CK

editions/DHARMA_CritEdCandrakirana.xml

@@ -2751,9 +2751,9 @@ nihan <app rend="hide"><lem wit="#edlc #msja #msba #msbb #msbp">vartanya</lem><r
 <div type="metrical" rend="met" met="vilāsinī">
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 <lg xml:id="candrakirana_14.03.85" n="85">
-<app><lem wit="#msbp"><l n="a">hayvāmbək taṅ harəp licin turuṅ atiṅgal iṅ viṣayaniṅ,</l>
-<l n="b">janmā mevəh rikaṅ vruhiṅ bvat aməgat daśendriya madəg,</l>
-<l n="c">āpan maṅgəh purihnikaṅ dadi jənək rikaṅ silih asih,</l></lem><rdg wit="#edlc #msja #msjb #msjc #msba #msbb"><gap reason="omitted"/></rdg><note>From the seven witnesses I have examined, only <ptr target="B16"/> presents a complete sequence of verses, covering stanza 86 to 96. Whether what is presented by <ptr target="B16"/> constitutes an interpolation remains uncertain, especially since there is no clear criteria established to determine whether a text is interpolated. Nevertheless, it is crucial to include the remaining stanza illustrations that align with the principles of <foreign>samavr̥tta</foreign>, <foreign>ardhasamavr̥tta</foreign>, and <foreign>mātrāvr̥tta</foreign>, which traditionally consist of four <foreign>pāda</foreign>s (lines).</note></app>
+<l n="a"><app><lem wit="#msbp"><surplus>hayvāmbək taṅ harəp licin turuṅ atiṅgal iṅ viṣayaniṅ,</surplus></lem><rdg wit="#edlc #msja #msjb #msjc #msba #msbb"><gap reason="omitted"/></rdg></app></l>
+<l n="b"><app><lem wit="#msbp"><surplus>janmā mevəh rikaṅ vruhiṅ bvat aməgat daśendriya madəg,</surplus></lem><rdg wit="#edlc #msja #msjb #msjc #msba #msbb"><gap reason="omitted"/></rdg></app></l>
+<l n="c"><app><lem wit="#msbp"><surplus>āpan maṅgəh purihnikaṅ dadi jənək rikaṅ silih asih,</surplus></lem><rdg wit="#edlc #msja #msjb #msjc #msba #msbb"><gap reason="omitted"/></rdg><note>From the seven witnesses I have examined, only <ptr target="B16"/> presents a complete sequence of verses, covering stanza 86 to 96. Whether what is presented by <ptr target="B16"/> constitutes an interpolation remains uncertain, especially since there is no clear criteria established to determine whether a text is interpolated. Nevertheless, it is crucial to include the remaining stanza illustrations that align with the principles of <foreign>samavr̥tta</foreign>, <foreign>ardhasamavr̥tta</foreign>, and <foreign>mātrāvr̥tta</foreign>, which traditionally consist of four <foreign>pāda</foreign>s (lines).</note></app></l>
 <l n="d"><app rend="hide"><lem wit="#edlc #msja #msjc #msba #msbb #msbp">lvirniṅ</lem><rdg wit="#msjb">lirniṅ</rdg></app> <app><lem wit="#edlc #msja #msjb #msjc #msbb">devīvilāsinī</lem><rdg wit="#msba">devivilasina</rdg><rdg wit="#msbp">devīlaśīṇi</rdg></app> kita ya <app><lem wit="#edlc #msja #msjb #msjc #msba #msbb">tāparək</lem><rdg wit="#msbp">tahāparək</rdg></app> <app><lem wit="#edlc #msja #msjb">mapak atah<span type="omissionStart"/></lem><rdg wit="#msjc">makatah<span type="omissionStart"/></rdg><rdg wit="#msba">mapat atah<span type="omissionStart"/></rdg><rdg wit="#msbb">mapat atah<span type="omissionStart"/></rdg><rdg wit="#msbp">atāh</rdg></app>. [89]</l></lg>
 </div>