeping, catlike and stooping, round and -round about the combatants, seeking an opportunity. All at once the -doctor flung himself free, seized the heavy headboard of Williams' -grave and felled Potter to the earth with it--and in the same instant -the half-breed saw his chance and drove the knife to the hilt in the -young man's breast. He reeled and fell partly upon Potter, flooding him -with his blood, and in the same moment the clouds blotted out the -dreadful spectacle and the two frightened boys went speeding away in -the dark. - -Presently, when the moon emerged again, Injun Joe was standing over -the two forms, contemplating them. The doctor murmured inarticulately, -gave a long gasp or two and was still. The half-breed muttered: - -"THAT score is settled--damn you." - -Then he robbed the body. After which he put the fatal knife in -Potter's open right hand, and sat down on the dismantled coffin. Three ---four--five minutes passed, and then Potter began to stir and moan. His -hand closed upon the knife; he raised it, glanced at it, and let it -fall, with a shudder. Then he sat up, pushing the body from him, and -gazed at it, and then around him, confusedly. His eyes met Joe's. - -"Lord, how is this, Joe?" he said. - -"It's a dirty business," said Joe, without moving. - -"What did you do it for?" - -"I! I never done it!" - -"Look here! That kind of talk won't wash." - -Potter trembled and grew white. - -"I thought I'd got sober. I'd no business to drink to-night. But it's -in my head yet--worse'n when we started here. I'm all in a muddle; -can't recollect anything of it, hardly. Tell me, Joe--HONEST, now, old -feller--did I do it? Joe, I never meant to--'pon my soul and honor, I -never meant to, Joe. Tell me how it was, Joe. Oh, it's awful--and him -so young and promising." - -"Why, you two was scuffling, and he fetched you one with the headboard -and you fell flat; and then up you come, all reeling and staggering -like, and snatched the knife and jammed it into him, just as he fetched -you another awful clip--and here you've laid, as dead as a wedge til -now." - -"Oh, I didn't know what I was a-doing. I wish I may die this minute if -I did. It was all on account of the whiskey and the excitement, I -reckon. I never used a weepon in my life before, Joe. I've fought, but -never with weepons. They'll all say that. Joe, don't tell! Say you -won't tell, Joe--that's a good feller. I always liked you, Joe, and -stood up for you, too. Don't you remember? You WON'T tell, WILL you, -Joe?" And the poor creature dropped on his knees before the stolid -murderer, and clasped his appealing hands. - -"No, you've always been fair and square with me, Muff Potter, and I -won't go back on you. There, now, that's as fair as a man can say." - -"Oh, Joe, you're an angel. I'll bless you for this the longest day I -live." And Potter began to cry. - -"Come, now, that's enough of that. This ain't any time for blubbering. -You be off yonder way and I'll go this. Move, now, and don't leave any -tracks behind you." - -Potter started on a trot that quickly increased to a run. The -half-breed stood looking after him. He muttered: - -"If he's as much stunned with the lick and fuddled with the rum as he -had the look of being, he won't think of the knife till he's gone so -far he'll be afraid to come back after it to such a place by himself ---chicken-heart!" - -Two or three minutes later the murdered man, the blanketed corpse, the -lidless coffin, and the open grave were under no inspection but the -moon's. The stillness was complete again, too. - - - -CHAPTER X - -THE two boys flew on and on, toward the village, speechless with -horror. They glanced backward over their shoulders from time to time, -apprehensively, as if they feared they might be followed. Every stump -that started up in their path seemed a man and an enemy, and made them -catch their breath; and as they sped by some outlying cottages that lay -near the village, the barking of the aroused watch-dogs seemed to give -wings to their feet. - -"If we can only get to the old tannery before we break down!" -whispered Tom, in short catches between breaths. "I can't stand it much -longer." - -Huckleberry's hard pantings were his only reply, and the boys fixed -their eyes on the goal of their hopes and bent to their work to win it. -They gained steadily on it, and at last, breast to breast, they burst -through the open door and fell grateful and exhausted in the sheltering -shadows beyond. By and by their pulses slowed down, and Tom whispered: - -"Huckleberry, what do you reckon'll come of this?" - -"If Doctor Robinson dies, I reckon hanging'll come of it." - -"Do you though?" - -"Why, I KNOW it, Tom." - -Tom thought a while, then he said: - -"Who'll tell? We?" - -"What are you talking about? S'pose something happened and Injun Joe -DIDN'T hang? Why, he'd kill us some time or other, just as dead sure as -we're a laying here." - -"That's just what I was thinking to myself, Huck." - -"If anybody tells, let Muff Potter do it, if he's fool enough. He's -generally drunk enough." - -Tom said nothing--went on thinking. Presently he whispered: - -"Huck, Muff Potter don't know it. How can he tell?" - -"What's the reason he don't know it?" - -"Because he'd just got that whack when Injun Joe done it. D'you reckon -he could see anything? D'you reckon he knowed anything?" - -"By hokey, that's so, Tom!" - -"And besides, look-a-here--maybe that whack done for HIM!" - -"No, 'taint likely, Tom. He had liquor in him; I could see that; and -besides, he always has. Well, when pap's full, you might take and belt -him over the head with a church and you couldn't phase him. He says so, -his own self. So it's the same with Muff Potter, of course. But if a -man was dead sober, I reckon maybe that whack might fetch him; I dono." - -After another reflective silence, Tom said: - -"Hucky, you sure you can keep mum?" - -"Tom, we GOT to keep mum. You know that. That Injun devil wouldn't -make any more of drownding us than a couple of cats, if we was to -squeak 'bout this and they didn't hang him. Now, look-a-here, Tom, less -take and swear to one another--that's what we got to do--swear to keep -mum." - -"I'm agreed. It's the best thing. Would you just hold hands and swear -that we--" - -"Oh no, that wouldn't do for this. That's good enough for little -rubbishy common things--specially with gals, cuz THEY go back on you -anyway, and blab if they get in a huff--but there orter be writing -'bout a big thing like this. And blood." - -Tom's whole being applauded this idea. It was deep, and dark, and -awful; the hour, the circumstances, the surroundings, were in keeping -with it. He picked up a clean pine shingle that lay in the moonlight, -took a little fragment of "red keel" out of his pocket, got the moon on -his work, and painfully scrawled these lines, emphasizing each slow -down-stroke by clamping his tongue between his teeth, and letting up -the pressure on the up-strokes. [See next page.] - - "Huck Finn and - Tom Sawyer swears - they will keep mum - about This and They - wish They may Drop - down dead in Their - Tracks if They ever - Tell and Rot." - -Huckleberry was filled with admiration of Tom's facility in writing, -and the sublimity of his language. He at once took a pin from his lapel -and was going to prick his flesh, but Tom said: - -"Hold on! Don't do that. A pin's brass. It might have verdigrease on -it." - -"What's verdigrease?" - -"It's p'ison. That's what it is. You just swaller some of it once ---you'll see." - -So Tom unwound the thread from one of his needles, and each boy -pricked the ball of his thumb and squeezed out a drop of blood. In -time, after many squeezes, Tom managed to sign his initials, using the -ball of his little finger for a pen. Then he showed Huckleberry how to -make an H and an F, and the oath was complete. They buried the shingle -close to the wall, with some dismal ceremonies and incantations, and -the fetters that bound their tongues were considered to be locked and -the key thrown away. - -A figure crept stealthily through a break in the other end of the -ruined building, now, but they did not notice it. - -"Tom," whispered Huckleberry, "does this keep us from EVER telling ---ALWAYS?" - -"Of course it does. It don't make any difference WHAT happens, we got -to keep mum. We'd drop down dead--don't YOU know that?" - -"Yes, I reckon that's so." - -They continued to whisper for some little time. Presently a dog set up -a long, lugubrious howl just outside--within ten feet of them. The boys -clasped each other suddenly, in an agony of fright. - -"Which of us does he mean?" gasped Huckleberry. - -"I dono--peep through the crack. Quick!" - -"No, YOU, Tom!" - -"I can't--I can't DO it, Huck!" - -"Please, Tom. There 'tis again!" - -"Oh, lordy, I'm thankful!" whispered Tom. "I know his voice. It's Bull -Harbison." * - -[* If Mr. Harbison owned a slave named Bull, Tom would have spoken of -him as "Harbison's Bull," but a son or a dog of that name was "Bull -Harbison."] - -"Oh, that's good--I tell you, Tom, I was most scared to death; I'd a -bet anything it was a STRAY dog." - -The dog howled again. The boys' hearts sank once more. - -"Oh, my! that ain't no Bull Harbison!" whispered Huckleberry. "DO, Tom!" - -Tom, quaking with fear, yielded, and put his eye to the crack. His -whisper was hardly audible when he said: - -"Oh, Huck, IT S A STRAY DOG!" - -"Quick, Tom, quick! Who does he mean?" - -"Huck, he must mean us both--we're right together." - -"Oh, Tom, I reckon we're goners. I reckon there ain't no mistake 'bout -where I'LL go to. I been so wicked." - -"Dad fetch it! This comes of playing hookey and doing everything a -feller's told NOT to do. I might a been good, like Sid, if I'd a tried ---but no, I wouldn't, of course. But if ever I get off this time, I lay -I'll just WALLER in Sunday-schools!" And Tom began to snuffle a little. - -"YOU bad!" and Huckleberry began to snuffle too. "Consound it, Tom -Sawyer, you're just old pie, 'longside o' what I am. Oh, LORDY, lordy, -lordy, I wisht I only had half your chance." - -Tom choked off and whispered: - -"Look, Hucky, look! He's got his BACK to us!" - -Hucky looked, with joy in his heart. - -"Well, he has, by jingoes! Did he before?" - -"Yes, he did. But I, like a fool, never thought. Oh, this is bully, -you know. NOW who can he mean?" - -The howling stopped. Tom pricked up his ears. - -"Sh! What's that?" he whispered. - -"Sounds like--like hogs grunting. No--it's somebody snoring, Tom." - -"That IS it! Where 'bouts is it, Huck?" - -"I bleeve it's down at 'tother end. Sounds so, anyway. Pap used to -sleep there, sometimes, 'long with the hogs, but laws bless you, he -just lifts things when HE snores. Besides, I reckon he ain't ever -coming back to this town any more." - -The spirit of adventure rose in the boys' souls once more. - -"Hucky, do you das't to go if I lead?" - -"I don't like to, much. Tom, s'pose it's Injun Joe!" - -Tom quailed. But presently the temptation rose up strong again and the -boys agreed to try, with the understanding that they would take to -their heels if the snoring stopped. So they went tiptoeing stealthily -down, the one behind the other. When they had got to within five steps -of the snorer, Tom stepped on a stick, and it broke with a sharp snap. -The man moaned, writhed a little, and his face came into the moonlight. -It was Muff Potter. The boys' hearts had stood still, and their hopes -too, when the man moved, but their fears passed away now. They tiptoed -out, through the broken weather-boarding, and stopped at a little -distance to exchange a parting word. That long, lugubrious howl rose on -the night air again! They turned and saw the strange dog standing -within a few feet of where Potter was lying, and FACING Potter, with -his nose pointing heavenward. - -"Oh, geeminy, it's HIM!" exclaimed both boys, in a breath. - -"Say, Tom--they say a stray dog come howling around Johnny Miller's -house, 'bout midnight, as much as two weeks ago; and a whippoorwill -come in and lit on the banisters and sung, the very same evening; and -there ain't anybody dead there yet." - -"Well, I know that. And suppose there ain't. Didn't Gracie Miller fall -in the kitchen fire and burn herself terrible the very next Saturday?" - -"Yes, but she ain't DEAD. And what's more, she's getting better, too." - -"All right, you wait and see. She's a goner, just as dead sure as Muff -Potter's a goner. That's what the niggers say, and they know all about -these kind of things, Huck." - -Then they separated, cogitating. When Tom crept in at his bedroom -window the night was almost spent. He undressed with excessive caution, -and fell asleep congratulating himself that nobody knew of his -escapade. He was not aware that the gently-snoring Sid was awake, and -had been so for an hour. - -When Tom awoke, Sid was dressed and gone. There was a late look in the -light, a late sense in the atmosphere. He was startled. Why had he not -been called--persecuted till he was up, as usual? The thought filled -him with bodings. Within five minutes he was dressed and down-stairs, -feeling sore and drowsy. The family were still at table, but they had -finished breakfast. There was no voice of rebuke; but there were -averted eyes; there was a silence and an air of solemnity that struck a -chill to the culprit's heart. He sat down and tried to seem gay, but it -was up-hill work; it roused no smile, no response, and he lapsed into -silence and let his heart sink down to the depths. - -After breakfast his aunt took him aside, and Tom almost brightened in -the hope that he was going to be flogged; but it was not so. His aunt -wept over him and asked him how he could go and break her old heart so; -and finally told him to go on, and ruin himself and bring her gray -hairs with sorrow to the grave, for it was no use for her to try any -more. This was worse than a thousand whippings, and Tom's heart was -sorer now than his body. He cried, he pleaded for forgiveness, promised -to reform over and over again, and then received his dismissal, feeling -that he had won but an imperfect forgiveness and established but a -feeble confidence. - -He left the presence too miserable to even feel revengeful toward Sid; -and so the latter's prompt retreat through the back gate was -unnecessary. He moped to school gloomy and sad, and took his flogging, -along with Joe Harper, for playing hookey the day before, with the air -of one whose heart was busy with heavier woes and wholly dead to -trifles. Then he betook himself to his seat, rested his elbows on his -desk and his jaws in his hands, and stared at the wall with the stony -stare of suffering that has reached the limit and can no further go. -His elbow was pressing against some hard substance. After a long time -he slowly and sadly changed his position, and took up this object with -a sigh. It was in a paper. He unrolled it. A long, lingering, colossal -sigh followed, and his heart broke. It was his brass andiron knob! - -This final feather broke the camel's back. - - - -CHAPTER XI - -CLOSE upon the hour of noon the whole village was suddenly electrified -with the ghastly news. No need of the as yet undreamed-of telegraph; -the tale flew from man to man, from group to group, from house to -house, with little less than telegraphic speed. Of course the -schoolmaster gave holiday for that afternoon; the town would have -thought strangely of him if he had not. - -A gory knife had been found close to the murdered man, and it had been -recognized by somebody as belonging to Muff Potter--so the story ran. -And it was said that a belated citizen had come upon Potter washing -himself in the "branch" about one or two o'clock in the morning, and -that Potter had at once sneaked off--suspicious circumstances, -especially the washing which was not a habit with Potter. It was also -said that the town had been ransacked for this "murderer" (the public -are not slow in the matter of sifting evidence and arriving at a -verdict), but that he could not be found. Horsemen had departed down -all the roads in every direction, and the Sheriff "was confident" that -he would be captured before night. - -All the town was drifting toward the graveyard. Tom's heartbreak -vanished and he joined the procession, not because he would not a -thousand times rather go anywhere else, but because an awful, -unaccountable fascination drew him on. Arrived at the dreadful place, -he wormed his small body through the crowd and saw the dismal -spectacle. It seemed to him an age since he was there before. Somebody -pinched his arm. He turned, and his eyes met Huckleberry's. Then both -looked elsewhere at once, and wondered if anybody had noticed anything -in their mutual glance. But everybody was talking, and intent upon the -grisly spectacle before them. - -"Poor fellow!" "Poor young fellow!" "This ought to be a lesson to -grave robbers!" "Muff Potter'll hang for this if they catch him!" This -was the drift of remark; and the minister said, "It was a judgment; His -hand is here." - -Now Tom shivered from head to heel; for his eye fell upon the stolid -face of Injun Joe. At this moment the crowd began to sway and struggle, -and voices shouted, "It's him! it's him! he's coming himself!" - -"Who? Who?" from twenty voices. - -"Muff Potter!" - -"Hallo, he's stopped!--Look out, he's turning! Don't let him get away!" - -People in the branches of the trees over Tom's head said he wasn't -trying to get away--he only looked doubtful and perplexed. - -"Infernal impudence!" said a bystander; "wanted to come and take a -quiet look at his work, I reckon--didn't expect any company." - -The crowd fell apart, now, and the Sheriff came through, -ostentatiously leading Potter by the arm. The poor fellow's face was -haggard, and his eyes showed the fear that was upon him. When he stood -before the murdered man, he shook as with a palsy, and he put his face -in his hands and burst into tears. - -"I didn't do it, friends," he sobbed; "'pon my word and honor I never -done it." - -"Who's accused you?" shouted a voice. - -This shot seemed to carry home. Potter lifted his face and looked -around him with a pathetic hopelessness in his eyes. He saw Injun Joe, -and exclaimed: - -"Oh, Injun Joe, you promised me you'd never--" - -"Is that your knife?" and it was thrust before him by the Sheriff. - -Potter would have fallen if they had not caught him and eased him to -the ground. Then he said: - -"Something told me 't if I didn't come back and get--" He shuddered; -then waved his nerveless hand with a vanquished gesture and said, "Tell -'em, Joe, tell 'em--it ain't any use any more." - -Then Huckleberry and Tom stood dumb and staring, and heard the -stony-hearted liar reel off his serene statement, they expecting every -moment that the clear sky would deliver God's lightnings upon his head, -and wondering to see how long the stroke was delayed. And when he had -finished and still stood alive and whole, their wavering impulse to -break their oath and save the poor betrayed prisoner's life faded and -vanished away, for plainly this miscreant had sold himself to Satan and -it would be fatal to meddle with the property of such a power as that. - -"Why didn't you leave? What did you want to come here for?" somebody -said. - -"I couldn't help it--I couldn't help it," Potter moaned. "I wanted to -run away, but I couldn't seem to come anywhere but here." And he fell -to sobbing again. - -Injun Joe repeated his statement, just as calmly, a few minutes -afterward on the inquest, under oath; and the boys, seeing that the -lightnings were still withheld, were confirmed in their belief that Joe -had sold himself to the devil. He was now become, to them, the most -balefully interesting object they had ever looked upon, and they could -not take their fascinated eyes from his face. - -They inwardly resolved to watch him nights, when opportunity should -offer, in the hope of getting a glimpse of his dread master. - -Injun Joe helped to raise the body of the murdered man and put it in a -wagon for removal; and it was whispered through the shuddering crowd -that the wound bled a little! The boys thought that this happy -circumstance would turn suspicion in the right direction; but they were -disappointed, for more than one villager remarked: - -"It was within three feet of Muff Potter when it done it." - -Tom's fearful secret and gnawing conscience disturbed his sleep for as -much as a week after this; and at breakfast one morning Sid said: - -"Tom, you pitch around and talk in your sleep so much that you keep me -awake half the time." - -Tom blanched and dropped his eyes. - -"It's a bad sign," said Aunt Polly, gravely. "What you got on your -mind, Tom?" - -"Nothing. Nothing 't I know of." But the boy's hand shook so that he -spilled his coffee. - -"And you do talk such stuff," Sid said. "Last night you said, 'It's -blood, it's blood, that's what it is!' You said that over and over. And -you said, 'Don't torment me so--I'll tell!' Tell WHAT? What is it -you'll tell?" - -Everything was swimming before Tom. There is no telling what might -have happened, now, but luckily the concern passed out of Aunt Polly's -face and she came to Tom's relief without knowing it. She said: - -"Sho! It's that dreadful murder. I dream about it most every night -myself. Sometimes I dream it's me that done it." - -Mary said she had been affected much the same way. Sid seemed -satisfied. Tom got out of the presence as quick as he plausibly could, -and after that he complained of toothache for a week, and tied up his -jaws every night. He never knew that Sid lay nightly watching, and -frequently slipped the bandage free and then leaned on his elbow -listening a good while at a time, and afterward slipped the bandage -back to its place again. Tom's distress of mind wore off gradually and -the toothache grew irksome and was discarded. If Sid really managed to -make anything out of Tom's disjointed mutterings, he kept it to himself. - -It seemed to Tom that his schoolmates never would get done holding -inquests on dead cats, and thus keeping his trouble present to his -mind. Sid noticed that Tom never was coroner at one of these inquiries, -though it had been his habit to take the lead in all new enterprises; -he noticed, too, that Tom never acted as a witness--and that was -strange; and Sid did not overlook the fact that Tom even showed a -marked aversion to these inquests, and always avoided them when he -could. Sid marvelled, but said nothing. However, even inquests went out -of vogue at last, and ceased to torture Tom's conscience. - -Every day or two, during this time of sorrow, Tom watched his -opportunity and went to the little grated jail-window and smuggled such -small comforts through to the "murderer" as he could get hold of. The -jail was a trifling little brick den that stood in a marsh at the edge -of the village, and no guards were afforded for it; indeed, it was -seldom occupied. These offerings greatly helped to ease Tom's -conscience. - -The villagers had a strong desire to tar-and-feather Injun Joe and -ride him on a rail, for body-snatching, but so formidable was his -character that nobody could be found who was willing to take the lead -in the matter, so it was dropped. He had been careful to begin both of -his inquest-statements with the fight, without confessing the -grave-robbery that preceded it; therefore it was deemed wisest not -to try the case in the courts at present. - - - -CHAPTER XII - -ONE of the reasons why Tom's mind had drifted away from its secret -troubles was, that it had found a new and weighty matter to interest -itself about. Becky Thatcher had stopped coming to school. Tom had -struggled with his pride a few days, and tried to "whistle her down the -wind," but failed. He began to find himself hanging around her father's -house, nights, and feeling very miserable. She was ill. What if she -should die! There was distraction in the thought. He no longer took an -interest in war, nor even in piracy. The charm of life was gone; there -was nothing but dreariness left. He put his hoop away, and his bat; -there was no joy in them any more. His aunt was concerned. She began to -try all manner of remedies on him. She was one of those people who are -infatuated with patent medicines and all new-fangled methods of -producing health or mending it. She was an inveterate experimenter in -these things. When something fresh in this line came out she was in a -fever, right away, to try it; not on herself, for she was never ailing, -but on anybody else that came handy. She was a subscriber for all the -"Health" periodicals and phrenological frauds; and the solemn ignorance -they were inflated with was breath to her nostrils. All the "rot" they -contained about ventilation, and how to go to bed, and how to get up, -and what to eat, and what to drink, and how much exercise to take, and -what frame of mind to keep one's self in, and what sort of clothing to -wear, was all gospel to her, and she never observed that her -health-journals of the current month customarily upset everything they -had recommended the month before. She was as simple-hearted and honest -as the day was long, and so she was an easy victim. She gathered -together her quack periodicals and her quack medicines, and thus armed -with death, went about on her pale horse, metaphorically speaking, with -"hell following after." But she never suspected that she was not an -angel of healing and the balm of Gilead in disguise, to the suffering -neighbors. - -The water treatment was new, now, and Tom's low condition was a -windfall to her. She had him out at daylight every morning, stood him -up in the woodshed and drowned him with a deluge of cold water; then -she scrubbed him down with a towel like a file, and so brought him to; -then she rolled him up in a wet sheet and put him away under blankets -till she sweated his soul clean and "the yellow stains of it came -through his pores"--as Tom said. - -Yet notwithstanding all this, the boy grew more and more melancholy -and pale and dejected. She added hot baths, sitz baths, shower baths, -and plunges. The boy remained as dismal as a hearse. She began to -assist the water with a slim oatmeal diet and blister-plasters. She -calculated his capacity as she would a jug's, and filled him up every -day with quack cure-alls. - -Tom had become indifferent to persecution by this time. This phase -filled the old lady's heart with consternation. This indifference must -be broken up at any cost. Now she heard of Pain-killer for the first -time. She ordered a lot at once. She tasted it and was filled with -gratitude. It was simply fire in a liquid form. She dropped the water -treatment and everything else, and pinned her faith to Pain-killer. She -gave Tom a teaspoonful and watched with the deepest anxiety for the -result. Her troubles were instantly at rest, her soul at peace again; -for the "indifference" was broken up. The boy could not have shown a -wilder, heartier interest, if she had built a fire under him. - -Tom felt that it was time to wake up; this sort of life might be -romantic enough, in his blighted condition, but it was getting to have -too little sentiment and too much distracting variety about it. So he -thought over various plans for relief, and finally hit pon that of -professing to be fond of Pain-killer. He asked for it so often that he -became a nuisance, and his aunt ended by telling him to help himself -and quit bothering her. If it had been Sid, she would have had no -misgivings to alloy her delight; but since it was Tom, she watched the -bottle clandestinely. She found that the medicine did really diminish, -but it did not occur to her that the boy was mending the health of a -crack in the sitting-room floor with it. - -One day Tom was in the act of dosing the crack when his aunt's yellow -cat came along, purring, eying the teaspoon avariciously, and begging -for a taste. Tom said: - -"Don't ask for it unless you want it, Peter." - -But Peter signified that he did want it. - -"You better make sure." - -Peter was sure. - -"Now you've asked for it, and I'll give it to you, because there ain't -anything mean about me; but if you find you don't like it, you mustn't -blame anybody but your own self." - -Peter was agreeable. So Tom pried his mouth open and poured down the -Pain-killer. Peter sprang a couple of yards in the air, and then -delivered a war-whoop and set off round and round the room, banging -against furniture, upsetting flower-pots, and making general havoc. -Next he rose on his hind feet and pranced around, in a frenzy of -enjoyment, with his head over his shoulder and his voice proclaiming -his unappeasable happiness. Then he went tearing around the house again -spreading chaos and destruction in his path. Aunt Polly entered in time -to see him throw a few double summersets, deliver a final mighty -hurrah, and sail through the open window, carrying the rest of the -flower-pots with him. The old lady stood petrified with astonishment, -peering over her glasses; Tom lay on the floor expiring with laughter. - -"Tom, what on earth ails that cat?" - -"I don't know, aunt," gasped the boy. - -"Why, I never see anything like it. What did make him act so?" - -"Deed I don't know, Aunt Polly; cats always act so when they're having -a good time." - -"They do, do they?" There was something in the tone that made Tom -apprehensive. - -"Yes'm. That is, I believe they do." - -"You DO?" - -"Yes'm." - -The old lady was bending down, Tom watching, with interest emphasized -by anxiety. Too late he divined her "drift." The handle of the telltale -teaspoon was visible under the bed-valance. Aunt Polly took it, held it -up. Tom winced, and dropped his eyes. Aunt Polly raised him by the -usual handle--his ear--and cracked his head soundly with her thimble. - -"Now, sir, what did you want to treat that poor dumb beast so, for?" - -"I done it out of pity for him--because he hadn't any aunt." - -"Hadn't any aunt!--you numskull. What has that got to do with it?" - -"Heaps. Because if he'd had one she'd a burnt him out herself! She'd a -roasted his bowels out of him 'thout any more feeling than if he was a -human!" - -Aunt Polly felt a sudden pang of remorse. This was putting the thing -in a new light; what was cruelty to a cat MIGHT be cruelty to a boy, -too. She began to soften; she felt sorry. Her eyes watered a little, -and she put her hand on Tom's head and said gently: - -"I was meaning for the best, Tom. And, Tom, it DID do you good." - -Tom looked up in her face with just a perceptible twinkle peeping -through his gravity. - -"I know you was meaning for the best, aunty, and so was I with Peter. -It done HIM good, too. I never see him get around so since--" - -"Oh, go 'long with you, Tom, before you aggravate me again. And you -try and see if you can't be a good boy, for once, and you needn't take -any more medicine." - -Tom reached school ahead of time. It was noticed that this strange -thing had been occurring every day latterly. And now, as usual of late, -he hung about the gate of the schoolyard instead of playing with his -comrades. He was sick, he said, and he looked it. He tried to seem to -be looking everywhere but whither he really was looking--down the road. -Presently Jeff Thatcher hove in sight, and Tom's face lighted; he gazed -a moment, and then turned sorrowfully away. When Jeff arrived, Tom -accosted him; and "led up" warily to opportunities for remark about -Becky, but the giddy lad never could see the bait. Tom watched and -watched, hoping whenever a frisking frock came in sight, and hating the -owner of it as soon as he saw she was not the right one. At last frocks -ceased to appear, and he dropped hopelessly into the dumps; he entered -the empty schoolhouse and sat down to suffer. Then one more frock -passed in at the gate, and Tom's heart gave a great bound. The next -instant he was out, and "going on" like an Indian; yelling, laughing, -chasing boys, jumping over the fence at risk of life and limb, throwing -handsprings, standing on his head--doing all the heroic things he could -conceive of, and keeping a furtive eye out, all the while, to see if -Becky Thatcher was noticing. But she seemed to be unconscious of it -all; she never looked. Could it be possible that she was not aware that -he was there? He carried his exploits to her immediate vicinity; came -war-whooping around, snatched a boy's cap, hurled it to the roof of the -schoolhouse, broke through a group of boys, tumbling them in every -direction, and fell sprawling, himself, under Becky's nose, almost -upsetting her--and she turned, with her nose in the air, and he heard -her say: "Mf! some people think they're mighty smart--always showing -off!" - -Tom's cheeks burned. He gathered himself up and sneaked off, crushed -and crestfallen. - - - - - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 3. *** - - - - -Updated editions will replace the previous one—the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away—you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE - -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project Gutenberg™ -electronic works - -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at www.gutenberg.org. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: - - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg™ - -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. - -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit www.gutenberg.org/donate. - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate. - -Section 5. General Information About Project Gutenberg™ electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. - -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org. - -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -The Project Gutenberg eBook of The Adventures of Tom Sawyer, Part 4. - -This ebook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this ebook or online -at www.gutenberg.org. If you are not located in the United States, -you will have to check the laws of the country where you are located -before using this eBook. - -Title: The Adventures of Tom Sawyer, Part 4. - -Author: Mark Twain - -Release date: June 29, 2004 [eBook #7196] - Most recently updated: December 30, 2020 - -Language: English - -Credits: Produced by David Widger - - -*** START OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 4. *** - - - - -Produced by David Widger - - - - - - THE ADVENTURES OF TOM SAWYER - BY - MARK TWAIN - (Samuel Langhorne Clemens) - - Part 4 - - - -CHAPTER XIII - -TOM'S mind was made up now. He was gloomy and desperate. He was a -forsaken, friendless boy, he said; nobody loved him; when they found -out what they had driven him to, perhaps they would be sorry; he had -tried to do right and get along, but they would not let him; since -nothing would do them but to be rid of him, let it be so; and let them -blame HIM for the consequences--why shouldn't they? What right had the -friendless to complain? Yes, they had forced him to it at last: he -would lead a life of crime. There was no choice. - -By this time he was far down Meadow Lane, and the bell for school to -"take up" tinkled faintly upon his ear. He sobbed, now, to think he -should never, never hear that old familiar sound any more--it was very -hard, but it was forced on him; since he was driven out into the cold -world, he must submit--but he forgave them. Then the sobs came thick -and fast. - -Just at this point he met his soul's sworn comrade, Joe Harper ---hard-eyed, and with evidently a great and dismal purpose in his heart. -Plainly here were "two souls with but a single thought." Tom, wiping -his eyes with his sleeve, began to blubber out something about a -resolution to escape from hard usage and lack of sympathy at home by -roaming abroad into the great world never to return; and ended by -hoping that Joe would not forget him. - -But it transpired that this was a request which Joe had just been -going to make of Tom, and had come to hunt him up for that purpose. His -mother had whipped him for drinking some cream which he had never -tasted and knew nothing about; it was plain that she was tired of him -and wished him to go; if she felt that way, there was nothing for him -to do but succumb; he hoped she would be happy, and never regret having -driven her poor boy out into the unfeeling world to suffer and die. - -As the two boys walked sorrowing along, they made a new compact to -stand by each other and be brothers and never separate till death -relieved them of their troubles. Then they began to lay their plans. -Joe was for being a hermit, and living on crusts in a remote cave, and -dying, some time, of cold and want and grief; but after listening to -Tom, he conceded that there were some conspicuous advantages about a -life of crime, and so he consented to be a pirate. - -Three miles below St. Petersburg, at a point where the Mississippi -River was a trifle over a mile wide, there was a long, narrow, wooded -island, with a shallow bar at the head of it, and this offered well as -a rendezvous. It was not inhabited; it lay far over toward the further -shore, abreast a dense and almost wholly unpeopled forest. So Jackson's -Island was chosen. Who were to be the subjects of their piracies was a -matter that did not occur to them. Then they hunted up Huckleberry -Finn, and he joined them promptly, for all careers were one to him; he -was indifferent. They presently separated to meet at a lonely spot on -the river-bank two miles above the village at the favorite hour--which -was midnight. There was a small log raft there which they meant to -capture. Each would bring hooks and lines, and such provision as he -could steal in the most dark and mysterious way--as became outlaws. And -before the afternoon was done, they had all managed to enjoy the sweet -glory of spreading the fact that pretty soon the town would "hear -something." All who got this vague hint were cautioned to "be mum and -wait." - -About midnight Tom arrived with a boiled ham and a few trifles, -and stopped in a dense undergrowth on a small bluff overlooking the -meeting-place. It was starlight, and very still. The mighty river lay -like an ocean at rest. Tom listened a moment, but no sound disturbed the -quiet. Then he gave a low, distinct whistle. It was answered from under -the bluff. Tom whistled twice more; these signals were answered in the -same way. Then a guarded voice said: - -"Who goes there?" - -"Tom Sawyer, the Black Avenger of the Spanish Main. Name your names." - -"Huck Finn the Red-Handed, and Joe Harper the Terror of the Seas." Tom -had furnished these titles, from his favorite literature. - -"'Tis well. Give the countersign." - -Two hoarse whispers delivered the same awful word simultaneously to -the brooding night: - -"BLOOD!" - -Then Tom tumbled his ham over the bluff and let himself down after it, -tearing both skin and clothes to some extent in the effort. There was -an easy, comfortable path along the shore under the bluff, but it -lacked the advantages of difficulty and danger so valued by a pirate. - -The Terror of the Seas had brought a side of bacon, and had about worn -himself out with getting it there. Finn the Red-Handed had stolen a -skillet and a quantity of half-cured leaf tobacco, and had also brought -a few corn-cobs to make pipes with. But none of the pirates smoked or -"chewed" but himself. The Black Avenger of the Spanish Main said it -would never do to start without some fire. That was a wise thought; -matches were hardly known there in that day. They saw a fire -smouldering upon a great raft a hundred yards above, and they went -stealthily thither and helped themselves to a chunk. They made an -imposing adventure of it, saying, "Hist!" every now and then, and -suddenly halting with finger on lip; moving with hands on imaginary -dagger-hilts; and giving orders in dismal whispers that if "the foe" -stirred, to "let him have it to the hilt," because "dead men tell no -tales." They knew well enough that the raftsmen were all down at the -village laying in stores or having a spree, but still that was no -excuse for their conducting this thing in an unpiratical way. - -They shoved off, presently, Tom in command, Huck at the after oar and -Joe at the forward. Tom stood amidships, gloomy-browed, and with folded -arms, and gave his orders in a low, stern whisper: - -"Luff, and bring her to the wind!" - -"Aye-aye, sir!" - -"Steady, steady-y-y-y!" - -"Steady it is, sir!" - -"Let her go off a point!" - -"Point it is, sir!" - -As the boys steadily and monotonously drove the raft toward mid-stream -it was no doubt understood that these orders were given only for -"style," and were not intended to mean anything in particular. - -"What sail's she carrying?" - -"Courses, tops'ls, and flying-jib, sir." - -"Send the r'yals up! Lay out aloft, there, half a dozen of ye ---foretopmaststuns'l! Lively, now!" - -"Aye-aye, sir!" - -"Shake out that maintogalans'l! Sheets and braces! NOW my hearties!" - -"Aye-aye, sir!" - -"Hellum-a-lee--hard a port! Stand by to meet her when she comes! Port, -port! NOW, men! With a will! Stead-y-y-y!" - -"Steady it is, sir!" - -The raft drew beyond the middle of the river; the boys pointed her -head right, and then lay on their oars. The river was not high, so -there was not more than a two or three mile current. Hardly a word was -said during the next three-quarters of an hour. Now the raft was -passing before the distant town. Two or three glimmering lights showed -where it lay, peacefully sleeping, beyond the vague vast sweep of -star-gemmed water, unconscious of the tremendous event that was happening. -The Black Avenger stood still with folded arms, "looking his last" upon -the scene of his former joys and his later sufferings, and wishing -"she" could see him now, abroad on the wild sea, facing peril and death -with dauntless heart, going to his doom with a grim smile on his lips. -It was but a small strain on his imagination to remove Jackson's Island -beyond eyeshot of the village, and so he "looked his last" with a -broken and satisfied heart. The other pirates were looking their last, -too; and they all looked so long that they came near letting the -current drift them out of the range of the island. But they discovered -the danger in time, and made shift to avert it. About two o'clock in -the morning the raft grounded on the bar two hundred yards above the -head of the island, and they waded back and forth until they had landed -their freight. Part of the little raft's belongings consisted of an old -sail, and this they spread over a nook in the bushes for a tent to -shelter their provisions; but they themselves would sleep in the open -air in good weather, as became outlaws. - -They built a fire against the side of a great log twenty or thirty -steps within the sombre depths of the forest, and then cooked some -bacon in the frying-pan for supper, and used up half of the corn "pone" -stock they had brought. It seemed glorious sport to be feasting in that -wild, free way in the virgin forest of an unexplored and uninhabited -island, far from the haunts of men, and they said they never would -return to civilization. The climbing fire lit up their faces and threw -its ruddy glare upon the pillared tree-trunks of their forest temple, -and upon the varnished foliage and festooning vines. - -When the last crisp slice of bacon was gone, and the last allowance of -corn pone devoured, the boys stretched themselves out on the grass, -filled with contentment. They could have found a cooler place, but they -would not deny themselves such a romantic feature as the roasting -camp-fire. - -"AIN'T it gay?" said Joe. - -"It's NUTS!" said Tom. "What would the boys say if they could see us?" - -"Say? Well, they'd just die to be here--hey, Hucky!" - -"I reckon so," said Huckleberry; "anyways, I'm suited. I don't want -nothing better'n this. I don't ever get enough to eat, gen'ally--and -here they can't come and pick at a feller and bullyrag him so." - -"It's just the life for me," said Tom. "You don't have to get up, -mornings, and you don't have to go to school, and wash, and all that -blame foolishness. You see a pirate don't have to do ANYTHING, Joe, -when he's ashore, but a hermit HE has to be praying considerable, and -then he don't have any fun, anyway, all by himself that way." - -"Oh yes, that's so," said Joe, "but I hadn't thought much about it, -you know. I'd a good deal rather be a pirate, now that I've tried it." - -"You see," said Tom, "people don't go much on hermits, nowadays, like -they used to in old times, but a pirate's always respected. And a -hermit's got to sleep on the hardest place he can find, and put -sackcloth and ashes on his head, and stand out in the rain, and--" - -"What does he put sackcloth and ashes on his head for?" inquired Huck. - -"I dono. But they've GOT to do it. Hermits always do. You'd have to do -that if you was a hermit." - -"Dern'd if I would," said Huck. - -"Well, what would you do?" - -"I dono. But I wouldn't do that." - -"Why, Huck, you'd HAVE to. How'd you get around it?" - -"Why, I just wouldn't stand it. I'd run away." - -"Run away! Well, you WOULD be a nice old slouch of a hermit. You'd be -a disgrace." - -The Red-Handed made no response, being better employed. He had -finished gouging out a cob, and now he fitted a weed stem to it, loaded -it with tobacco, and was pressing a coal to the charge and blowing a -cloud of fragrant smoke--he was in the full bloom of luxurious -contentment. The other pirates envied him this majestic vice, and -secretly resolved to acquire it shortly. Presently Huck said: - -"What does pirates have to do?" - -Tom said: - -"Oh, they have just a bully time--take ships and burn them, and get -the money and bury it in awful places in their island where there's -ghosts and things to watch it, and kill everybody in the ships--make -'em walk a plank." - -"And they carry the women to the island," said Joe; "they don't kill -the women." - -"No," assented Tom, "they don't kill the women--they're too noble. And -the women's always beautiful, too. - -"And don't they wear the bulliest clothes! Oh no! All gold and silver -and di'monds," said Joe, with enthusiasm. - -"Who?" said Huck. - -"Why, the pirates." - -Huck scanned his own clothing forlornly. - -"I reckon I ain't dressed fitten for a pirate," said he, with a -regretful pathos in his voice; "but I ain't got none but these." - -But the other boys told him the fine clothes would come fast enough, -after they should have begun their adventures. They made him understand -that his poor rags would do to begin with, though it was customary for -wealthy pirates to start with a proper wardrobe. - -Gradually their talk died out and drowsiness began to steal upon the -eyelids of the little waifs. The pipe dropped from the fingers of the -Red-Handed, and he slept the sleep of the conscience-free and the -weary. The Terror of the Seas and the Black Avenger of the Spanish Main -had more difficulty in getting to sleep. They said their prayers -inwardly, and lying down, since there was nobody there with authority -to make them kneel and recite aloud; in truth, they had a mind not to -say them at all, but they were afraid to proceed to such lengths as -that, lest they might call down a sudden and special thunderbolt from -heaven. Then at once they reached and hovered upon the imminent verge -of sleep--but an intruder came, now, that would not "down." It was -conscience. They began to feel a vague fear that they had been doing -wrong to run away; and next they thought of the stolen meat, and then -the real torture came. They tried to argue it away by reminding -conscience that they had purloined sweetmeats and apples scores of -times; but conscience was not to be appeased by such thin -plausibilities; it seemed to them, in the end, that there was no -getting around the stubborn fact that taking sweetmeats was only -"hooking," while taking bacon and hams and such valuables was plain -simple stealing--and there was a command against that in the Bible. So -they inwardly resolved that so long as they remained in the business, -their piracies should not again be sullied with the crime of stealing. -Then conscience granted a truce, and these curiously inconsistent -pirates fell peacefully to sleep. - - - -CHAPTER XIV - -WHEN Tom awoke in the morning, he wondered where he was. He sat up and -rubbed his eyes and looked around. Then he comprehended. It was the -cool gray dawn, and there was a delicious sense of repose and peace in -the deep pervading calm and silence of the woods. Not a leaf stirred; -not a sound obtruded upon great Nature's meditation. Beaded dewdrops -stood upon the leaves and grasses. A white layer of ashes covered the -fire, and a thin blue breath of smoke rose straight into the air. Joe -and Huck still slept. - -Now, far away in the woods a bird called; another answered; presently -the hammering of a woodpecker was heard. Gradually the cool dim gray of -the morning whitened, and as gradually sounds multiplied and life -manifested itself. The marvel of Nature shaking off sleep and going to -work unfolded itself to the musing boy. A little green worm came -crawling over a dewy leaf, lifting two-thirds of his body into the air -from time to time and "sniffing around," then proceeding again--for he -was measuring, Tom said; and when the worm approached him, of its own -accord, he sat as still as a stone, with his hopes rising and falling, -by turns, as the creature still came toward him or seemed inclined to -go elsewhere; and when at last it considered a painful moment with its -curved body in the air and then came decisively down upon Tom's leg and -began a journey over him, his whole heart was glad--for that meant that -he was going to have a new suit of clothes--without the shadow of a -doubt a gaudy piratical uniform. Now a procession of ants appeared, -from nowhere in particular, and went about their labors; one struggled -manfully by with a dead spider five times as big as itself in its arms, -and lugged it straight up a tree-trunk. A brown spotted lady-bug -climbed the dizzy height of a grass blade, and Tom bent down close to -it and said, "Lady-bug, lady-bug, fly away home, your house is on fire, -your children's alone," and she took wing and went off to see about it ---which did not surprise the boy, for he knew of old that this insect was -credulous about conflagrations, and he had practised upon its -simplicity more than once. A tumblebug came next, heaving sturdily at -its ball, and Tom touched the creature, to see it shut its legs against -its body and pretend to be dead. The birds were fairly rioting by this -time. A catbird, the Northern mocker, lit in a tree over Tom's head, -and trilled out her imitations of her neighbors in a rapture of -enjoyment; then a shrill jay swept down, a flash of blue flame, and -stopped on a twig almost within the boy's reach, cocked his head to one -side and eyed the strangers with a consuming curiosity; a gray squirrel -and a big fellow of the "fox" kind came skurrying along, sitting up at -intervals to inspect and chatter at the boys, for the wild things had -probably never seen a human being before and scarcely knew whether to -be afraid or not. All Nature was wide awake and stirring, now; long -lances of sunlight pierced down through the dense foliage far and near, -and a few butterflies came fluttering upon the scene. - -Tom stirred up the other pirates and they all clattered away with a -shout, and in a minute or two were stripped and chasing after and -tumbling over each other in the shallow limpid water of the white -sandbar. They felt no longing for the little village sleeping in the -distance beyond the majestic waste of water. A vagrant current or a -slight rise in the river had carried off their raft, but this only -gratified them, since its going was something like burning the bridge -between them and civilization. - -They came back to camp wonderfully refreshed, glad-hearted, and -ravenous; and they soon had the camp-fire blazing up again. Huck found -a spring of clear cold water close by, and the boys made cups of broad -oak or hickory leaves, and felt that water, sweetened with such a -wildwood charm as that, would be a good enough substitute for coffee. -While Joe was slicing bacon for breakfast, Tom and Huck asked him to -hold on a minute; they stepped to a promising nook in the river-bank -and threw in their lines; almost immediately they had reward. Joe had -not had time to get impatient before they were back again with some -handsome bass, a couple of sun-perch and a small catfish--provisions -enough for quite a family. They fried the fish with the bacon, and were -astonished; for no fish had ever seemed so delicious before. They did -not know that the quicker a fresh-water fish is on the fire after he is -caught the better he is; and they reflected little upon what a sauce -open-air sleeping, open-air exercise, bathing, and a large ingredient -of hunger make, too. - -They lay around in the shade, after breakfast, while Huck had a smoke, -and then went off through the woods on an exploring expedition. They -tramped gayly along, over decaying logs, through tangled underbrush, -among solemn monarchs of the forest, hung from their crowns to the -ground with a drooping regalia of grape-vines. Now and then they came -upon snug nooks carpeted with grass and jeweled with flowers. - -They found plenty of things to be delighted with, but nothing to be -astonished at. They discovered that the island was about three miles -long and a quarter of a mile wide, and that the shore it lay closest to -was only separated from it by a narrow channel hardly two hundred yards -wide. They took a swim about every hour, so it was close upon the -middle of the afternoon when they got back to camp. They were too -hungry to stop to fish, but they fared sumptuously upon cold ham, and -then threw themselves down in the shade to talk. But the talk soon -began to drag, and then died. The stillness, the solemnity that brooded -in the woods, and the sense of loneliness, began to tell upon the -spirits of the boys. They fell to thinking. A sort of undefined longing -crept upon them. This took dim shape, presently--it was budding -homesickness. Even Finn the Red-Handed was dreaming of his doorsteps -and empty hogsheads. But they were all ashamed of their weakness, and -none was brave enough to speak his thought. - -For some time, now, the boys had been dully conscious of a peculiar -sound in the distance, just as one sometimes is of the ticking of a -clock which he takes no distinct note of. But now this mysterious sound -became more pronounced, and forced a recognition. The boys started, -glanced at each other, and then each assumed a listening attitude. -There was a long silence, profound and unbroken; then a deep, sullen -boom came floating down out of the distance. - -"What is it!" exclaimed Joe, under his breath. - -"I wonder," said Tom in a whisper. - -"'Tain't thunder," said Huckleberry, in an awed tone, "becuz thunder--" - -"Hark!" said Tom. "Listen--don't talk." - -They waited a time that seemed an age, and then the same muffled boom -troubled the solemn hush. - -"Let's go and see." - -They sprang to their feet and hurried to the shore toward the town. -They parted the bushes on the bank and peered out over the water. The -little steam ferryboat was about a mile below the village, drifting -with the current. Her broad deck seemed crowded with people. There were -a great many skiffs rowing about or floating with the stream in the -neighborhood of the ferryboat, but the boys could not determine what -the men in them were doing. Presently a great jet of white smoke burst -from the ferryboat's side, and as it expanded and rose in a lazy cloud, -that same dull throb of sound was borne to the listeners again. - -"I know now!" exclaimed Tom; "somebody's drownded!" - -"That's it!" said Huck; "they done that last summer, when Bill Turner -got drownded; they shoot a cannon over the water, and that makes him -come up to the top. Yes, and they take loaves of bread and put -quicksilver in 'em and set 'em afloat, and wherever there's anybody -that's drownded, they'll float right there and stop." - -"Yes, I've heard about that," said Joe. "I wonder what makes the bread -do that." - -"Oh, it ain't the bread, so much," said Tom; "I reckon it's mostly -what they SAY over it before they start it out." - -"But they don't say anything over it," said Huck. "I've seen 'em and -they don't." - -"Well, that's funny," said Tom. "But maybe they say it to themselves. -Of COURSE they do. Anybody might know that." - -The other boys agreed that there was reason in what Tom said, because -an ignorant lump of bread, uninstructed by an incantation, could not be -expected to act very intelligently when set upon an errand of such -gravity. - -"By jings, I wish I was over there, now," said Joe. - -"I do too" said Huck "I'd give heaps to know who it is." - -The boys still listened and watched. Presently a revealing thought -flashed through Tom's mind, and he exclaimed: - -"Boys, I know who's drownded--it's us!" - -They felt like heroes in an instant. Here was a gorgeous triumph; they -were missed; they were mourned; hearts were breaking on their account; -tears were being shed; accusing memories of unkindness to these poor -lost lads were rising up, and unavailing regrets and remorse were being -indulged; and best of all, the departed were the talk of the whole -town, and the envy of all the boys, as far as this dazzling notoriety -was concerned. This was fine. It was worth while to be a pirate, after -all. - -As twilight drew on, the ferryboat went back to her accustomed -business and the skiffs disappeared. The pirates returned to camp. They -were jubilant with vanity over their new grandeur and the illustrious -trouble they were making. They caught fish, cooked supper and ate it, -and then fell to guessing at what the village was thinking and saying -about them; and the pictures they drew of the public distress on their -account were gratifying to look upon--from their point of view. But -when the shadows of night closed them in, they gradually ceased to -talk, and sat gazing into the fire, with their minds evidently -wandering elsewhere. The excitement was gone, now, and Tom and Joe -could not keep back thoughts of certain persons at home who were not -enjoying this fine frolic as much as they were. Misgivings came; they -grew troubled and unhappy; a sigh or two escaped, unawares. By and by -Joe timidly ventured upon a roundabout "feeler" as to how the others -might look upon a return to civilization--not right now, but-- - -Tom withered him with derision! Huck, being uncommitted as yet, joined -in with Tom, and the waverer quickly "explained," and was glad to get -out of the scrape with as little taint of chicken-hearted homesickness -clinging to his garments as he could. Mutiny was effectually laid to -rest for the moment. - -As the night deepened, Huck began to nod, and presently to snore. Joe -followed next. Tom lay upon his elbow motionless, for some time, -watching the two intently. At last he got up cautiously, on his knees, -and went searching among the grass and the flickering reflections flung -by the camp-fire. He picked up and inspected several large -semi-cylinders of the thin white bark of a sycamore, and finally chose -two which seemed to suit him. Then he knelt by the fire and painfully -wrote something upon each of these with his "red keel"; one he rolled up -and put in his jacket pocket, and the other he put in Joe's hat and -removed it to a little distance from the owner. And he also put into the -hat certain schoolboy treasures of almost inestimable value--among them -a lump of chalk, an India-rubber ball, three fishhooks, and one of that -kind of marbles known as a "sure 'nough crystal." Then he tiptoed his -way cautiously among the trees till he felt that he was out of hearing, -and straightway broke into a keen run in the direction of the sandbar. - - - -CHAPTER XV - -A FEW minutes later Tom was in the shoal water of the bar, wading -toward the Illinois shore. Before the depth reached his middle he was -half-way over; the current would permit no more wading, now, so he -struck out confidently to swim the remaining hundred yards. He swam -quartering upstream, but still was swept downward rather faster than he -had expected. However, he reached the shore finally, and drifted along -till he found a low place and drew himself out. He put his hand on his -jacket pocket, found his piece of bark safe, and then struck through -the woods, following the shore, with streaming garments. Shortly before -ten o'clock he came out into an open place opposite the village, and -saw the ferryboat lying in the shadow of the trees and the high bank. -Everything was quiet under the blinking stars. He crept down the bank, -watching with all his eyes, slipped into the water, swam three or four -strokes and climbed into the skiff that did "yawl" duty at the boat's -stern. He laid himself down under the thwarts and waited, panting. - -Presently the cracked bell tapped and a voice gave the order to "cast -off." A minute or two later the skiff's head was standing high up, -against the boat's swell, and the voyage was begun. Tom felt happy in -his success, for he knew it was the boat's last trip for the night. At -the end of a long twelve or fifteen minutes the wheels stopped, and Tom -slipped overboard and swam ashore in the dusk, landing fifty yards -downstream, out of danger of possible stragglers. - -He flew along unfrequented alleys, and shortly found himself at his -aunt's back fence. He climbed over, approached the "ell," and looked in -at the sitting-room window, for a light was burning there. There sat -Aunt Polly, Sid, Mary, and Joe Harper's mother, grouped together, -talking. They were by the bed, and the bed was between them and the -door. Tom went to the door and began to softly lift the latch; then he -pressed gently and the door yielded a crack; he continued pushing -cautiously, and quaking every time it creaked, till he judged he might -squeeze through on his knees; so he put his head through and began, -warily. - -"What makes the candle blow so?" said Aunt Polly. Tom hurried up. -"Why, that door's open, I believe. Why, of course it is. No end of -strange things now. Go 'long and shut it, Sid." - -Tom disappeared under the bed just in time. He lay and "breathed" -himself for a time, and then crept to where he could almost touch his -aunt's foot. - -"But as I was saying," said Aunt Polly, "he warn't BAD, so to say ---only mischEEvous. Only just giddy, and harum-scarum, you know. He -warn't any more responsible than a colt. HE never meant any harm, and -he was the best-hearted boy that ever was"--and she began to cry. - -"It was just so with my Joe--always full of his devilment, and up to -every kind of mischief, but he was just as unselfish and kind as he -could be--and laws bless me, to think I went and whipped him for taking -that cream, never once recollecting that I throwed it out myself -because it was sour, and I never to see him again in this world, never, -never, never, poor abused boy!" And Mrs. Harper sobbed as if her heart -would break. - -"I hope Tom's better off where he is," said Sid, "but if he'd been -better in some ways--" - -"SID!" Tom felt the glare of the old lady's eye, though he could not -see it. "Not a word against my Tom, now that he's gone! God'll take -care of HIM--never you trouble YOURself, sir! Oh, Mrs. Harper, I don't -know how to give him up! I don't know how to give him up! He was such a -comfort to me, although he tormented my old heart out of me, 'most." - -"The Lord giveth and the Lord hath taken away--Blessed be the name of -the Lord! But it's so hard--Oh, it's so hard! Only last Saturday my -Joe busted a firecracker right under my nose and I knocked him -sprawling. Little did I know then, how soon--Oh, if it was to do over -again I'd hug him and bless him for it." - -"Yes, yes, yes, I know just how you feel, Mrs. Harper, I know just -exactly how you feel. No longer ago than yesterday noon, my Tom took -and filled the cat full of Pain-killer, and I did think the cretur -would tear the house down. And God forgive me, I cracked Tom's head -with my thimble, poor boy, poor dead boy. But he's out of all his -troubles now. And the last words I ever heard him say was to reproach--" - -But this memory was too much for the old lady, and she broke entirely -down. Tom was snuffling, now, himself--and more in pity of himself than -anybody else. He could hear Mary crying, and putting in a kindly word -for him from time to time. He began to have a nobler opinion of himself -than ever before. Still, he was sufficiently touched by his aunt's -grief to long to rush out from under the bed and overwhelm her with -joy--and the theatrical gorgeousness of the thing appealed strongly to -his nature, too, but he resisted and lay still. - -He went on listening, and gathered by odds and ends that it was -conjectured at first that the boys had got drowned while taking a swim; -then the small raft had been missed; next, certain boys said the -missing lads had promised that the village should "hear something" -soon; the wise-heads had "put this and that together" and decided that -the lads had gone off on that raft and would turn up at the next town -below, presently; but toward noon the raft had been found, lodged -against the Missouri shore some five or six miles below the village ---and then hope perished; they must be drowned, else hunger would have -driven them home by nightfall if not sooner. It was believed that the -search for the bodies had been a fruitless effort merely because the -drowning must have occurred in mid-channel, since the boys, being good -swimmers, would otherwise have escaped to shore. This was Wednesday -night. If the bodies continued missing until Sunday, all hope would be -given over, and the funerals would be preached on that morning. Tom -shuddered. - -Mrs. Harper gave a sobbing good-night and turned to go. Then with a -mutual impulse the two bereaved women flung themselves into each -other's arms and had a good, consoling cry, and then parted. Aunt Polly -was tender far beyond her wont, in her good-night to Sid and Mary. Sid -snuffled a bit and Mary went off crying with all her heart. - -Aunt Polly knelt down and prayed for Tom so touchingly, so -appealingly, and with such measureless love in her words and her old -trembling voice, that he was weltering in tears again, long before she -was through. - -He had to keep still long after she went to bed, for she kept making -broken-hearted ejaculations from time to time, tossing unrestfully, and -turning over. But at last she was still, only moaning a little in her -sleep. Now the boy stole out, rose gradually by the bedside, shaded the -candle-light with his hand, and stood regarding her. His heart was full -of pity for her. He took out his sycamore scroll and placed it by the -candle. But something occurred to him, and he lingered considering. His -face lighted with a happy solution of his thought; he put the bark -hastily in his pocket. Then he bent over and kissed the faded lips, and -straightway made his stealthy exit, latching the door behind him. - -He threaded his way back to the ferry landing, found nobody at large -there, and walked boldly on board the boat, for he knew she was -tenantless except that there was a watchman, who always turned in and -slept like a graven image. He untied the skiff at the stern, slipped -into it, and was soon rowing cautiously upstream. When he had pulled a -mile above the village, he started quartering across and bent himself -stoutly to his work. He hit the landing on the other side neatly, for -this was a familiar bit of work to him. He was moved to capture the -skiff, arguing that it might be considered a ship and therefore -legitimate prey for a pirate, but he knew a thorough search would be -made for it and that might end in revelations. So he stepped ashore and -entered the woods. - -He sat down and took a long rest, torturing himself meanwhile to keep -awake, and then started warily down the home-stretch. The night was far -spent. It was broad daylight before he found himself fairly abreast the -island bar. He rested again until the sun was well up and gilding the -great river with its splendor, and then he plunged into the stream. A -little later he paused, dripping, upon the threshold of the camp, and -heard Joe say: - -"No, Tom's true-blue, Huck, and he'll come back. He won't desert. He -knows that would be a disgrace to a pirate, and Tom's too proud for -that sort of thing. He's up to something or other. Now I wonder what?" - -"Well, the things is ours, anyway, ain't they?" - -Pretty near, but not yet, Huck. The writing says they are if he ain't -back here to breakfast." - -"Which he is!" exclaimed Tom, with fine dramatic effect, stepping -grandly into camp. - -A sumptuous breakfast of bacon and fish was shortly provided, and as -the boys set to work upon it, Tom recounted (and adorned) his -adventures. They were a vain and boastful company of heroes when the -tale was done. Then Tom hid himself away in a shady nook to sleep till -noon, and the other pirates got ready to fish and explore. - - - -CHAPTER XVI - -AFTER dinner all the gang turned out to hunt for turtle eggs on the -bar. They went about poking sticks into the sand, and when they found a -soft place they went down on their knees and dug with their hands. -Sometimes they would take fifty or sixty eggs out of one hole. They -were perfectly round white things a trifle smaller than an English -walnut. They had a famous fried-egg feast that night, and another on -Friday morning. - -After breakfast they went whooping and prancing out on the bar, and -chased each other round and round, shedding clothes as they went, until -they were naked, and then continued the frolic far away up the shoal -water of the bar, against the stiff current, which latter tripped their -legs from under them from time to time and greatly increased the fun. -And now and then they stooped in a group and splashed water in each -other's faces with their palms, gradually approaching each other, with -averted faces to avoid the strangling sprays, and finally gripping and -struggling till the best man ducked his neighbor, and then they all -went under in a tangle of white legs and arms and came up blowing, -sputtering, laughing, and gasping for breath at one and the same time. - -When they were well exhausted, they would run out and sprawl on the -dry, hot sand, and lie there and cover themselves up with it, and by -and by break for the water again and go through the original -performance once more. Finally it occurred to them that their naked -skin represented flesh-colored "tights" very fairly; so they drew a -ring in the sand and had a circus--with three clowns in it, for none -would yield this proudest post to his neighbor. - -Next they got their marbles and played "knucks" and "ring-taw" and -"keeps" till that amusement grew stale. Then Joe and Huck had another -swim, but Tom would not venture, because he found that in kicking off -his trousers he had kicked his string of rattlesnake rattles off his -ankle, and he wondered how he had escaped cramp so long without the -protection of this mysterious charm. He did not venture again until he -had found it, and by that time the other boys were tired and ready to -rest. They gradually wandered apart, dropped into the "dumps," and fell -to gazing longingly across the wide river to where the village lay -drowsing in the sun. Tom found himself writing "BECKY" in the sand with -his big toe; he scratched it out, and was angry with himself for his -weakness. But he wrote it again, nevertheless; he could not help it. He -erased it once more and then took himself out of temptation by driving -the other boys together and joining them. - -But Joe's spirits had gone down almost beyond resurrection. He was so -homesick that he could hardly endure the misery of it. The tears lay -very near the surface. Huck was melancholy, too. Tom was downhearted, -but tried hard not to show it. He had a secret which he was not ready -to tell, yet, but if this mutinous depression was not broken up soon, -he would have to bring it out. He said, with a great show of -cheerfulness: - -"I bet there's been pirates on this island before, boys. We'll explore -it again. They've hid treasures here somewhere. How'd you feel to light -on a rotten chest full of gold and silver--hey?" - -But it roused only faint enthusiasm, which faded out, with no reply. -Tom tried one or two other seductions; but they failed, too. It was -discouraging work. Joe sat poking up the sand with a stick and looking -very gloomy. Finally he said: - -"Oh, boys, let's give it up. I want to go home. It's so lonesome." - -"Oh no, Joe, you'll feel better by and by," said Tom. "Just think of -the fishing that's here." - -"I don't care for fishing. I want to go home." - -"But, Joe, there ain't such another swimming-place anywhere." - -"Swimming's no good. I don't seem to care for it, somehow, when there -ain't anybody to say I sha'n't go in. I mean to go home." - -"Oh, shucks! Baby! You want to see your mother, I reckon." - -"Yes, I DO want to see my mother--and you would, too, if you had one. -I ain't any more baby than you are." And Joe snuffled a little. - -"Well, we'll let the cry-baby go home to his mother, won't we, Huck? -Poor thing--does it want to see its mother? And so it shall. You like -it here, don't you, Huck? We'll stay, won't we?" - -Huck said, "Y-e-s"--without any heart in it. - -"I'll never speak to you again as long as I live," said Joe, rising. -"There now!" And he moved moodily away and began to dress himself. - -"Who cares!" said Tom. "Nobody wants you to. Go 'long home and get -laughed at. Oh, you're a nice pirate. Huck and me ain't cry-babies. -We'll stay, won't we, Huck? Let him go if he wants to. I reckon we can -get along without him, per'aps." - -But Tom was uneasy, nevertheless, and was alarmed to see Joe go -sullenly on with his dressing. And then it was discomforting to see -Huck eying Joe's preparations so wistfully, and keeping up such an -ominous silence. Presently, without a parting word, Joe began to wade -off toward the Illinois shore. Tom's heart began to sink. He glanced at -Huck. Huck could not bear the look, and dropped his eyes. Then he said: - -"I want to go, too, Tom. It was getting so lonesome anyway, and now -it'll be worse. Let's us go, too, Tom." - -"I won't! You can all go, if you want to. I mean to stay." - -"Tom, I better go." - -"Well, go 'long--who's hendering you." - -Huck began to pick up his scattered clothes. He said: - -"Tom, I wisht you'd come, too. Now you think it over. We'll wait for -you when we get to shore." - -"Well, you'll wait a blame long time, that's all." - -Huck started sorrowfully away, and Tom stood looking after him, with a -strong desire tugging at his heart to yield his pride and go along too. -He hoped the boys would stop, but they still waded slowly on. It -suddenly dawned on Tom that it was become very lonely and still. He -made one final struggle with his pride, and then darted after his -comrades, yelling: - -"Wait! Wait! I want to tell you something!" - -They presently stopped and turned around. When he got to where they -were, he began unfolding his secret, and they listened moodily till at -last they saw the "point" he was driving at, and then they set up a -war-whoop of applause and said it was "splendid!" and said if he had -told them at first, they wouldn't have started away. He made a plausible -excuse; but his real reason had been the fear that not even the secret -would keep them with him any very great length of time, and so he had -meant to hold it in reserve as a last seduction. - -The lads came gayly back and went at their sports again with a will, -chattering all the time about Tom's stupendous plan and admiring the -genius of it. After a dainty egg and fish dinner, Tom said he wanted to -learn to smoke, now. Joe caught at the idea and said he would like to -try, too. So Huck made pipes and filled them. These novices had never -smoked anything before but cigars made of grape-vine, and they "bit" -the tongue, and were not considered manly anyway. - -Now they stretched themselves out on their elbows and began to puff, -charily, and with slender confidence. The smoke had an unpleasant -taste, and they gagged a little, but Tom said: - -"Why, it's just as easy! If I'd a knowed this was all, I'd a learnt -long ago." - -"So would I," said Joe. "It's just nothing." - -"Why, many a time I've looked at people smoking, and thought well I -wish I could do that; but I never thought I could," said Tom. - -"That's just the way with me, hain't it, Huck? You've heard me talk -just that way--haven't you, Huck? I'll leave it to Huck if I haven't." - -"Yes--heaps of times," said Huck. - -"Well, I have too," said Tom; "oh, hundreds of times. Once down by the -slaughter-house. Don't you remember, Huck? Bob Tanner was there, and -Johnny Miller, and Jeff Thatcher, when I said it. Don't you remember, -Huck, 'bout me saying that?" - -"Yes, that's so," said Huck. "That was the day after I lost a white -alley. No, 'twas the day before." - -"There--I told you so," said Tom. "Huck recollects it." - -"I bleeve I could smoke this pipe all day," said Joe. "I don't feel -sick." - -"Neither do I," said Tom. "I could smoke it all day. But I bet you -Jeff Thatcher couldn't." - -"Jeff Thatcher! Why, he'd keel over just with two draws. Just let him -try it once. HE'D see!" - -"I bet he would. And Johnny Miller--I wish could see Johnny Miller -tackle it once." - -"Oh, don't I!" said Joe. "Why, I bet you Johnny Miller couldn't any -more do this than nothing. Just one little snifter would fetch HIM." - -"'Deed it would, Joe. Say--I wish the boys could see us now." - -"So do I." - -"Say--boys, don't say anything about it, and some time when they're -around, I'll come up to you and say, 'Joe, got a pipe? I want a smoke.' -And you'll say, kind of careless like, as if it warn't anything, you'll -say, 'Yes, I got my OLD pipe, and another one, but my tobacker ain't -very good.' And I'll say, 'Oh, that's all right, if it's STRONG -enough.' And then you'll out with the pipes, and we'll light up just as -ca'm, and then just see 'em look!" - -"By jings, that'll be gay, Tom! I wish it was NOW!" - -"So do I! And when we tell 'em we learned when we was off pirating, -won't they wish they'd been along?" - -"Oh, I reckon not! I'll just BET they will!" - -So the talk ran on. But presently it began to flag a trifle, and grow -disjointed. The silences widened; the expectoration marvellously -increased. Every pore inside the boys' cheeks became a spouting -fountain; they could scarcely bail out the cellars under their tongues -fast enough to prevent an inundation; little overflowings down their -throats occurred in spite of all they could do, and sudden retchings -followed every time. Both boys were looking very pale and miserable, -now. Joe's pipe dropped from his nerveless fingers. Tom's followed. -Both fountains were going furiously and both pumps bailing with might -and main. Joe said feebly: - -"I've lost my knife. I reckon I better go and find it." - -Tom said, with quivering lips and halting utterance: - -"I'll help you. You go over that way and I'll hunt around by the -spring. No, you needn't come, Huck--we can find it." - -So Huck sat down again, and waited an hour. Then he found it lonesome, -and went to find his comrades. They were wide apart in the woods, both -very pale, both fast asleep. But something informed him that if they -had had any trouble they had got rid of it. - -They were not talkative at supper that night. They had a humble look, -and when Huck prepared his pipe after the meal and was going to prepare -theirs, they said no, they were not feeling very well--something they -ate at dinner had disagreed with them. - -About midnight Joe awoke, and called the boys. There was a brooding -oppressiveness in the air that seemed to bode something. The boys -huddled themselves together and sought the friendly companionship of -the fire, though the dull dead heat of the breathless atmosphere was -stifling. They sat still, intent and waiting. The solemn hush -continued. Beyond the light of the fire everything was swallowed up in -the blackness of darkness. Presently there came a quivering glow that -vaguely revealed the foliage for a moment and then vanished. By and by -another came, a little stronger. Then another. Then a faint moan came -sighing through the branches of the forest and the boys felt a fleeting -breath upon their cheeks, and shuddered with the fancy that the Spirit -of the Night had gone by. There was a pause. Now a weird flash turned -night into day and showed every little grass-blade, separate and -distinct, that grew about their feet. And it showed three white, -startled faces, too. A deep peal of thunder went rolling and tumbling -down the heavens and lost itself in sullen rumblings in the distance. A -sweep of chilly air passed by, rustling all the leaves and snowing the -flaky ashes broadcast about the fire. Another fierce glare lit up the -forest and an instant crash followed that seemed to rend the tree-tops -right over the boys' heads. They clung together in terror, in the thick -gloom that followed. A few big rain-drops fell pattering upon the -leaves. - -"Quick! boys, go for the tent!" exclaimed Tom. - -They sprang away, stumbling over roots and among vines in the dark, no -two plunging in the same direction. A furious blast roared through the -trees, making everything sing as it went. One blinding flash after -another came, and peal on peal of deafening thunder. And now a -drenching rain poured down and the rising hurricane drove it in sheets -along the ground. The boys cried out to each other, but the roaring -wind and the booming thunder-blasts drowned their voices utterly. -However, one by one they straggled in at last and took shelter under -the tent, cold, scared, and streaming with water; but to have company -in misery seemed something to be grateful for. They could not talk, the -old sail flapped so furiously, even if the other noises would have -allowed them. The tempest rose higher and higher, and presently the -sail tore loose from its fastenings and went winging away on the blast. -The boys seized each others' hands and fled, with many tumblings and -bruises, to the shelter of a great oak that stood upon the river-bank. -Now the battle was at its highest. Under the ceaseless conflagration of -lightning that flamed in the skies, everything below stood out in -clean-cut and shadowless distinctness: the bending trees, the billowy -river, white with foam, the driving spray of spume-flakes, the dim -outlines of the high bluffs on the other side, glimpsed through the -drifting cloud-rack and the slanting veil of rain. Every little while -some giant tree yielded the fight and fell crashing through the younger -growth; and the unflagging thunder-peals came now in ear-splitting -explosive bursts, keen and sharp, and unspeakably appalling. The storm -culminated in one matchless effort that seemed likely to tear the island -to pieces, burn it up, drown it to the tree-tops, blow it away, and -deafen every creature in it, all at one and the same moment. It was a -wild night for homeless young heads to be out in. - -But at last the battle was done, and the forces retired with weaker -and weaker threatenings and grumblings, and peace resumed her sway. The -boys went back to camp, a good deal awed; but they found there was -still something to be thankful for, because the great sycamore, the -shelter of their beds, was a ruin, now, blasted by the lightnings, and -they were not under it when the catastrophe happened. - -Everything in camp was drenched, the camp-fire as well; for they were -but heedless lads, like their generation, and had made no provision -against rain. Here was matter for dismay, for they were soaked through -and chilled. They were eloquent in their distress; but they presently -discovered that the fire had eaten so far up under the great log it had -been built against (where it curved upward and separated itself from -the ground), that a handbreadth or so of it had escaped wetting; so -they patiently wrought until, with shreds and bark gathered from the -under sides of sheltered logs, they coaxed the fire to burn again. Then -they piled on great dead boughs till they had a roaring furnace, and -were glad-hearted once more. They dried their boiled ham and had a -feast, and after that they sat by the fire and expanded and glorified -their midnight adventure until morning, for there was not a dry spot to -sleep on, anywhere around. - -As the sun began to steal in upon the boys, drowsiness came over them, -and they went out on the sandbar and lay down to sleep. They got -scorched out by and by, and drearily set about getting breakfast. After -the meal they felt rusty, and stiff-jointed, and a little homesick once -more. Tom saw the signs, and fell to cheering up the pirates as well as -he could. But they cared nothing for marbles, or circus, or swimming, -or anything. He reminded them of the imposing secret, and raised a ray -of cheer. While it lasted, he got them interested in a new device. This -was to knock off being pirates, for a while, and be Indians for a -change. They were attracted by this idea; so it was not long before -they were stripped, and striped from head to heel with black mud, like -so many zebras--all of them chiefs, of course--and then they went -tearing through the woods to attack an English settlement. - -By and by they separated into three hostile tribes, and darted upon -each other from ambush with dreadful war-whoops, and killed and scalped -each other by thousands. It was a gory day. Consequently it was an -extremely satisfactory one. - -They assembled in camp toward supper-time, hungry and happy; but now a -difficulty arose--hostile Indians could not break the bread of -hospitality together without first making peace, and this was a simple -impossibility without smoking a pipe of peace. There was no other -process that ever they had heard of. Two of the savages almost wished -they had remained pirates. However, there was no other way; so with -such show of cheerfulness as they could muster they called for the pipe -and took their whiff as it passed, in due form. - -And behold, they were glad they had gone into savagery, for they had -gained something; they found that they could now smoke a little without -having to go and hunt for a lost knife; they did not get sick enough to -be seriously uncomfortable. They were not likely to fool away this high -promise for lack of effort. No, they practised cautiously, after -supper, with right fair success, and so they spent a jubilant evening. -They were prouder and happier in their new acquirement than they would -have been in the scalping and skinning of the Six Nations. We will -leave them to smoke and chatter and brag, since we have no further use -for them at present. - - - -CHAPTER XVII - -BUT there was no hilarity in the little town that same tranquil -Saturday afternoon. The Harpers, and Aunt Polly's family, were being -put into mourning, with great grief and many tears. An unusual quiet -possessed the village, although it was ordinarily quiet enough, in all -conscience. The villagers conducted their concerns with an absent air, -and talked little; but they sighed often. The Saturday holiday seemed a -burden to the children. They had no heart in their sports, and -gradually gave them up. - -In the afternoon Becky Thatcher found herself moping about the -deserted schoolhouse yard, and feeling very melancholy. But she found -nothing there to comfort her. She soliloquized: - -"Oh, if I only had a brass andiron-knob again! But I haven't got -anything now to remember him by." And she choked back a little sob. - -Presently she stopped, and said to herself: - -"It was right here. Oh, if it was to do over again, I wouldn't say -that--I wouldn't say it for the whole world. But he's gone now; I'll -never, never, never see him any more." - -This thought broke her down, and she wandered away, with tears rolling -down her cheeks. Then quite a group of boys and girls--playmates of -Tom's and Joe's--came by, and stood looking over the paling fence and -talking in reverent tones of how Tom did so-and-so the last time they -saw him, and how Joe said this and that small trifle (pregnant with -awful prophecy, as they could easily see now!)--and each speaker -pointed out the exact spot where the lost lads stood at the time, and -then added something like "and I was a-standing just so--just as I am -now, and as if you was him--I was as close as that--and he smiled, just -this way--and then something seemed to go all over me, like--awful, you -know--and I never thought what it meant, of course, but I can see now!" - -Then there was a dispute about who saw the dead boys last in life, and -many claimed that dismal distinction, and offered evidences, more or -less tampered with by the witness; and when it was ultimately decided -who DID see the departed last, and exchanged the last words with them, -the lucky parties took upon themselves a sort of sacred importance, and -were gaped at and envied by all the rest. One poor chap, who had no -other grandeur to offer, said with tolerably manifest pride in the -remembrance: - -"Well, Tom Sawyer he licked me once." - -But that bid for glory was a failure. Most of the boys could say that, -and so that cheapened the distinction too much. The group loitered -away, still recalling memories of the lost heroes, in awed voices. - -When the Sunday-school hour was finished, the next morning, the bell -began to toll, instead of ringing in the usual way. It was a very still -Sabbath, and the mournful sound seemed in keeping with the musing hush -that lay upon nature. The villagers began to gather, loitering a moment -in the vestibule to converse in whispers about the sad event. But there -was no whispering in the house; only the funereal rustling of dresses -as the women gathered to their seats disturbed the silence there. None -could remember when the little church had been so full before. There -was finally a waiting pause, an expectant dumbness, and then Aunt Polly -entered, followed by Sid and Mary, and they by the Harper family, all -in deep black, and the whole congregation, the old minister as well, -rose reverently and stood until the mourners were seated in the front -pew. There was another communing silence, broken at intervals by -muffled sobs, and then the minister spread his hands abroad and prayed. -A moving hymn was sung, and the text followed: "I am the Resurrection -and the Life." - -As the service proceeded, the clergyman drew such pictures of the -graces, the winning ways, and the rare promise of the lost lads that -every soul there, thinking he recognized these pictures, felt a pang in -remembering that he had persistently blinded himself to them always -before, and had as persistently seen only faults and flaws in the poor -boys. The minister related many a touching incident in the lives of the -departed, too, which illustrated their sweet, generous natures, and the -people could easily see, now, how noble and beautiful those episodes -were, and remembered with grief that at the time they occurred they had -seemed rank rascalities, well deserving of the cowhide. The -congregation became more and more moved, as the pathetic tale went on, -till at last the whole company broke down and joined the weeping -mourners in a chorus of anguished sobs, the preacher himself giving way -to his feelings, and crying in the pulpit. - -There was a rustle in the gallery, which nobody noticed; a moment -later the church door creaked; the minister raised his streaming eyes -above his handkerchief, and stood transfixed! First one and then -another pair of eyes followed the minister's, and then almost with one -impulse the congregation rose and stared while the three dead boys came -marching up the aisle, Tom in the lead, Joe next, and Huck, a ruin of -drooping rags, sneaking sheepishly in the rear! They had been hid in -the unused gallery listening to their own funeral sermon! - -Aunt Polly, Mary, and the Harpers threw themselves upon their restored -ones, smothered them with kisses and poured out thanksgivings, while -poor Huck stood abashed and uncomfortable, not knowing exactly what to -do or where to hide from so many unwelcoming eyes. He wavered, and -started to slink away, but Tom seized him and said: - -"Aunt Polly, it ain't fair. Somebody's got to be glad to see Huck." - -"And so they shall. I'm glad to see him, poor motherless thing!" And -the loving attentions Aunt Polly lavished upon him were the one thing -capable of making him more uncomfortable than he was before. - -Suddenly the minister shouted at the top of his voice: "Praise God -from whom all blessings flow--SING!--and put your hearts in it!" - -And they did. Old Hundred swelled up with a triumphant burst, and -while it shook the rafters Tom Sawyer the Pirate looked around upon the -envying juveniles about him and confessed in his heart that this was -the proudest moment of his life. - -As the "sold" congregation trooped out they said they would almost be -willing to be made ridiculous again to hear Old Hundred sung like that -once more. - -Tom got more cuffs and kisses that day--according to Aunt Polly's -varying moods--than he had earned before in a year; and he hardly knew -which expressed the most gratefulness to God and affection for himself. - - - - - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE ADVENTURES OF TOM SAWYER, PART 4. *** - - - - -Updated editions will replace the previous one—the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away—you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE - -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project Gutenberg™ -electronic works - -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at www.gutenberg.org. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: - - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg™ - -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. - -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit www.gutenberg.org/donate. - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate. - -Section 5. General Information About Project Gutenberg™ electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. - -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org. - -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - -