J.S. Bach: Die Kunst der Fuge (BWV1080) - use a dashed-line as VoiceF…

…ollower style Signed-off-by: Davide Madrisan <[email protected]>
madrisan · Oct 4, 2024 · b07d810 · b07d810
1 parent 10be082
commit b07d810
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diff --git a/CHANGELOG.md b/CHANGELOG.md
@@ -16,6 +16,7 @@ The format is based on [Keep a Changelog](https://keepachangelog.com/en/1.0.0/).
 
 - J.S. Bach: Das wohltemperierte Klavier – number of voices of the fugues as in Bach's manuscript
 - J.S. Bach: Die Kunst der Fuge (BWV1080) - automatic page number in the index using \page-ref
+- J.S. Bach: Die Kunst der Fuge (BWV1080) - use a dashed-line as VoiceFollower style
 
 ### Fixed
 

diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/01-contrapunctus-I.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/01-contrapunctus-I.ly
@@ -339,7 +339,7 @@ Bass = \context Voice = "four" \relative c {
       \column {
          \concat {
            \normal-text { "[H.A.Kellner] " }
-           "158 = Die(18) + Kunst(80) + der(26) + Fuga(34) = Johann(58) + Sebastian(86) + Bach(14)"
+           "Die(18) + Kunst(80) + der(26) + Fuga(34) = Johann(58) + Sebastian(86) + Bach(14) = 158"
          }
          \raise #0.8
          \concat {
@@ -502,6 +502,7 @@ Bass = \context Voice = "four" \relative c {
       \override TextScript.font-shape = #'italic
       \override TextScript.font-size = #-2
       \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
     }
   }
   \midi { \tempo 4=84 }

diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/02-contrapunctus-II.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/02-contrapunctus-II.ly
@@ -101,7 +101,7 @@ Soprano = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor  | s1*8
+  | s1*8
   | \stemUp
     \highlightSubjectFirst { d2^\markup \subject #'(0 . 0) #1 a'
   %10
@@ -225,7 +225,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | s1*4
   %5
   | \highlightSubjectFirst { a2-\markup \subject #'(0 . 0) #1 d
@@ -495,6 +494,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=140 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/03-contrapunctus-III.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/03-contrapunctus-III.ly
@@ -182,7 +182,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   %1
   | \stemDown
     \highlightSubjectFirstInv { d2^\markup \scale #'(1 . -1) \subject #'(0 . 0) #1 a
@@ -398,6 +397,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=115 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/04-contrapunctus-IV.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/04-contrapunctus-IV.ly
@@ -174,7 +174,6 @@ Soprano = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | s1*4
   %5
   | \staffLower
@@ -350,7 +349,6 @@ Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \mergeDifferentlyDottedOn
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | R1*4
   | s1*6
   | \stemDown
@@ -743,6 +741,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=180 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/05-contrapunctus-V.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/05-contrapunctus-V.ly
@@ -270,7 +270,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | \override MultiMeasureRest.staff-position = #0
     R1*3
   | s1*6
@@ -574,6 +573,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=120 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/06-contrapunctus-VI.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/06-contrapunctus-VI.ly
@@ -227,7 +227,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | s1*6
   | \highlightSubjectFirstInv { d4^\markup \scale #'(1 . -1) \subject #'(2.5 . 0) #1 a8. b16 c8. d16 e4
   | f e8. d16 c4~ c16 b c d
@@ -488,6 +487,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=100 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/07-contrapunctus-VII.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/07-contrapunctus-VII.ly
@@ -108,7 +108,6 @@ Soprano = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | s1*2
   | \highlightSubjectFirstInv { d'4_\markup \scale #'(1 . -1) \subject #'(0.8 . 0) #1 a8. b16 c8. d16 e4
   | f e8. d16 cis4~ cis16 a b cis
@@ -206,7 +205,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   %1
   | \staffUpper
     \stemDown
@@ -440,6 +438,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=100 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/08-contrapunctus-VIII.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/08-contrapunctus-VIII.ly
@@ -231,7 +231,6 @@ Soprano = \context Voice = "one" \relative c'' {
 
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
-  \override VoiceFollower.color = \greyTextColor
   %1
   | \staffLower
     \stemUp
@@ -878,6 +877,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=140 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/09-contrapunctus-IX.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/09-contrapunctus-IX.ly
@@ -328,7 +328,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | \override MultiMeasureRest.staff-position = #0
     R1*14
   %15
@@ -637,6 +636,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=220 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/10-contrapunctus-X.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/10-contrapunctus-X.ly
@@ -161,7 +161,6 @@ Sopran = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   \stemDown\tieUp
   %1
   | \highlightSubjectFirst { r4_\markup \subject #'(0 . 0) #1 cis d a
@@ -321,7 +320,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | R1*2
   | f,2\rest \highlightSubjectFirst { f4\rest^\markup \subject #'(1 . 0) #1 fis
   | g d r bes'
@@ -673,6 +671,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4=90 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/11-contrapunctus-XI.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/11-contrapunctus-XI.ly
@@ -243,7 +243,6 @@ Sopran = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   %1
   | \highlightSubjectFirst { r4_\markup \subject #'(0 . 0) #1 d a' g
   | r f e d
@@ -514,7 +513,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | \override MultiMeasureRest.staff-position = #0
     R1*8
   | \override MultiMeasureRest.staff-position = #6
@@ -1109,6 +1107,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4 = 75 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/12-contrapunctus-XII-I.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/12-contrapunctus-XII-I.ly
@@ -79,7 +79,6 @@ Sopran = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | s1*3/2*9
   %10
   | \stemUp \highlightSubjectFirst { d2^\markup \subject #'(0 . 0) #1 a'1
@@ -166,7 +165,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | \override MultiMeasureRest.staff-position = #6
     R1*3/2*4
   %5
@@ -385,6 +383,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4 = 140 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/12-contrapunctus-XII-II.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/12-contrapunctus-XII-II.ly
@@ -82,7 +82,6 @@ Sopran = \context Voice = "one" \relative c'' {
 Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | s1*3/2*4
   %5
   | \highlightSubjectFirstInv { d2_\markup \scale #'(1 . -1) \subject #'(1.3 . 0) #1 a1
@@ -212,7 +211,6 @@ Alto = \context Voice = "two" \relative c' {
 Tenor = \context Voice = "three" \relative c' {
   \voiceThree
   \showStaffSwitch
-  \override VoiceFollower.color = \greyTextColor
   | \override MultiMeasureRest.staff-position = #0
     R1*3/2*9
   %10
@@ -399,6 +397,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4 = 144 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/13-contrapunctus-XIII-I.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/13-contrapunctus-XIII-I.ly
@@ -102,7 +102,6 @@ Alto = \context Voice = "two" \relative c' {
   \voiceTwo
   \showStaffSwitch
   \override TupletBracket.bracket-visibility = ##f
-  \override VoiceFollower.color = \greyTextColor
   \partial 4 \highlightSubjectFirstInv { a'4_\markup \scale #'(1 . -1) \subject #'(1.5 . 0) #1
   %1
   | d d,~ \tuplet 3/2 { d8 e f } \tuplet 3/2 { e f g }
@@ -400,6 +399,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4 = 135 }
 }
diff --git a/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/13-contrapunctus-XIII-II.ly b/src/johann-sebastian-bach/die-kunst-der-fuge-BWV1080/parts/13-contrapunctus-XIII-II.ly
@@ -109,7 +109,6 @@ Alto = \context Voice = "two" \relative c' {
   \showStaffSwitch
   \override TupletBracket.bracket-visibility = ##f
   \override TupletNumber.transparent = ##t
-  \override VoiceFollower.color = \greyTextColor
   \partial 4 r4
   | R1*3 %1 to 3
   | r2 r4 \highlightSubjectFirstInv { a'_\markup \scale #'(1 . -1) \subject #'(1.2 . 0) #1
@@ -285,7 +284,6 @@ Bass = \context Voice = "four" \relative c {
   \showStaffSwitch
   \override TupletBracket.bracket-visibility = ##f
   \override TupletNumber.transparent = ##t
-  \override VoiceFollower.color = \greyTextColor
   \partial 4 d4\rest
   | \override MultiMeasureRest.staff-position = #0
     R1*7
@@ -420,6 +418,12 @@ Bass = \context Voice = "four" \relative c {
       }
     }
   }
-  \layout { }
+  \layout {
+    \context {
+      \Voice
+      \override VoiceFollower.color = #greyTextColor
+      \override VoiceFollower.style = #'dashed-line
+    }
+  }
   \midi { \tempo 4 = 144 }
 }